Explore the vast range of titles available.

Protection of biodiversity, human assets, and cultural heritage pose significant challenges to contemporary planning of bushfire mitigation activities. Current mitigation approaches are not always appropriate, and mismanagement is a source of distress for Indigenous peoples. Increased understanding of Indigenous fire knowledge and increased Indigenous participation may provide insight into more appropriate and inclusive land management for fire mitigation. We analysed contemporary Noongar and Western fire practitioner approaches within an Indigenous fire knowledge (IFK) framework to explore knowledge and aspirations for small reserves in the Southwest Australian Floristic Region (SWAFR) global biodiversity hotspot. We recorded an extensive knowledge base, characterised by a highly nuanced approach to burning, held by the Noongar coauthors. We explore potential approaches to applying this knowledge to build collaborative fire mitigation strategies with mutually beneficial outcomes for biodiversity, cultural heritage, and human assets.

As a result of removal and custody of Noongar children from their families and lands—forced mobilities and immobilties over decades, and within days and nights—a distinctive and beautiful artistic heritage emerged. Th is material heritage, too, was moved through and from Noongar country. Illustrated by the art of Carrolup, the culture and identity of the Noongar people has been transcendent and a “spiritual geography” mapped. As “heart returns home” to Noongar country, there are opportunities for new approaches to the reconciliation of the past for the future. Th e beauty of the art and the story of Carrolup teach, inspire, and provoke. Th ese mobilities and immobilities hold lessons that continue to travel.

As a result of removal and custody of Noongar children from their families and lands—forced mobilities and immobilties over decades, and within days and nights—a distinctive and beautiful artistic heritage emerged. Th is material heritage, too, was moved through and from Noongar country. Illustrated by the art of Carrolup, the culture and identity of the Noongar people has been transcendent and a “spiritual geography” mapped. As “heart returns home” to Noongar country, there are opportunities for new approaches to the reconciliation of the past for the future. Th e beauty of the art and the story of Carrolup teach, inspire, and provoke. Th ese mobilities and immobilities hold lessons that continue to travel.