Search Results Heading

MBRLSearchResults

mbrl.module.common.modules.added.book.to.shelf
Title added to your shelf!
View what I already have on My Shelf.
Oops! Something went wrong.
Oops! Something went wrong.
While trying to add the title to your shelf something went wrong :( Kindly try again later!
Are you sure you want to remove the book from the shelf?
Oops! Something went wrong.
Oops! Something went wrong.
While trying to remove the title from your shelf something went wrong :( Kindly try again later!
    Done
    Filters
    Reset
  • Reading Level
      Reading Level
      Clear All
      Reading Level
  • Content Type
      Content Type
      Clear All
      Content Type
  • Item Type
      Item Type
      Clear All
      Item Type
  • Is Full-Text Available
      Is Full-Text Available
      Clear All
      Is Full-Text Available
  • Year
      Year
      Clear All
      From:
      -
      To:
  • More Filters
      More Filters
      Clear All
      More Filters
      Subject
    • Publisher
    • Source
    • Donor
    • Place of Publication
    • Contributors
    • Location
1 result(s) for "Frehner, Matthias, editor"
Sort by:
Modern masters : \degenerate\ art at the Kunstmuseum Bern
Kunstmuseum Bern, the oldest museum in Switzerland, turns its gaze toward its own acquisition history in this lavish book that features artistic masterpieces considered worthless by the Nazis, and the stories of how they came to Switzerland. As a result of the Nazi regime's scorn for modern art, virtually all non-traditional art between 1933 and 1945 was banned in Germany on the grounds that it was un-German, Jewish, or Communist in nature. Those identified as \"degenerate\" artists were dismissed from teaching positions and forbidden to exhibit or to sell their works. This book sheds light on the historical significance and provenance of nearly 525 works by modernist greats, such as Picasso, Chagall, and Kandinsky, which were acquired by the Kunstmuseum Bern through a combination of auctions and private donations. The book traces the fates of artists who suffered under the Nazi regime and who had connections to Switzerland, including Kirchner, Klee and Dix, and contrasts the cultural policies of the Third Reich with those of Switzerland in the same period. Finally, it details the dramatic events and unprecedented efforts that went into preserving invaluable works of art.