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"Fulton, Thomas"
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Rethinking historicism from Shakespeare to Milton
\"Reading literary texts in their historical contexts has been the dominant form of interpretation in literary criticism for the past thirty years. This collection of essays reflects on the origins of historicism and its present usefulness as a mode of literary analysis, its limitations, and its future. The volume provides a brief history of the practice from its renaissance origins, offering examples of historicist work that not only demonstrate the continuing vitality of this methodology but also suggest new directions for research. Focusing on the major figures of Shakespeare and Milton, these essays provide important and concise representations of trends in the field. Designed for scholars and students of early modern English literature (1500-1700), the volume will also be of interest to students of literature more generally and to historians\"-- Provided by publisher.
The Book of Books
2021
Just as the Reformation was a movement of intertwined
theological and political aims, many individual authors of the time
shifted back and forth between biblical interpretation and
political writing. Two foundational figures in the history of the
Renaissance Bible, Desiderius Erasmus and William Tyndale, are
cases in point, one writing in Latin, the other in the vernacular.
Erasmus undertook the project of retranslating and annotating the
New Testament at the same time that he developed rhetorical
approaches for addressing princes in his Education of a
Christian Prince (1516); Tyndale was occupied with biblically
inflected works such as his Obedience of a Christian Man
(1528) while translating and annotating the first printed English
Bibles.
In The Book of Books , Thomas Fulton charts the process
of recovery, interpretation, and reuse of scripture in early modern
England, exploring the uses of the Bible as a supremely
authoritative text that was continually transformed for political
purposes. In a series of case studies linked to biblical
translation, polemical tracts, and works of imaginative literature
produced during the reigns of successive English rulers, he
investigates the commerce between biblical interpretation,
readership, and literary culture. Whereas scholars have often drawn
exclusively on modern editions of the King James Version, Fulton
turns our attention toward the specific Bibles that writers used
and the specific manner in which they used them. In doing so, he
argues that Spenser, Shakespeare, Milton, and others were in
conversation not just with the biblical text itself, but with the
rich interpretive and paratextual structures that accompanied it,
revolving around sites of social controversy as well as the larger,
often dynastically oriented conditions under which particular
Bibles were created.
The Book of Books : Biblical interpretation, literary culture, and the political imagination from Erasmus to Milton
by
Fulton, Thomas
in
advice books
,
Bible -- Criticism, interpretation, etc. -- England -- History -- 16th century
,
Bible -- Criticism, interpretation, etc. -- England -- History -- 17th century
2020,2021
Just as the Reformation was a movement of intertwined theological and political aims, many individual authors of the time shifted back and forth between biblical interpretation and political writing. Two foundational figures in the history of the Renaissance Bible, Desiderius Erasmus and William Tyndale, are cases in point, one writing in Latin, the other in the vernacular. Erasmus undertook the project of retranslating and annotating the New Testament at the same time that he developed rhetorical approaches for addressing princes in his Education of a Christian Prince (1516); Tyndale was occupied with biblically inflected works such as his Obedience of a Christian Man (1528) while translating and annotating the first printed English Bibles.In The Book of Books, Thomas Fulton charts the process of recovery, interpretation, and reuse of scripture in early modern England, exploring the uses of the Bible as a supremely authoritative text that was continually transformed for political purposes. In a series of case studies linked to biblical translation, polemical tracts, and works of imaginative literature produced during the reigns of successive English rulers, he investigates the commerce between biblical interpretation, readership, and literary culture. Whereas scholars have often drawn exclusively on modern editions of the King James Version, Fulton turns our attention toward the specific Bibles that writers used and the specific manner in which they used them. In doing so, he argues that Spenser, Shakespeare, Milton, and others were in conversation not just with the biblical text itself, but with the rich interpretive and paratextual structures that accompanied it, revolving around sites of social controversy as well as the larger, often dynastically oriented conditions under which particular Bibles were created.
