Explore the vast range of titles available.

Uncover the captivating story of Rose Edouin and G. B. W. Lewis, stars of the 19th-century stage! This dual biography chronicles their extraordinary theatrical adventures across Europe, Australia, and Asia. Explore their rise from London's stages to the gold rush era in Victoria, and their pioneering efforts in bringing Western theatre to India and China. Follow Rose, the versatile actress, and George, the ambitious equestrian and theatre manager, as they navigate the challenges and triumphs of the entertainment world. Discover their influence on popular culture, their complex personal lives, and their lasting impact on the performing arts. * Trace their careers from circus to the stage, and their management of the Academy of Music/Bijou Theatre in Melbourne. * Examine their role as agents of empire, bringing British culture to far-flung colonies. * Gain insights into 19th-century social history through the lens of their theatrical endeavors. For scholars of theatre, circus enthusiasts, and anyone fascinated by the Victorian era, this is a must-read. Discover the forgotten legacy of two remarkable figures who shaped the entertainment landscape of their time.

Informs that waxwork shows were shown around the Australian colonies from at least the 1840s but Melbourne, with its gold prosperity, was home to the longest lasting business. Considers the careers of enterprising ventures of various families during this period. Comments on several famous waxworks shows. Mentions the decreasing popularity of this form of exhibition with the appearance of early cinema and other forms of entertainment.

Discusses George Benjamin William Lewis's first years in Melbourne and the first Melbourne theater with which he was associated, Astley's Amphitheatre, named for the London establishment. Notes that circus gymnast Lewis and hotel keeper Thomas Mooney built Astley's Amphitheatre and in true variety style, they shared the bill with several different acts, including equestrian entertainment. Adds that doubts have been raised about who was the principal in the venture. Discusses various performers and engagements at the Amphitheatre. Indicates that Melbourne's Astley's under the management of G.B.W. Lewis proved much less successful than its London namesake, and on June 17, 1855, Lewis declared himself insolvent.