Catalogue Search | MBRL
Search Results Heading
Explore the vast range of titles available.
MBRLSearchResults
-
Reading LevelReading Level
-
Content TypeContent Type
-
Item TypeItem Type
-
Is Full-Text AvailableIs Full-Text Available
-
YearFrom:-To:
-
More FiltersMore FiltersSubjectCountry Of PublicationPublisherSourceDonorLanguagePlace of PublicationContributorsLocation
Done
Filters
Reset
3
result(s) for
"Frick Collection, host institution"
Sort by:
Barkley L. Hendricks : portraits at the Frick
by
Ng, Aimee. Barkley L. Hendricks and the old masters
,
Sargent, Antwaun. Barkley L. Hendricks
,
Frick Collection, issuing body, host institution
in
Hendricks, Barkley L., 1945-2017 Exhibitions.
,
Hendricks, Barkley L., 1945-2017 Expositions.
,
Hendricks, Barkley L., 1945-2017
2023
\"For some, the powerful work of the pioneering Black painter and photographer Barkley L. Hendricks (1945-2017) may come as a revelation, but for so many other it has been a guiding light. As Thelma Golden writes in the foreword, \"His paintings are astute, slick, and lush--effortlessly cool.\" A great admirer of the Old Masters, Hendricks is probably best known for his bold paintings of Black friends, relatives, strangers, and himself. This stunning book accompanies an exhibition of some of his finest portraits at The Frick Collection, one of the artist's favorite museums. The broad-reaching influence Hendricks has had on generations of Black artists and the deep connection between his work and that of European Old Masters are among the rich topics explored by the distinguished contributors.\"-- back cover.
Turner's modern and ancient ports : passages through time
by
Galassi, Susan Grace, writer of supplementary textual content
,
Warrell, Ian, writer of supplementary textual content
,
Forrester, Gillian, 1957-, writer of supplementary textual content
in
Turner, J. M. W. 1775-1851 Exhibitions.
,
Harbors in art Exhibitions.
,
ART / Individual Artists / Monographs.
\"Widely considered Britain's greatest painter, Joseph Mallord William Turner (1775-1851) is best known for his light-filled landscapes and seascapes. A relentless traveler, Turner often turned his artistic attention to the theme of modern and ancient ports. In the mid-1820s, Turner exhibited two monumental, and controversial, paintings of ports: Cologne and Dieppe. Shocking for their intense luminosity and yellow tonality, as well as for Turner's unorthodox handling of paint, these works marked a transition in the artist's career as he moved away from naturalism and toward a new, poetic topography. This in-depth study of these two seminal paintings also addresses a wide selection of Turner's works in both oil and watercolor from the 1820s, placing them in the context of radical changes in British social and economic structures taking place at the time. Drawing from period travel accounts, contemporary critical commentary, and new technical analyses of Turner's work, this magnificently illustrated book brings a fresh, new perspective to the pivotal middle years of Turner's career\"-- Provided by publisher.