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"Freudenburg, Kirk, 1961-"
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The Cambridge Companion to Roman Satire
by
Freudenburg, Kirk
in
Rome -- In literature
,
Satire, Latin
,
Satire, Latin -- History and criticism
2005,2006,2012
Satire as a distinct genre of writing was first developed by the Romans in the second century BCE. Regarded by them as uniquely 'their own', satire held a special place in the Roman imagination as the one genre that could address the problems of city life from the perspective of a 'real Roman'. In this Cambridge Companion an international team of scholars provides a stimulating introduction to Roman satire's core practitioners and practices, placing them within the contexts of Greco-Roman literary and political history. Besides addressing basic questions of authors, content, and form, the volume looks to the question of what satire 'does' within the world of Greco-Roman social exchanges, and goes on to treat the genre's further development, reception, and translation in Elizabethan England and beyond. Included are studies of the prosimetric, 'Menippean' satires that would become the models of Rabelais, Erasmus, More, and (narrative satire's crowning jewel) Swift.
Satires of Rome
2001
This survey of Roman satire locates its most salient possibilities and effects at the center of every Roman reader's cultural and political self-understanding. This book describes the genre's numerous shifts in focus and tone over several centuries (from Lucilius to Juvenal) not as mere 'generic adjustments' that reflect the personal preferences of its authors, but as separate chapters in a special, generically encoded story of Rome's lost, and much lionized, Republican identity. Freedom exists in performance in ancient Rome: it is a 'spoken' entity. As a result, satire's programmatic shifts, from 'open' to 'understated' to 'cryptic' and so on, can never be purely 'literary' and 'apolitical' in focus and/or tone. In Satires of Rome, Professor Freudenburg reads these shifts as the genre's unique way of staging and agonizing over a crisis in Roman identity. Satire's standard 'genre question' in this book becomes a question of the Roman self.
The Cambridge companion to the age of Nero
The age of Nero has appealed to the popular imagination more than any other period of Roman history. This volume provides a lively and accessible guide to the various representations and interpretations of the Emperor Nero as well as to the rich literary, philosophical and artistic achievements of his eventful reign. The major achievements of the period in the fields of literature, governance, architecture and art are freshly described and analysed, and special attention is paid to the reception of Nero in the Roman and Christian eras of the first centuries AD and beyond. Written by an international team of leading experts, the chapters provide students and non-specialists with clear and comprehensive accounts of the most important trends in the study of Neronian Rome. They also offer numerous original insights into the period, and open new areas of study for scholars to pursue.