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This book examines the concept of darkness through a range of cultures, histories, practices and experiences. It engages with darkness beyond its binary positioning against light to advance a critical understanding of the ways in which darkness can be experienced, practised and conceptualised. Humans have fundamental relationships with light and dark that shape their regular social patterns and rhythms, enabling them to make sense of the world. This book 'throws light' on the neglect of these social patterns to emphasise how the diverse values, meanings and influences of darkness have been rarely considered. It also examines the history of our relationship with the dark and highlights how normative attitudes towards it have emerged, while also emphasising its cultural complexity by considering a contemporary range of alternative experiences and practices. Challenging notions of darkness as negative, as the antithesis of illumination and enlightenment, this book explores the rich potential of darkness to stimulate our senses and deepen our understandings of different spaces, cultural experiences and creative engagements. Offering a rich exploration of an emergent field of study across the social sciences and humanities, this book will be useful for academics and students of cultural and media studies, design, geography, history, sociology and theatre who seek to investigate the creative, cultural and social dimensions of darkness.

Since the late eighteenth century, academic engagement with political, economic, social, cultural and spatial changes in our cities has been dominated by theoretical frameworks crafted with reference to just a small number of cities. This book offers an important antidote to the continuing focus of urban studies on cities in ‘the Global North’. Urban Theory Beyond the West contains twenty chapters from leading scholars, raising important theoretical issues about cities throughout the world. Past and current conceptual developments are reviewed and organized into four parts: ‘De-centring the City’ offers critical perspectives on re-imagining urban theoretical debates through consideration of the diversity and heterogeneity of city life; ‘Order/Disorder’ focuses on the political, physical and everyday ways in which cities are regulated and used in ways that confound this ordering; ‘Mobilities’ explores the movements of people, ideas and policy in cities and between them and ‘Imaginaries’ investigates how urbanity is differently perceived and experienced. There are three kinds of chapters published in this volume: theories generated about urbanity ‘beyond the West’; critiques, reworking or refining of ‘Western’ urban theory based upon conceptual reflection about cities from around the world and hybrid approaches that develop both of these perspectives . Urban Theory Beyond the West offers a critical and accessible review of theoretical developments, providing an original and groundbreaking contribution to urban theory. It is essential reading for students and practitioners interested in urban studies, development studies and geography. 1. Introduction: Urban Theory Beyond ‘the West’ Part 1: De-Centring the City 2. No Longer the Subaltern: Refiguring Cities of the Global South 3. China Exceptionalism? Unbounding Narratives on Urban China 4. Urban Theory beyond the ‘East/West Divide’? Cities and Urban Research in Postsocialist Europe 5. Urbanism, Colonialism, and Subalternity Part 2: Order/Disorder 6. Governing Cities without States? Rethinking Urban Political Theories in Asia 7. Public Parks in the Americas: New York City and Buenos Aires 8. An Illness Called Managua: ‘Extraordinary’ Urbanisation and ‘Mal- Development’ in Nicaragua 9. The Concept of Privacy and Space in Kurdish Cities 10. The Networked City: Popular Modernizers and Urban Transformation in Morelia, Mexico, 1880-1955 Part 3: Mobilities 11. Distinctly Delhi: Affect and Exclusion in a Crowded City 12. Shanghai Borderlands: The Rise of a New Urbanity? 13. Contemporary Urban Culture in Latin America: Everyday Life in Santiago, Chile 14. Urban (Im)mobility: Public Encounters in Dubai Part 4: Imaginaries 15. Reality Tours: Experiencing the ‘Real Thing’ in Rio de Janeiro’s Favelas 16. Modern Warfare and Theorization of the Middle Eastern City 17. Reading Thai Community: Reformation and Fragmentation 18. Urban Political Ecology in the Global South: Everyday Environmental Struggles of Home in Managua, Nicaragua 19. Spectral Kinshasa: Building the City through an Architecture of Words 20. Afterword: A World of Cities Tim Edensor teaches Cultural Geography at Manchester Metropolitan University, UK. His research interests include tourism, materialities and mobilities. Mark Jayne is a Lecturer in Human Geography at the University of Manchester, UK. His research interests include; consumption, the urban order, city cultures and cultural economy. \"The entries are remarkably even, each characterized by the geographer's knack for capturing ground-level realities and appreciation for the rewards that come from intimate engagement with place. Summing up: Highly Recommended.