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"Forshaw, Barry"
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Death in a cold climate : a guide to Scandinavian crime fiction
2012
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Death in a Cold Climate is a celebration and analysis of Scandinavian crime fiction, one of the most successful literary genres. Barry Forshaw, the UK's principal expert on crime fiction, discusses books, films and TV adaptations, from Sjöwall and Wahlöö's influential Martin Beck series through Henning Mankell's Wallander to Stieg Larsson's demolition of the Swedish Social Democratic ideal in the publishing phenomenon The Girl with the Dragon Tattoo . In intelligent but accessible fashion, the book examines the massive commercial appeal of the field along with Nordic cultural differences from Iceland to Denmark. Including unique interview material with writers, publishers and translators, this is the perfect reader's guide to the hottest strand of crime fiction today, examined both as a literary form and as an index to the societies it reflects. Includes Stieg Larsson, Henning Mankell, Jo Nesbø, Håkan Nesser, Karin Fossum, Camilla Läckberg, Liza Marklund, Jussi Adler-Olsen, Arnaldur Indriðason, Roslund & Hellströmand many others.
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Acknowledgments Introduction Crime and the Left The Cracks Appear: Henning Mankell Sweden: The Dream Darkens Sweden: Foreign Policy and Unreliable Narratives Last Orders: The Larsson Phenomenon The Fight Back: Anti-Larsson Writers Criminals and Criminologists Norway: Crime and Context Norway and Nesbø Iceland: Crime and Context Fringe Benefits: Icelandic Woes Finland: Crime and Context Death in Denmark Danish Uncertainties Film and TV Adaptations Bibliography Index
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A celebration and analysis of Scandinavian crime fiction, one of the most successful literary genres, with a focus on books, films and TV adaptations of authors such as Stieg Larsson.
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'Extensive, penetrating and intelligently written, Barry Forshaw's book is the most fulfilling work on the strange genre of Nordic Noir I have ever encountered.' - Håkan Nesser, author of The Inspector and Silence 'Death in a Cold Climate is a comprehensive and authoritative guide to the fictional underbelly of the Nordic psyche, whose popularity has become the publishing sensation of the century. Perceptive, witty and awesomely well-researched.' - Andrew Taylor, author of The American Boy 'Far more than a checklist, this is the essential guide through the snowdrifts of Nordic Noir.' Val McDermid, author of The Wire in the Blood 'With customary depth and precision, Forshaw gets under the skin of this celebrated genre, uncovering many of its secrets and riches. Like its subjects, this book is hard to put down, and will undoubtedly be returned to time and again.' - Dr Steven Peacock, University of Hertfordshire, UK 'A fascinating, comprehensive and very enjoyable overview of the publishing phenomenon that is Nordic noir, placing it in a cultural and historical context, with insightful contributions from writers, translators and editors - an essential reading guide for lovers of the crime genre.' - Laura Wilson, crime fiction critic, The Guardian 'The sudden triumphant rise of Nordic mystery stories is a fascinating puzzle of modern literature. With forensic intelligence, captivating characters, riveting clues and sub-plots, Barry Forshaw investigates and satisfyingly explains what happened.' - Mark Lawson 'Not a stone is left unturned in Barry Forshaw's witty, encyclopedic investigation into the fictional crimes that have made Scandinavia the most talked about region in the world of books. Death in a Cold Climate is a unique and admirable personal testament to the writers, translators and publishers who have dedicated themselves to introducing Scandinavian crime fiction, its many languages and cultures, to the English speaking world. If upon turning the last page of Forshaw's book you are not immediately heading for the nearest bookstore to buy up every Scandinavian crime novel on its shelves, you were probably not meant to read this book in the first place.' - Jakob Stougaard-Nielsen, University College London, UK 'What Barry Forshaw doesn't know about crime fiction, to borrow an old phrase, isn't worth knowing. A journalist, chronicler of the genre, and talking head for the CWA Awards, with Death in a Cold Climate he covers in depth the extraordinarily popular sub-genre that is Nordic noir...Through interviews with authors and translators, Forshaw offers in-depth takes on the cream of the Nordic crop...an informative and educational effort from perhaps the nation's leading expert in the field.' - Dennis O'Donnell, bookgeeks.co.uk
'Death in a Cold Climate is both intelligent and perceptive. Humble it is not. It is, to my knowledge, the most complete guide to Scandinavian crime fiction yet written in any language, an invaluable companion for anyone interested in the genre.'
- Mons Kallentoft, Financial Times
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Barry Forshaw, the UK's principal crime fiction expert, presents a celebration and analysis of the Scandinavian crime genre; from Sjöwall and Wahlöö's Martin Beck series, through Henning Mankell's Wallander, to Stieg Larsson's demolition of the Swedish Social Democratic ideal in the publishing phenomenon The Girl with the Dragon Tattoo .
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Arvas & Nestingen (eds): SCANDINAVIAN CRIME FICTION (EUROPEAN CRIME FICTIONS SERIES); University of Wales Press, forthcoming 2011 (pbk £24.99) This is the only study in English of Nordic crime fiction. It is an edited volume exploring the cultural contexts into which Nordic crime fiction fits via thirteen articles on the history, aesthetics, and film and television adaptation of Nordic crime fiction.
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Scandinavian crime fiction is currently one of the most successful popular fiction genres Includes exclusive interview material with authors, translators and publishers of Scandinavian crime fiction This is the first in-depth study of Scandinavian crime fiction Places key authors in their relevant context to explore the ways in which British and American notions of the Nordic democratic ideal have changed Highly experienced and proactive author
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BARRY FORSHAWis a writer and journalist specialising in crime fiction and cinema. His books include The Man Who Left Too Soon: The Life and Works of Stieg Larsson (2010), British Crime Writing: An Encyclopedia (2008), The Rough Guide to Crime Fiction (2007), Italian Cinema: Arthouse to Exploitation (2006) and the forthcoming British Crime Film (2012), and he has contributed to the Directory of World Cinema . He has also written for a variety of national newspapers as well as for Movie Mail , Waterstone's Books Quarterly and Good Book Guide and is editor of the online Crime Time magazine. He is also a talking head for the ITV Crime Thriller author profiles and BBC TV documentaries, and has been Vice Chair of the Crime Writers' Association.
