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A collection of 48 poems, 12 for each of the seasons.

We thank the researchers involved in the MUSGONET project for collection of field data. This study was supported by a 2019 Leonardo Grant for Researchers and Cultural Creators, BBVA Foundation (URBANFUN), and by the BES grant agreement No LRB17\\1019 (MUSGONET). We are grateful for the assistance of Yunyun Hao and Xuemei Han during soil sampling. We also thank Drs. Shuai Du and Xiuli Hao for their help in data analyses. M. D-B. is supported by the projects from the Spanish Ministry of Science and Innovation (PID2020-115813RA-I00) (SOIL4GROWTH) and TED2021-130908B-C41 (URBANCHANGE) funded by MCIN/AEI/10.13039/501100011033, and a project of the Fondo Europeo de Desarrollo Regional (FEDER) and the Consejería de Transformación Económica, Industria, Conocimiento y Universidades of the Junta de Andalucía (FEDER Andalucía 2014-2020 Objetivo temático “01 - Refuerzo de la investigación, el desarrollo tecnológico y la innovación”) associated with the research project P20_00879 (ANDABIOMA). Y-R. L. is supported by the National Natural Science Foundation of China (42177022). M.G.A.H is supported by the Swiss National Science Foundation (310030_188799). D.J.E. is supported by the Hermon Slade Foundation. F.B. and J.L.M. acknowledge support from the Spanish Ministry and FEDER funds for the project AGL2017-85755-R, the I+D+i project PID2020-114942RB-I00 funded by MCIN/AEI/10.13039/501100011033, the i-LINK+2018 (LINKA20069) from CSIC, as well as funds from “Fundación Séneca” from Murcia Province (19896/GERM/15). E.M.-J. was supported by an Experienced Researcher Fellowship of the Humboldt Foundation. E.M-J. and C.P. acknowledge support from the Spanish Ministry of Science and Innovation (PID2020-116578RB-I00). F.A. is supported by ANID FONDECYT 1220358. H-W.H. and J-Z.H. are supported by the project (DP210100332) from Australian Research Council. S.A. is funded by ANID FONDECYT 1170995 and ANID ANILLO ACT192027. MB is supported by a Ramón y Cajal grant from Spanish Ministry of Science (RYC2021-031797-I). The contribution of TG and TUN was supported by the Research Program in Forest Biology, Ecology and Technology (P4-0107) and project V4-3098 of the Slovenian Research Agency. T.P.M. would like to acknowledge contributions from the National Research Foundation of South Africa and cities involved in the South African survey. J.D. and A. Rey acknowledge support from the FCT (IF/00950/2014 and SFRH/BDP/108913/2015, respectively). JPV is thankful to SERB (EEQ/2021/001083) and DST (DST/INT/SL/P-31/2021) and BHU-IoE (6031)-incentive grant for research and development. MCR acknowledges support from an ERC Advanced Grant (694368). AM acknowledged financial support from the PMRF, Ministry of Education - Government of India, India.

\"Pablo Picasso's relationships with both his children and his female companions were often tempestuous and destructive, but they provided the drama on which he fed as he created one groundbreaking work after another. From ceramics to print making to sculpture to photography to poetry, Picasso had a huge appetite for expressing himself through every kind of artistic medium, and he is now considered one of the greatest artists of the 20th century. With bold, powerful oil paintings, David Diaz captures the intensity of a man who once signed a drawing as \"Yo el rey\" or \"I the King.\" Besides beautifully crafted free-verse poems on Picasso's life, there is a back section that includes a glossary, a chronology, sources, notes, and a biographical essa essay.\"--Provided by publisher.