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Uncommon grounds : new media and critical practices in North Africa and the Middle East
\"More and more contemporary artists are using new media in their work, creating new horizons for cultural experimentation and political activism. In this ground-breaking book, internationally renowned and emerging academics, writers, artists, curators, activists and film-makers critically explore the ways in which visual culture has appropriated and developed new media across North Africa and the Middle East. Examining the opportunities presented by the real-time generation of new, relatively unregulated content online, these writers consider the prominent role that new and social media has come to play in artistic practices - as well as social movements - in the Arab world today. Analysing alternative forms of creating, broadcasting, publishing, distributing and consuming images, Uncommon Grounds enquires into a global concern: does new media offer a 'democratisation' of and productive engagement with visual culture, or merely capitalise upon the affect of immediacy at the expense of depth and engagement? Featuring critical analyses and original, full-colour artists' inserts, this is the first book to explore, in depth, the degree to which the grassroots popularity of Twitter and Facebook has been co-opted into the mainstream media's characterisation of 'revolution' - and whether artists should be wary of being co-opted, by mass media, institutions and curators alike, into this 'revolutionary' event. In the process, it reveals the ways in which contemporary art practices not only reflect upon but also actively negotiate present-day notions of social activism and political engagement.\"--Publisher description.
Book
Uncommon grounds : new media and critical practices in North Africa and the Middle East
In this groundbreaking book, a range of internationally renowned and emerging academics, writers, artists, curators, activists and filmmakers critically reflect on the ways in which visual culture has appropriated and developed new media across North Africa and the Middle East. Examining the opportunities presented by the real-time generation of new, relatively unregulated content online, Uncommon Grounds evaluates the prominent role that new media has come to play in artistic practices - and social movements - in the Arab world today. Analysing alternative forms of creating, broadcasting, publishing, distributing and consuming digital images, this book also enquires into a broader global concern: does new media offer a 'democratisation' of - and a productive engagement with - visual culture, or merely capitalise upon the effect of immediacy at the expense of depth?Featuring full-colour artists' inserts, this is the first book to extensively explore the degree to which the grassroots popularity of Twitter and Facebook has been co-opted into mainstream media, institutional and curatorial characterisations of 'revolution' - and whether artists should be wary of perpetuating the rhetoric and spectacle surrounding political events.
In the process, Uncommon Grounds reveals how contemporary art practices actively negotiate present-day notions of community-based activism, artistic agency and political engagement.
eBook
Slavs and Tatars : mirrors for princes
The form of political writing often called 'advice literature,' shared by Christian and Muslim cultures alike, 'mirrors for princes' attempted to elevate statecraft (dawla) to the same level as faith/religion (din) during the Middle Ages. These guides for future rulers--Machiavelli's 'The Prince' being a widely known example--addressed the delicate balance between seclusion and society, spirit and state, echoes of which we continue to find in the US, Europe, and the Middle East several centuries later. Today we suffer from the very opposite: there is no shortage of political commentary, but a notable lack of intelligent, eloquent discourse on the role of faith and the immaterial as a valuable agent in society or public life. This publication brings together the writing of preeminent scholars and commentators using the genre of medieval advice literature as a starting point to discuss fate and fortune versus governance, advice for female nobility, and an Indian television drama as a form of translation of statecraft. The illustrated essays are accompanied by an interview with Slavs and Tatars.
Book