British crime film : subverting the social order
\"A comprehensive social history of British crime film by the UK's principal expert on crime film and fictionPresenting a stunning social history of Britain through classic crime film, Barry Forshaw, one of the UK's leading experts on crime fiction and fiction, focuses on how crime films have portrayed our changing attitudes towards class, politics, sex, delinquency, violence and censorship. Focusing on these key issues, British Crime Film examines strategies used by film makers in order to address more radical notions of society's decline. Spanning post-war crime cinema, from Green for Danger to Get Carter, from The Lady Killers to Layer Cake, from The Long Good Friday to Lock, Stock and Two Smoking Barrels, British Crime Film contextualizes the movies and identifies important and neglected works which will delight and intrigue film fans of this well-loved genre.\"--Publisher's website.
The Silence of the Lambs
by
Barry Forshaw
in
Film Studies
2013
The 1991 film The Silence of the Lambs , based on Thomas
Harris's bestseller, was a game-changer in the fields of both
horror and crime cinema. FBI trainee Clarice Starling was a new
kind of heroine, vulnerable, intuitive, and in a deeply unhealthy
relationship with her monstrous helper/opponent, the serial killer
Hannibal Lecter. Jonathan Demme's film skillfully appropriated the
tropes of police procedural, gothic melodrama and contemporary
horror and produced something entirely new. The resulting film was
both critically acclaimed and massively popular, and went on to
have an enormous influence on 1990s genre cinema. Crime and horror
authority Barry Forshaw closely examines the factors that
contributed to the film's impact, including the revelatory
performances of Jodie Foster and Anthony Hopkins in the lead roles.
The Sherlock Holmes book
by
Klinger, Leslie S., writer of foreword
,
Davies, David Stuart, 1946- consultant
,
Forshaw, Barry, consultant
in
Doyle, Arthur Conan, 1859-1930 Characters Sherlock Holmes Miscellanea.
,
Doyle, Arthur Conan, 1859-1930 Miscellanea.
,
Holmes, Sherlock (Fictitious character) Miscellanea.
2015
Chronicles every case of the world's greatest detective and his assistant Dr Watson. The game is afoot and now you can discover every detail of Sherlock Holmes' world!
British crime film : subverting the social order
by
Forshaw, Barry
in
British Cinema and TV
,
Crime films
,
Crime films -- Great Britain -- History and criticism
2012
Presenting a social history of British crime film, this book focuses on the strategies used in order to address more radical notions surrounding class, politics, sex, delinquency, violence and censorship. Spanning post-war crime cinema to present-day \"Mockney\" productions, it contextualizes the films and identifies important and neglected works.
Crime Uncovered
This book is an examination and celebration of iconic police detectives in the long and bloody history of crime fiction, film and television, identifying the individual characteristics that define these much-loved figures and discussing how they relate to their surroundings, country and class and the criminals they relentlessly pursue.
The Silence of the Lambs
by
Forshaw, Barry
in
1944
,
Criticism and interpretation
,
Demme, Jonathan,-1944-2017-Criticism and interpretation
2013
Crime and horror authority Barry Forshaw closely examines the factors that contributed to the film's impact, including the revelatory performances of Jodie Foster and Anthony Hopkins in the lead roles.
Detective
by
Forshaw, Barry
in
Detective and mystery films
,
Detective and mystery stories
,
Detective and mystery television programs
2015
Crime Uncovered: Detective is an examination - and celebration - of the most iconic police detectives in the long and bloody history of crime fiction, film and television, identifying the individual characteristics that define these much-loved figures and discussing how they relate to their surroundings, country and class - and the criminals they relentlessly pursue. Detectiveexamines the changing role of the authority figure in crime fiction and film, and analyses how the most imaginative creators cleverly subvert the key elements of both the detectives themselves and the genre they inhabit. The detectives included cover all the important names, making for a truly international spread.
Italian Cinema
2010,2006
From the unbridled sensuality of the orgy scenes in silent Italian cinema, through a topless Sophia Loren in a 1950s historical epic and the image of Silvana Mangano, her skirt provocatively tucked into her underwear, in the neo-realist classic Bitter Rice, to the erotic obsessions of Fellini and the more cerebral but still passion-centred movies of Antonioni, eroticism is ever-present in Italian cinema. And then there are the popular movies: the acres of tanned flesh (both male and female) on offer in the many sword and sandal epics of the peplum era through to the inextricable mix of sexuality and violence in the gialli of such directors as Mario Bava and Dario Argento, in which death and sex meet in a blood-drenched, orgasmic coda. Of course, there's far more to Italian cinema: it is one of the most glorious and energetic celebrations of the medium that any nation has ever offered. For many years, this astonishing legacy was largely unseen, but the DVD revolution is making virtually everything available, from Steve Reeves' muscle epics to long-unseen Italian art house movies. The one characteristic that most of the great (and not so great) Italian movies have in common is the sheer individualism of the directors. And this applies to the populist moviemakers as much as to the giants of serious cinema. While Fellini, Visconti and Antonioni have rightly assumed their places in the pantheon, so have such talented popular auteurs as Sergio Leone, who was doing something with the Western that no American director would dare do, so radical was the rethink. All the glory of Italian cinema is celebrated here in comprehensive essays, along with every key film in an easy-to-use reference format.