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"Galbraith, Patrick, author"
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Uncommon ground : why our relationship with the land needs a radical rethink
by
Galbraith, Patrick, author
in
Land use Great Britain.
,
Land tenure Great Britain.
,
Right of way Great Britain.
2025
Much is made of open access in Scotland, but what is the reality of the policy in practice, and should England and Wales embrace it? The largest demonstration about land access since the 1930s took place on Dartmoor in 2023. It was organised by the Right to Roam Campaign, which has become a powerful voice in England and Wales - clamouring for open access for all to every acre. In this book, Patrick Galbraith takes us on a tour of the British countryside to investigate the reality of open access - what are the rewards and what are the risks? He follows threads from Dartmoor to London, explores Loch Lomond in Scotland, where the right to wild camping had to be withdrawn due to widespread misuse, and alongside leading Right to Roamer Guy Shrubsole, he visits conservation projects endangered by the R2R campaign.
Escaping Japan
2018,2017
iThe idea that Japan is a socially homogenous, uniform society has been increasingly challenged in recent years. This book takes the resulting view further by highlighting how Japan, far from singular or monolithic, is socially and culturally complex. It engages with particular life situations, exploring the extent to which personal experiences and lifestyle choices influence this contemporary multifaceted nation state. Adopting a theoretically engaged ethnographic approach, and considering a range of 'escapes' both physical and metaphorical, this book provides a rich picture of the fusions and fissures that comprise Japan and Japaneseness today.
Otaku and the struggle for imagination in Japan
\"In this ethnographic study of Otaku-- a loose category referring to intense fans of Japanese animation, games, and comics-- conducted in Akihabara, the electronics-turned-pop-culture neighborhood of Tokyo, author Patrick Galbraith traces the evolving relationships of mostly male-fans with imagined female characters. The term otaku, he argues, is frequently pathologized, to mean alienated or introverted persons - usually male - who have difficulty having real relationships and thus retreat into a world of their own imagination and control. Galbraith wonders why the form of a relationship that focuses on an animated character is more problematic than other kinds of fan attachments - crushes on pop music stars or a deep investment in Star Wars or Harry Potter. Through his engaged ethnography at the height of the interest in maid cafâes and animated female characters in the early 2000s, he is able to historicize this fandom in an empathetic and detailed way, showing that what many have taken to be a single and peculiar psychological phenomenon was actually a complex, quickly evolving pop culture phenomenon. The affective relationships of the fans (seen as 3D) and the characters (2D, even when they are in three dimensions) is seen as a shifting and ordered form of closeness, a closeness between humans and animated characters. Galbraith urges us to explore rather than denigrate these relationships\"--Provided by publisher.
AKB48
Since its formation as a girl group with 20 members in 2005, AKB48 has become a phenomenal success and institution in Japan. Having originally recruited fans by handing out photocopied fliers on the street and performing daily in a dedicated theater in the Akihabara area of Tokyo, AKB48 now saturates Japan. Its members--nearly 800 of them, including five additional sister groups and four so-called \"rival groups\" in locations across Japan as well as six sister groups in major Asian cities overseas - appear in print, broadcast, online, and social media; in advertisements and on products; at home and on the train; on- and off-screen. Such multi-platform omnipresence is characteristic of the \"idol,\" a heavily produced and promoted performer who is in intimate relation to fans and appeals to them for support. And AKB48's appeals have astonishing results. From 2010 to 2018, the group's singles have occupied the top two to five spots of the Oricon Yearly Singles Chart, and almost all sold over a million copies. They hold the record for most singles sold by a female artist or group, highest Japanese sales of a single by a female artist or group, most consecutive million-selling singles sold in Japan, most million-selling singles in Japan, and more. At a time when affect is more important than ever in economic, political, and social theory, this book explores the intersection of idols and affect in contemporary Japan and beyond.