\" R. Sanders, Temple University, USA, CHOICE, August 2012. \"This fascinating book not only demonstrates the deep diversity of post-colonial urban experiences and dynamics of change, it also shows the wealth of ideas about cities, and concepts of urban life, that come from the majority world. This is a formidable contribution to the global re-making of social science and urban studies.\" Raewyn Connell, University of Sydney, Australia. \"Spanning considerable territory while opening up new lines of research on patterns of consumption, visual and literary representations, institutions, infrastructures, and migration, this rich collection of incisive, innovative, and well documented studies of cities outside the West demonstrates both a keen epistemological understanding of urban processes and a deep knowledge of the cultural, political, and economic dimensions of urbanization. Not only does it compellingly challenge the Western bias of the literature on urban theory, it also prods us to rethink, indeed refashion urban theory itself, taking stock of the lessons from the peripheries of the West.\" - Mamadou Diouf, Columbia University, USA.

Creativity has become part of the language of regeneration experts, urban planners and government policy makers attempting to revive the economic and cultural life of cities in the 21 st century. Concepts such as the creative class, the creative industries and bohemian cultural clusters have come to dominate thinking about how creativity can contribute to urban renewal. Spaces of Vernacular Creativity offers a critical perspective on the instrumental use of arts and creative practices for the purposes of urban regeneration or civic boosterism. Several important contributions are brought into one volume to examine the geography of locally embedded forms of arts and creative practice. There has been an explosion of interest in both academic and policy circles in the notion of creativity, and its role in economic development and urban regeneration. This book argues for a rethinking of what constitutes creativity, foregrounding non-economic values and practices, and the often marginal and everyday spaces in which creativity takes shape. Drawing on a range of geographic contexts including the U.S., Europe, Canada and Australia, the book explores a diverse array of creative practices ranging from art, music, and design to community gardening and anticapitalist resistance. The book examines working class, ethnic and non-elite forms of creativity, and a variety of creative spaces, including rural areas, suburbs and abandoned areas of the city. The authors argue for a broader and more inclusive conception of what constitutes creative practice, advocating for an approach that foregrounds economies of generosity, conviviality and activism. The book also explores the complexities and nuances that connect the local and the global and finally, the book provides a space for valuing alternative, marginal and displaced knowledges. Spaces of Vernacular Creativity provides an important contribution to the debates on the creative class and on the role of value of creative knowledge and skills. The book aims to contribute to contemporary academic debates regarding the development of post-industrial economies and the cognitive cultural economy. It will appeal to a wide range of disciplines including, geography, applied art, planning, cultural studies, sociology and urban studies, plus specialised programmes on creativity and cultural industries at Undergraduate and Postgraduate levels. Tim Edensor teaches Cultural Geography at MMU. He is author of Tourists at the Taj (1998), National Identity, Popular Culture and Everyday Life (2002) and Industrial Ruins: Space, Aesthetics and Materiality (2005). He is currently researching landscapes of illumination, geographies of rhythm and urban materiality. Deborah Leslie is an Associate Professor of Geography at the University of Toronto. She is interested in the role of cultural industries in urban economic development, and has done research on a range of industries including