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The temple of Kalabsha is situated in Kalabsha village which is about 56 KM South of Aswan which was known in ancient Egyptian texts as \"Telmes\" or Talmis in Graeco-Roman period. The most ancient monuments had been found their date back to the 18th Dynasty as many representations had been discovered there bear the names of \"Thutmosis III\" and \"Amenophis II\". The main temple here was erected during the reign of Emperor Augustus and dedicated to the god \"Mandulis\". Many ruins found their date back to the 18th Dynasty and also to the Ptolemaic Period. Caligula and also Trajan participated in building the temple. The temple is considered one of the most completed temples in Nubia with its architectural elements and also Christian representations after it turned to be a church during Christian period.

Hatshepsut's chapel is considered one of her most important architectural works in the Karnak Temple, which was built from regular blocks of quartz stone. Queen Hatshepsut built her sacred chapel, often somewhere near the offerings rooms that she built it in the central area of the middle kingdom courtyard in the Karnak temple, and it is believed that she began building this chapel before the seventeenth year of her reign, as the doors of the chapel were covered with the queen's inscriptions Which dating back to the seventeenth year of her reign, and some of her Cartouches still remain undamaged. Queen Hatshepsut finished building this chapel in the seventeenth year of her reign, and it is believed that this chapel remained in its place until the forty-second year of the reign of King Thutmose III. The researcher will use \"the Karnak project\", as it is the latest publishing of the chapel, and the symbol \"Kill\" is an abbreviation on the website for the location of the scene or the text. The research has been divided into an introduction and two chapters, which are as follows: The first chapter: Architectural Description of Hatshepsut's red chapel. The second chapter: Explanation of scenes and translation of texts on the western wall of the red chapel. This is followed by the conclusion of the research, which included the most important new results reached by the researcher, then the list of references and the catalogue.

The temple of (Medinet Habu) had no identical meaning for the word Habu, it may had been derived from the name of Amunhotep II the son of Habu, who was minister, medical scientist, built the palace of amonhotepIII, and he had been adored in Greco roman period.the temple of medinet-Habu is situated on the western bank of the river Nile in Luxor, and it is considered not only one of the most important temples in Luxor, but also all over Egypt, it consists of several small shrines and halls, it had representations for all the most important gods and goddesses in Ancient Egypt, and also it was a central place for adoring the Ogdoad of Hermopolis, particularly goddess Amaunet , as a main member in the Ogdoad and also a counterpart for the great god Amun, and she had several priests in the temple.

Representation of the funeral rites on the walls of various tombs of Nobles was a common feature throughout ancient Egypt. Painted and inscribed pictorial scenes of funerary rituals appear in all periods from the Old through New Kingdoms. The purpose of the funerary rituals was to elevate the mortal to the superhuman (Hays, 2010). That funeral procession scene is complicated and represents many events including pilgrimage, crossing the river, marching to the necropolis and arriving at the tomb. The events consisted of placing the deceased in a coffin followed by a procession to the tomb. The deceased's sons, relatives, priests, dancers, and musicians joined the procession. Mourners, sons and relatives were represented with great sorrow and grief of losing the deceased. The priests and his sons were also depicted accompanying the deceased and performing libation, reading recites and perfuming the deceased with incense. The dance of Muu and Tekenu also were depicted on the walls of the tomb as a part of the funeral procession. Divinities were also represented during the procession including Osiris, Anubis and the goddess of the west (El-Shahawy, 2005). These texts and depictions about funerary rituals played an important role in defining the development of the funeral art from the Old Kingdom till the New Kingdom.