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"Fast, Susan"
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Dangerous
A discussion of Michael Jackson's album \"Dangerous\", including its political, racial and sexual themes.
Book
Calling Ellen Willis: Quarreling with the 'Radicals,' Loving Consumer Culture, and Hearing Women's Voices
The first half of this book is, among other things, an extended polemic against standard leftist notions about advanced capitalism-that the consumer economy makes us slaves to commodities, that the function of the mass media is to manipulate our fantasies so we will equate fulfillment with buying the system's products. In the rock music canon the artists that have been taken up in the critical discourse as centrally important are by and large still white and male and, further, conform to a particular construction of \"authenticity,\" which, among other things, works hard to make it look as though the artists as well as the writers are aligned with leftist politics and mind-over-body musical values, including the disparagement of consumerism (in which they nonetheless participate).\\n I suspect that what lies at the heart of objections is that in its allegiance to commercial culture this experience of music does not appear to enrich our lives in deep and meaningful ways.
Journal Article
Rethinking Issues of Gender and Sexuality in Led Zeppelin: A Woman's View of Pleasure and Power in Hard Rock
Fast discusses the importance of the appearance of the woman in Led Zeppelin's documentary film \"The Song Remains the Same\" during the song \"Since I've Been Loving You.\" To dismiss the woman from the film is to continue to distort or erase women's experience of this music and to allow a narrowly and rigidly construed view of masculinity to govern the discourse about it.
Journal Article
