Search Results Heading

MBRLSearchResults

mbrl.module.common.modules.added.book.to.shelf
Title added to your shelf!
View what I already have on My Shelf.
Oops! Something went wrong.
Oops! Something went wrong.
While trying to add the title to your shelf something went wrong :( Kindly try again later!
Are you sure you want to remove the book from the shelf?
Oops! Something went wrong.
Oops! Something went wrong.
While trying to remove the title from your shelf something went wrong :( Kindly try again later!
    Done
    Filters
    Reset
  • Discipline
      Discipline
      Clear All
      Discipline
  • Is Peer Reviewed
      Is Peer Reviewed
      Clear All
      Is Peer Reviewed
  • Series Title
      Series Title
      Clear All
      Series Title
  • Reading Level
      Reading Level
      Clear All
      Reading Level
  • Year
      Year
      Clear All
      From:
      -
      To:
  • More Filters
      More Filters
      Clear All
      More Filters
      Content Type
    • Item Type
    • Is Full-Text Available
    • Subject
    • Country Of Publication
    • Publisher
    • Source
    • Target Audience
    • Donor
    • Language
    • Place of Publication
    • Contributors
    • Location
297 result(s) for "Gaiman, Neil"
Sort by:
American gods
\"Locked behind bars for three years, Shadow did his time, quietly waiting for the magic day when he could return to Eagle Point, Indiana. A man no longer scared of what tomorrow might bring, all he wanted was to be with Laura, the wife he deeply loved, and start a new life. But just days before his release, Laura and Shadow's best friend are [both] killed in an accident. With his life in pieces and nothing to keep him tethered, Shadow accepts a job from a beguiling stranger he meets on the way home, an enigmatic man who calls himself Mr. Wednesday\"--P. [4] of cover.
Kirby
Jack Kirby created or co-created some of comic books' most popular characters including Captain America, The X-Men, The Hulk, The Fantastic Four, The Mighty Thor, and more. This is his story by one who knew him well - the authorized celebration of the one and only 'King of Comics' and his ground-breaking work.
The DC Universe
\"Collecting for the first time in a single volume eight of the award-winning author's celebrated stories of super-heroics!\"--Back cover.
The Complete and Original Norwegian Folktales of Asbjørnsen and Moe
A new, definitive English translation of the celebrated story collection regarded as a landmark of Norwegian literature and culture The extraordinary folktales collected by Peter Christen Asbjørnsen and Jørgen Moe began appearing in Norway in 1841. Over the next two decades the publication of subsequent editions under the titleNorske folkeeventyr made the names Asbjørnsen and Moe synonymous with Norwegian storytelling traditions. Tiina Nunnally's vivid translation of their monumental collection is the first new English translation in more than 150 years-and the first ever to include all sixty original tales. Magic and myth inhabit these pages in figures both familiar and strange. Giant trolls and talking animals are everywhere. The winds take human form. A one-eyed old woman might seem reminiscent of the Norse god Odin. We meet sly aunts, resourceful princesses, and devious robbers. The clever and fearless boy Ash Lad often takes center stage as he ingeniously breaks spells and defeats enemies to win half the kingdom. These stories, set in Norway's majestic landscape of towering mountains and dense forests, are filled with humor, mischief, and sometimes surprisingly cruel twists of fate. All are rendered in the deceptively simple narrative style perfected by Asbjørnsen and Moe-now translated into an English that is as finely tuned to the modern ear as it is true to the original Norwegian. Included here-for the very first time in English-are Asbjørnsen and Moe's Forewords and Introductions to the early Norwegian editions of the tales. Asbjørnsen gives us an intriguing glimpse into the actual collection process and describes how the stories were initially received, both in Norway and abroad. Equally fascinating are Moe's views on how central characters might be interpreted and his notes on the regions where each story was originally collected. Nunnally's informative Translator's Note places the tales in a biographical, historical, and literary context for the twenty-first century. The Norwegian folktales of Asbjørnsen and Moe are timeless stories that will entertain, startle, and enthrall readers of all ages.
Fragile things : featuring How to talk to girls at parties
Let me tell you stories of the months of the year, of ghosts and heartbreak, of dread and desire. Or after-hours drinking and unanswered phones, of good deeds and bad days, of trusting wolves and how to talk to girls at parties. There are stories within stories, whispered in the quiet of the night, shouted above the roar of the day, and played out between lovers and enemies, strangers, and friends. But all, all are fragile things made of just 26 letters arranged and rearranged to form tales and imaginings which will dazzle your senses, haunt your imagination and move you to the very depths of your soul.
Information Doesn't Want to Be Free
“Filled with wisdom and thought experiments and things that will mess with your mind.\" — Neil Gaiman, author of The Graveyard Book and American Gods In sharply argued, fast-moving chapters, Cory Doctorow's Information Doesn't Want to Be Free takes on the state of copyright and creative success in the digital age. Can small artists still thrive in the Internet era? Can giant record labels avoid alienating their audiences? This is a book about the pitfalls and the opportunities that creative industries (and individuals) are confronting today — about how the old models have failed or found new footing, and about what might soon replace them. An essential read for anyone with a stake in the future of the arts, Information Doesn't Want to Be Free offers a vivid guide to the ways creativity and the Internet interact today, and to what might be coming next. This book is DRM-free.
Stardust
In the quiet English hamlet of Wall, Tristran Thorn embarks on a remarkable journey through the world of Faerie to recover a fallen star for his lover, the hauntingly beautiful Victoria Forester.
The Pornography of Genre, or the Genre of Pornography
A book that you remember a scene from so vividly, something that was etched onto the back of your eyeballs when you read it, and you remember the rain whipping down, you remember the way the trees blew in the wind, you remember the whinnies and the stamps of the horses as they fled through the forest to the castle, and the jangle of the bits, and every noise. The trouble is that Sturgeon's Law-which approximates to 90% of everything is crap-applies to the fields I know something about (SF and fantasy and horror and children's books and mainstream fiction and non-fiction and biography) and I'm sure it applies equally as much to the places in the bookshops I don't go-from cookbooks to supernatural romances. On my way to a friend's funeral I saw an airline passenger stand up and bang his head on an overhead compartment, opening it and sending the contents over a hapless flight attendant in the most perfectly performed and timed piece of slapstick I've ever seen. In a musical you are going to have different kinds of song-solos, duets, trios, full choruses, songs sung by men to women and by women to men, slow songs, fast songs, happy songs, love songs-and in a porn film you have a number of different kinds of sexual scenarios that need to be gone through.