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The increasing global demand for sustainable food production, coupled with the micronutrient limitations of aquaponic systems, calls for innovative fertilization strategies that enhance crop yield and nutritional quality while preserving environmental integrity. This study evaluates the effectiveness of zinc-functionalized calcium carbonate microparticles (Zn-Alg-CaCO₃ MPs) as a smart foliar fertilizer in aquaponics. Tomato plants ( Solanum lycopersicum L. cv. Principe Borghese) were grown in a recirculating aquaponic system and treated with three concentrations of Zn-MPs (10, 50, and 250 ppm) via foliar spray, using a control group treated with water. Each treatment was applied to 15 plants under controlled greenhouse conditions. Yield parameters, antioxidant content, and nutritional quality were assessed. The 250 ppm treatment significantly increased yield per plant (+ 74.9%), number of fruits (+ 44.4%), and average fruit weight (+ 22.1%) compared to control. Antioxidant activity, phenolic, flavonoid, and lycopene content were also enhanced, particularly at the highest dose. Importantly, no increase in zinc was detected in recirculating water, highlighting the environmental safety of foliar application. These findings underscore the potential of Zn-Alg-CaCO₃ MPs as a sustainable solution for precision fertilization in aquaponic agriculture. Further molecular and environmental studies are recommended to optimize and scale this technology.

Over the centuries, humans have developed different systems to protect surfaces from the influence of environmental factors. Protective paints are the most used ones. They have undergone considerable development over the years, especially at the turn of the 19th and 20th centuries. Indeed, between the two centuries, new binders and pigments have been introduced in the constituent materials of paints. The years in which these compounds have been introduced and spread in the paint market allow them to be defined as markers for the dating of paints and painted artifacts. The present work is focused on the study of the paints of two vehicles of the Frankfurt Museum of Communication, i.e., a carriage and a cart, that was designed for the German Postal and Telecommunications Service roughly between 1880 and 1920. The characterization of the paints was performed through in situ non-invasive techniques, i.e., portable optical microscopy and multispectral imaging, and laboratory non-destructive techniques, i.e., FT-IR ATR spectroscopy and SEM-EDS. The analytical investigation and the comparison with the data reported in the literature allowed us to determine the historicity of the paints, which are all dated before the 1950s.

Most of the artworks stored in museums are often kept in inappropriate climatic and environmental conditions that facilitate the formation and growth of microorganisms, such as fungi, which are responsible for many types of biodegradation phenomena. To mitigate and prevent these deteriorative processes, functionalized packaging materials can be used for the storage and handling of artworks. The aim of this study was to develop a potential anti-biodeterioration coating suitable for packaging purposes. TiO2 and ZnO doped with different amounts of Ag (0.5 wt%, 1 wt%, and 3 wt%) were synthesized and dispersed in polyvinyl alcohol (PVA) and acrylic resin (Paraloid B72), then applied on different types of packaging materials (cellulose and the high-density spunbound polyethylene fiber Tyvek®, materials that are frequently used as packaging in museums). Analytical investigations (SEM/EDS, Raman, FTIR, and XRD) were employed to assess dispersion on the packaging material. Furthermore, resistance against biodeteriogens was assessed using Cladosporium sp., a bioluminometer, to define the biocidal efficacy.

In this work, an archeological adhesive collected at Cantagrilli (near Florence) was chemically analyzed by applying gas chromatography/mass spectrometry, infrared spectroscopy, and nuclear magnetic resonance spectrometry combined with the archeobotanical investigations. Data identify triterpenes, aged anhydride, benzoyl resin, and gelatinized starch in the sample. The multi-analytical approach allowed us to identify some molecular compounds, as well as their state of chemical decomposition (especially by applying the mass spectrometry techniques). On the other hand, archeobotanical measurements have provided useful but not unequivocal information regarding the possible origin of triterpenes from some terrestrial plants, combined with the presence of microorganisms and transformed chemicals (such as starch modified into gelatin). All this information is very useful to Prehistoric Archeologists for understanding the cultural processes and technologies used by ancient populations.

The possibility of modifying the surface chemistry of materials and synthetizing inorganic particles in natural aqueous extracts of plants (avoiding calcination), opens the doors to undoubtedly interesting scenarios for innovative functionalization strategies that are increasingly eco-sustainable and rich in interesting chemical–physical and biochemical properties. Among the aerial plants, Satureja montana exhibits interesting antibacterial, antifungal, antimicrobial, and antioxidant activities due to the rich volatile and non-volatile compounds (characterized by gas chromatography–mass spectrometry), contained in the aqueous extracts. For the first time, the latter was applied for the green synthesis of TiO2 and CaCO3 particles, characterized by X-ray diffraction, Raman, infrared spectroscopies, and scanning electron microscopy, coupled with microanalysis. Screening through antimicrobial assays under indoor passive sedimentation conditions showed opposite trends for two kinds of particles. TiO2 anatase spherical particles (400 < φ < 600 nm) increase microbial growth, proportionally to increasing particle concentration. Instead, S. montana-functionalized CaCO3 prismatic microparticles (1 µm × 1 µm × 1 µm) exhibit strong and dose-dependent antimicrobial activities, achieving near-complete inhibition at 50 mg/mL.

