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184 result(s) for "Frankel, Felice"
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Picturing science and engineering
When I began writing this article, it was just the beginning of COVID-19, when we were not yet social distancing. Everything has changed since then, but not a conviction I have disseminated for more than 25 years. More than ever, I maintain that formally addressing the critical visual component of research should be part of every researcher's education. How you visually represent your work not only communicates to others in your discipline. Crafting your visual presentations helps clarify your own thinking and, just as important, is a means of engaging the public. In these challenging times, when society is bombarded with complex information, it is more essential than ever to develop a more accessible and honest visual “language” for the public to understand and gather that information. Formal programs in teaching visual communication will help show the world, outside the research community, how to look at science, understand it, question it, and, hopefully, make smart decisions.
No small matter : science on the nanoscale
A small revolution is remaking the world. The only problem is, we can't see it. Images and descriptions reveal the virtually invisible realities and possibilities of nanoscience. An introduction to the science and technology of small things. An overview of recent scientific advances that have given us our ever-shrinking microtechnology - for instance, an information processor connected by wires only 1,000 atoms wide. New methods are described that are used to study nanostructures, suggest ways of understanding their often bizarre behavior, and outline their uses in technology. The various means of making nanostructures are explained and speculated about their importance for critical developments in information processing, computation, biomedicine, and other areas. No Small Matter considers both the benefits and the risks of nano/microtechnology - from the potential of quantum computers and single-molecule genomic sequencers to the concerns about self-replicating nanosystems.
Picturing science and engineering
When I began writing this article, it was just the beginning of COVID-19, when we were not yet social distancing. Everything has changed since then, but not a conviction I have disseminated for more than 25 years. More than ever, I maintain that formally addressing the critical visual component of research should be part of every researcher's education. How you visually represent your work not only communicates to others in your discipline. Crafting your visual presentations helps clarify your own thinking and, just as important, is a means of engaging the public. In these challenging times, when society is bombarded with complex information, it is more essential than ever to develop a more accessible and honest visual “language” for the public to understand and gather that information. Formal programs in teaching visual communication will help show the world, outside the research community, how to look at science, understand it, question it, and, hopefully, make smart decisions.
Big data: Distilling meaning from data
Buried in vast streams of data are clues to new science. But we may need to craft new lenses to see them, explain Felice Frankel and Rosalind Reid. Big data: science in the petabyte era In Nature this week, features and opinion pieces on one of the most daunting challenges facing modern science: how to cope with the flood of data now being generated. A petabyte is a lot of memory, however you say it — a quadrillion, 10 15 , or tens of thousands of trillions of bytes. But that is the currency of 'big data'. We visited the Sanger Institute's supercomputing centre, and its petabyte of capacity. Wikipedia's success shows how well the 'wiki' concept of open-access editing can work. It could work too as a way of coping with the data flows of modern biology. The world's leading search engine is ten this month. Eleven years ago few would have predicted Google's domination: undaunted we ask scientists and business people to try to predict the next big thing, a Google for the petabyte era. Digital data are easily shared, and just as easily wiped or lost. The problem of keeping on-line data accessible is especially difficult for the smaller lab. In Books&Arts, Felice Frankel and Rosalind Reid champion the cause of data visualization as a way of finding meaning in an otherwise daunting data stream. From the 1700s to the mid 1950s, most 'computers' were human. Best known were the 'Harvard computers', a group of women working from the 1880s until the 1940s, at the Harvard College Observatory. Employed to classify stars captured on millions of photographic plates, some of the 'computers' made significant contributions to science. Online databases are a vital outlet for publishing the data being produced by biological research. But the data need to be properly organized. This is the role of the biocurator, but as a team of authors from 15 of the world's major online research resources explains, biocuration is now sadly neglected. An aspect of the data boom with a political dimension is the environment: how much data to collect, how much money to spend. For 'Big data' online, go to http://www.nature.com/news/specials/bigdata/ and to http://www.nature.com/podcast .
Visual Strategies
Any scientist or engineer who communicates research results will immediately recognize this practical handbook as an indispensable tool. The guide sets out clear strategies and offers abundant examples to assist researchers-even those with no previous design training-with creating effective visual graphics for use in multiple contexts, including journal submissions, grant proposals, conference posters, or presentations. Visual communicator Felice Frankel and systems biologist Angela DePace, along with experts in various fields, demonstrate how small changes can vastly improve the success of a graphic image. They dissect individual graphics, show why some work while others don't, and suggest specific improvements. The book includes analyses of graphics that have appeared in such journals asScience,Nature,Annual Reviews,Cell,PNAS, and theNew England Journal of Medicine, as well as an insightful personal conversation with designer Stefan Sagmeister and narratives by prominent researchers and animators.
Data visualization: Drawing out the meaning
Felice Frankel relishes an inspired handbook on the art and science of picturing data.
Distilling meaning from data
When scientists, graphic artists, writers, animators and other designers come together to discuss problems in the visual representation of science, such as at the Image and Meaning workshops run by Harvard University (www. imageandmeaning.org), it becomes clear that representations repeatedly fail to communicate understanding or address obvious questions about the underlying data. When we asked Harvard University chemist George Whitesides to change the geometry of a self-assembled mono layer with clearly delineated hydrophobic and hydrophilic areas to create an image for submission to a journal, he found himself redesigning the experiment, and unexpected science emerged.