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"Elam, Michele"
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Signs Taken for Wonders
AI shares with earlier socially transformative technologies a reliance on limiting models of the “human” that embed racialized metrics for human achievement, expression, and progress. Many of these fundamental mindsets about what constitutes humanity have become institutionally codified, continuing to mushroom in design practices and research development of devices, applications, and platforms despite the best efforts of many well-intentioned technologists, scholars, policy-makers, and industries. This essay argues why and how AI needs to be much more deeply integrated with the humanities and arts in order to contribute to human flourishing, particularly with regard to social justice. Informed by decolonial, disability, and gender critical frameworks, some AI artist-technologists of color challenge commercial imperatives of “personalization” and “frictionlessness,” representing race, ethnicity, and gender not as normative self-evident categories nor monetized data points, but as dynamic social processes always indexing political tensions and interests.
Journal Article
The Souls of Mixed Folk
The Souls of Mixed Folk examines representations of mixed race in literature and the arts that redefine new millennial aesthetics and politics. Focusing on black-white mixes, Elam analyzes expressive works—novels, drama, graphic narrative, late-night television, art installations—as artistic rejoinders to the perception that post-Civil Rights politics are bereft and post-Black art is apolitical. Reorienting attention to the cultural invention of mixed race from the social sciences to the humanities, Elam considers the creative work of Lezley Saar, Aaron McGruder, Nate Creekmore, Danzy Senna, Colson Whitehead, Emily Raboteau, Carl Hancock Rux, and Dave Chappelle. All these writers and artists address mixed race as both an aesthetic challenge and a social concern, and together, they gesture toward a poetics of social justice for the \"mulatto millennium.\" The Souls of Mixed Folk seeks a middle way between competing hagiographic and apocalyptic impulses in mixed race scholarship, between those who proselytize mixed race as the great hallelujah to the \"race problem\" and those who can only hear the alarmist bells of civil rights destruction. Both approaches can obscure some of the more critically astute engagements with new millennial iterations of mixed race by the multi-generic cohort of contemporary writers, artists, and performers discussed in this book. The Souls of Mixed Folk offers case studies of their creative work in an effort to expand the contemporary idiom about mixed race in the so-called post-race moment, asking how might new millennial expressive forms suggest an aesthetics of mixed race? And how might such an aesthetics productively reimagine the relations between race, art, and social equity in the twenty-first century?
eBook
The souls of mixed folk : race, politics, and aesthetics in the new millennium
The Souls of Mixed Folk examines representations of mixed race in literature and the arts that redefine new millennial aesthetics and politics. Focusing on black-white mixes, Elam analyzes expressive works—novels, drama, graphic narrative, late-night television, art installations—as artistic rejoinders to the perception that post-Civil Rights politics are bereft and post-Black art is apolitical. Reorienting attention to the cultural invention of mixed race from the social sciences to the humanities, Elam considers the creative work of Lezley Saar, Aaron McGruder, Nate Creekmore, Danzy Senna, Colson Whitehead, Emily Raboteau, Carl Hancock Rux, and Dave Chappelle. All these writers and artists address mixed race as both an aesthetic challenge and a social concern, and together, they gesture toward a poetics of social justice for the \"mulatto millennium.\"
The Souls of Mixed Folk seeks a middle way between competing hagiographic and apocalyptic impulses in mixed race scholarship, between those who proselytize mixed race as the great hallelujah to the \"race problem\" and those who can only hear the alarmist bells of civil rights destruction. Both approaches can obscure some of the more critically astute engagements with new millennial iterations of mixed race by the multi-generic cohort of contemporary writers, artists, and performers discussed in this book. The Souls of Mixed Folk offers case studies of their creative work in an effort to expand the contemporary idiom about mixed race in the so-called post-race moment, asking how might new millennial expressive forms suggest an aesthetics of mixed race? And how might such an aesthetics productively reimagine the relations between race, art, and social equity in the twenty-first century?
eBook
On Twentieth-Century Literature’s Andrew J. Kappel Prize in Literary Criticism, 2019
The winner of this year’s prize is Mark A. Tabone’s “Multidirectional Rememory: Slavery and the Holocaust in John A. Williams’s Clifford’s Blues.” The judge is Michele Elam. Elam’s scholarship and teaching in interdisciplinary humanities research spans literature and social science in order to examine changing cultural interpretations of gender and race. Her most recent scholarship is especially interested in how racial perception impacts outcomes for health, wealth, and social justice.
Journal Article
The Cambridge Companion to James Baldwin
This Companion offers fresh insight into the art and politics of James Baldwin, one of the most important writers and provocative cultural critics of the twentieth century. Black, gay, and gifted, he was hailed as a 'spokesman for the race', although he personally, and controversially, eschewed titles and classifications of all kinds. Individual essays examine his classic novels and nonfiction as well as his work across lesser-examined domains: poetry, music, theatre, sermon, photo-text, children's literature, public media, comedy, and artistic collaboration. In doing so, The Cambridge Companion to James Baldwin captures the power and influence of his work during the civil rights era as well as his relevance in the 'post-race' transnational twenty-first century, when his prescient questioning of the boundaries of race, sex, love, leadership, and country assume new urgency.
eBook
Baldwin’s Boys
Elam discusses how often boys figure in James Baldwin's work. This boy, with his deep longing to be claimed, is representative of both the fragility and disenfranchisement of black men and boys in America, adolescents in that brief, liminal state that Baldwin finds so precious and perilous, for, as he often points out, that twilight is the beginning of the end: it is when they first apprehend that the street or the church are the only places where society allows them some realization of their potential. And yet that child is also something more to Baldwin. This boy is but one of many children that Baldwin describes in his writing who can only be saved by a communal sense of responsibility to one another. They stand as reminders that society is beholding--that is, to hold dear--its every member.
Journal Article