Organic solvents are commonly used in restoration treatments, including chromatic reintegration on polychrome artworks. They are often toxic, and their vapors have a high impact on the environment and restorers, possibly causing pathological conditions. Therefore, this study aims at defining a new green solvent that can be used for chromatic reintegration, maintaining the volatility and the desired physical–chemical properties. The dispersion forces value (Fd) of ethyl lactate was taken as reference for a comparison with the proposed solvents, since it was found to be the most used solvent for the dilution of Maimeri Restoration Colors (MRC) and Gamblin Conservation Colors (GCC). Based on the Teas fractional parameters, six solutions based on acetals and ethanol have been proposed and tested. They were mixed with both MRC and GCC, and applied on prepared canvases. The difference between the backgrounds made with reference solvent and the one made with the proposed alternatives was evaluated through spectrocolorimetric measurements. Fourier-transform infrared spectroscopy in the attenuated total reflectance mode (FTIR-ATR) was performed on the applied layers to evaluate the presence of residual solvent inside them, while the volatility of the solvents was assessed by performing gravimetric analysis. The study showed that acetals, acetals’ blends, and acetals–ethanol mixtures represent suitable alternatives for the dilution of Gamblin Conservation Color and Maimeri Restoration Colors.

This study investigates the potential of fatty acid methyl esters (FAME) as environmentally sustainable alternatives to traditional solvents for the removal of low-polarity materials commonly found in cultural heritage artefacts. Recognizing the environmental and health concerns associated with conventional solvents, this research focuses on FAME to remove low/non-polarity or non-polar substances used in cultural heritage preservation. Laboratory samples coated with low molecular synthetic resins (LMW) such as Regalrez 1094 and microcrystalline wax were treated with FAME applied in gel to prevent solvent–substrate interactions. Photographic documentation under UV-vis light, optical microscope observations, and spectrocolorimetric analysis were used for assessing surface “cleanness”, while FTIR-ATR spectroscopy was used to detect possible residue from treatment. Moreover, SEM analysis was used for a better understanding of the results. The best results were obtained using FAME base on methyl stearate according to Hansen-RED.

Bio-colonization is a dynamic and multiphasic process headed by microorganisms. Conventional treatments to process affected stone materials include chemical biocides, whose formulations are mainly composed of quaternary ammonium salts(QAs), reported to be toxic for human health, dangerous for the environment, and not biodegradable. Accordingly, novel green and eco-friendly products are a promising alternative to treat stone materials deteriorated by microorganism colonization. In this study, the efficacy of pure essential oils (EOs) and a mix of EOs was assessed in situ and compared to a conventional biocide based on QAs, and two commercially green products based on EOs, which were taken as references, through application on a mosaic located at the Archaeological Park of Ostia Antica (Rome). The EO biocide efficacy was analyzed by ultraviolet induced luminescence, spectro-colorimetry and bio-luminometry analyses while the possibility of their permanence on simulated substrate was studied by FTIR spectroscopy. It was observed by FTIR analysis, that EOs considered volatile can leave a residue after the application; typical fingerprint bands at about 2926, 1510, and 1455 cm−1 were recorded in the EO spectra. Every tested oil was confirmed to have a biocide action although minimal in relation to the most conventional products based on QAs. The synergy of the essential oils revealed positive results, showing a stronger biocide efficacy. Further investigation should be carried out to develop the method of application and study of essential oils on cultural heritage.

Money Art is a growing contemporary practice where artists transform banknotes into unique visual works. While conceptually powerful, these artworks present significant conservation challenges due to their fragile substrates and complex material compositions. This study investigates the degradation behaviour of UniPosca acrylic markers applied on zero-euro banknotes, drawing on the techniques of artist RichardHTT, and explores bio-based protective strategies suitable for their preservation. Laboratory samples were prepared to replicate the original artwork and subjected to accelerated ageing. A multi-analytical approach was employed, including multispectral imaging, Fourier trasform infrared (FTIR) and Raman spectroscopy, and scanning electron microscopy (SEM-EDS) colorimetric analysis. Thickness and adhesion properties were assessed with contact micrometry and peel tests, while wettability was evaluated through static contact angle measurements. Four biopolymer coatings, chitosan and chitosan–nanocellulose films with varying CNC concentrations, were evaluated for their transparency, mechanical stability, and compatibility with the substrate. Results showed that painted areas, especially those with blue and black pigments, experienced marked degradation, while, after coating application, samples demonstrated improved chromatic stability, hydrophobicity, and adhesion. Importantly, all coatings were fully removable via enzymatic cleaning with α-amylase, confirming their reversibility. This research highlights the potential of chitosan-based biocomposites as conservation materials for non-traditional artworks and contributes to developing tailored, reversible strategies for contemporary art preservation.

In spite of the application of different cleaning procedures, the marble used for the portrait bust of Queen Margherita di Savoia continued to show permanent discoloration, consisting of an unevenly distributed grayish alteration, mainly on the front part. In this work, a multi-analytical, non-invasive approach was proposed using spectrocolorimetry, reflectance spectroscopy and multispectral imaging. The initial assumption, suggesting the presence of altered protective materials based on organic products (such as waxes or oils,) applied in the past according to traditional practices, was excluded, revealing instead the presence of deposits of particulate matter, which penetrated inside the crystalline structure of the marble, leading to a variation in its shade. Cleaning tests were also carried out to define the best product, using sustainable chemicals such as Polar Varnish Rescue®, alkoxyde surfactant, disodium EDTA, GLDA and Politect® Base in order to identify the best methodology and materials for sustainable cleaning, respecting the integrity of the original matter. Politect® Base demonstrated better action in comparison to the other products tested, and similar results were obtained with GLDA, which could be applied in areas where the Politect® is less efficient (e.g., lace).