design, fashion, art, furniture, advertising and more recently the circus. She has related research interests in the creative city initiatives and urban governance, and in the geography of commodity chains. She is author of a number of publications relating to these topics. Steve Millington is a Senior Lecturer in Human Geography at Manchester Metropolitan University. His research interests include landscapes of illumination, vernacular creativity and geographies of play. He is co-author of Cosmopolitan Urbanism (2006) and has recently published journal articles in Global Networks and Sociology . Norma M. Rantisi is an Associate Professor in the Department of Geography, Planning & Environment at Concordia University (Canada). She is author and co-author of numerous articles on the themes of fashion design, the cultural economy and policies governing design in urban settings. She has co-edited two special journal issues: one for Environment and Planning A on the creative economy and one for The Journal of Economic Geography on relational economic geography. 1. Introduction: Rethinking Creativity: Critiquing the Creative Class Thesis (Tim Edensor, Deborah Leslie, Steve Millington and Norma M. Rantisi) Part 1: Governing and Practising Creativity 2. Creative Spaces and the Art of Urban Living (Graeme Evans) 3. Creativity by Design? The Role of Informal Spaces in Creative Production (Rantisi and Leslie) 4. Art goes AWOL (Malcolm Miles) Part 2: Decentering Creativity 5. Creative Suburbs: Cultural ‘Popcorn’ Pioneering in Multi-purpose Spaces (Alison Bain) 6. Beyond Bohemia: Geographies of Everyday Creativity for Musicians in Toronto (Brian J. Hracs) 7. Mapping Vernacular Creativity: the Extent and Diversity of Rural Festivals in Australia (Chris Gibson, Chris Brennan-Horley and Jim Walmsley) 8. Imagining the Spatialities of Music Production: The Co-constitution of Creative Clusters and Networks (Bas Van Heur) 9. Remediating Vernacular Creativity: Photography and Cultural Citizenship in the Flickr Photosharing Network (Jean Burgess) Part 3: Everyday Spaces of Creativity 10. Creativity, Space and Performance: Community Gardening (David Crouch) 11. Growing Places: Community Gardening, Ordinary Creativities and Place-based Regeneration in a Northern English City (Paul Milbourne) 12. Creative Destruction and Critical Creativity: Recent Episodes in the Social Life of Gnomes (Tracey J. Potts) 13. Christmas Lights Displays and the Creative Production of Spaces of Generosity (Edensor and Millington) Part 4: Alternative Creativities 14. Challenge, Change, and Space in Vernacular Cultural Practice (Ann Markusen) 15. The Politics of Creative Performance in Public Space: Towards a Critical Geography of Toronto Case Studies (Heather E. McLean) 16. Creativity Unbound: Cultivating the Generative Power of Non-economic Neighbourhood Spaces (Ava Bromberg)

The Millennium Dome, Braveheart and Rolls Royce cars. How do cultural icons reproduce and transform a sense of national identity? This book examines how national identity is represented, performed, spatialized and materialized through popular culture and in everyday life.

This book delves into the everyday spaces, diverse mobilities and affective potency of weather. It presents cutting-edge research into the multiplicity of weather phenomena and analyses the lived experiences of humans in conjunction with contemporary issues, notably climate change. The book considers how everyday experiences of weather in the mundane lives of people are linked to broader changes in weather patterns and climate change. Heat, dust, ice, snow, precipitation, sunlight, clouds, tides and fog are states of weather that impact on the ways in which humans become intertwined with landscapes. Our experiences with weather are diverse and ever-changing, and engaging with weather entangles humans with mobilities, materials and landscapes. This book thus explores affective and sensory resonances, drawing upon a variety of theoretical, empirical and creative material to investigate how weather is perceived in different social and cultural contexts. Key themes focus on the mobilities generated by weather, the affective and sensual potency of weather, and the diverse cultural forms and practices that exemplify how weather is historically, geographically and artistically represented. Offering a social and cultural understanding of weather events, this book contributes to a growing literature on weather across various disciplines, including human geography and cultural geography, and will thus appeal to students and scholars of geography, sociology, humanities, cultural studies and the arts.