Historical Milton
by
Thomas Fulton
in
17th century
,
Books and reading
,
Books and reading -- England -- History -- 17th century
2010
John Milton's Commonplace Book is the only known political notebook of a radical polemicist writing during the English civil war, and the most extensive manuscript record of reading we have from any major English poet from this period. In this rethinking of a surprisingly neglected body of evidence, Thomas Fulton explores Milton's reading practices and the ways he used this reading in his writing. Fulton's close study of the Commonplace Book suggests that this reading record is far from the haphazard collection of notes that it first appears but is instead a program of research which had its own ideology that responded to the reading habits and practices of Milton's contemporaries. Created mostly in the late 1630s and during the overthrow of the Stuart government in the 1640s, Milton's reading notes yield a number of surprises, the most fundamental being a highly structured commitment to political history. Fulton explores the relationship between the manuscript author and his polemical persona, placing the Commonplace Book, the manuscript \"Digression\" to the History of Britain, and some wartime poems in revealing contrast to the printed political texts of this period.
Bibles in the Hands of Readers: Dutch, English, French, and Italian Perspectives
2019
Vernacular Bibles and biblical texts were among the most circulated and most read books in late medieval and early modern Europe, both in manuscript and print. Vernacular scripture circulated throughout Europe in different ways and to different extents before and after the Reformation. In spite of the differences in language, centers of publication, and confessional orientation, there was nonetheless considerable collaboration and common ground. This collection of essays explores the readership of Dutch, English, French, and Italian biblical and devotional texts, focusing in particular on the relationships between the texts and paratexts of biblical texts, the records of ownership, and the marks and annotations of biblical readers. Evidence from early modern biblical texts and their users of all sorts – scholars, clerics, priests, laborers, artisans, and anonymous men and women, Protestant and Catholic – sheds light on how owners and readers used the biblical text.
Journal Article
Rethinking Historicism from Shakespeare to Milton
by
Coiro, Ann Baynes
,
Fulton, Thomas (Thomas Chandler)
in
Early modern, 1500-1700
,
English literature
,
English literature -- Early modern, 1500-1700 -- History and criticism -- Theory, etc
2012
Reading literary texts in their historical contexts has been the dominant form of interpretation in literary criticism for the past thirty years. This collection of essays reflects on the origins of historicism and its present usefulness as a mode of literary analysis, its limitations and its future. The volume provides a brief history of the practice from its Renaissance origins, offering examples of historicist work that not only demonstrate the continuing vitality of this methodology but also suggest new directions for research. Focusing on the major figures of Shakespeare and Milton, these essays provide important and concise representations of trends in the field. Designed for scholars and students of early modern English literature (1500–1700), the volume will also be of interest to students of literature more generally and to historians.
The Elizabethan Catholic New Testament and Its Readers
2019
Printed vernacular Bibles appeared in many European languages well before the Protestant Reformation, but in England the story is quite different. The first Catholic English New Testament was not printed until 1582, long after numerous Protestant editions had flooded the English Bible market. This article focuses on readers of this 1582 annotated Rheims New Testament, published by exiles in France and shipped surreptitiously northward for missionaries to convert, affirm, and educate British Catholics. Once in England this edition garnered an immense outpouring of printed confutations. Particularly significant was a 1589 dual printing of the Rheims text alongside the official version of the Church of England with extensive annotations by William Fulke. Reader markings in both the 1582 Rheims New Testament and its 1589 confutation, however, show early readers staking out confessional positions independent of the polemic of the printed texts, often putting these texts to purposes contrary to those intended.
Journal Article
No turning back : a memoir
by
Thurston, Elizabeth Fulton
,
Fulton, Edward Thomas Whyte
in
Australia New Guinea Administrative Unit
,
Australia New Guinea Administrative Unit -- Biography
,
Biography
2005
Containing a unique account of AustraliaâÂÂs World War II engagement in the Pacific and illustrated by arresting photographs, this laconic memoir roves across the 20th century. A remarkable story of travel, adventure and heroism, Ted Fulton prospected for gold, became a patrol officer and served during World War II. Ultimately finding fulfilment in the rugged beauty of Papua New Guinea â of which he writes with moving insight â the recollections of Ted Fulton are a compelling tribute to the spirit of adventure.