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"Elovaara, Mika, editor"
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Connecting metal to culture : unity in disparity
Though it's given little attention and even less serious attention by the mainstream press, metal music has for decades been a major creative and cultural force around the world. This book brings together a group of contributors from Europe, North America, and the Caribbean to make a case for metal's place not merely on the periphery of our culture, but at its very heart. Contributors attend not merely to the music, but also to the accompanying culture, and they offer intriguing insights into the rise of metal in places where it's traditionally been little known, like the Middle East and North Africa. The result is a global portrait of metal that asserts its importance and its ongoing contribution to culture.
Connecting metal to culture
2017
Though it’s given little attention—and even less serious attention— by the mainstream press, metal music has for decades been a major creative and cultural force around the world. This book brings together a group of contributors from Europe, North America, and the Caribbean to make a case for metal’s place not merely on the periphery of our culture, but at its very heart. Contributors attend not merely to the music, but also the accompanying culture, and they offer intriguing insights into the rise of metal in places where it’s traditionally been little known, like the Middle East and North Africa. The result is a global portrait of metal that asserts its importance and its ongoing contribution to culture.
Hardcore, punk, and other junk
by
Helb, Colin
,
Abbey, Eric James
in
Hardcore (Music)
,
Hardcore (Music) -- History and criticism
,
Heavy metal (Music)
2014,2015
Hardcore, Punk, and Other Junk: Aggressive Sounds in Contemporary Music, edited by Eric James Abbey and Colin Helb, is a collection of writings on music that is considered aggressive throughout the world. From local underground bands in Detroit, Michigan to bands in Puerto Rico or across Europe, this book demonstrates the importance of aggressive music in our society. While other volumes seek to denigrate or put down this type of music, Hardcore, Punk, and Other Junk forces the audience to re-read and re-listen to it. This category of music includes all forms that could be considered offensive and/or move the audience to become aggressive in some way. The politics and values of punk are discussed alongside the emerging popularity of metal and extreme hardcore music. Hardcore, Punk, and Other Junk is an important contribution to the newest discussions on aggressive music throughout the world.