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Aldo Rossi and the spirit of architecture
This crucial reassessment of Aldo Rossi's (1931-1997) architecture simultaneously examines his writings, drawings, and product design, including the coffeepots and clocks he designed for the Italian firm Alessi. The first Italian to receive the Pritzker Prize, Rossi rejected modernism, seeking instead a form of architecture that could transcend the aesthetic legacy of Fascism in postwar Italy. Rossi was a visionary who did not allow contemporary trends to dominate his thinking. His baroque sensibility and poetic approach, found both in his buildings and in important texts like The Architecture of the City, inspired the critic Ada Louise Huxtable to describe him as \"a poet who happens to be an architect.\" Diane Ghirardo explores different categories of structures-monuments, public buildings, cultural institutions, theaters, and cemeteries-drawing significantly on previously unpublished archival materials and always keeping Rossi's own texts in the forefront. By delving into the relationships among Rossi's multifaceted life, his rich body of work, and his own reflections, this book provides a critical new understanding of Rossi's buildings and the place of architecture in postwar Italy
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Italy
Packed in its dense, historic city centers, Italy holds some of the most prized architecture and art in the world, with which planners and politicians have had to negotiate as they struggle to cope with massive migration from the countryside to the city. Early modern architecture coincided with a sustained drive to transform a country that was still primarily rural into a modern industrial state, and throughout the twentieth century, architects in Italy have attempted to define the role of architecture within a capitalist economy and under diverse political systems. In Italy: Modern Architectures in History, Diane Yvonne Ghirardo addresses these and other issues in her analysis of the last century of Italy's building practices. Specifically, she examines the post-unification efforts to identify a distinctly Italian architectural language, as well as the transformation of the urban environment in Italian cities undergoing industrialization in the late nineteenth and early twentieth centuries. She challenges received interpretations of modern architecture and also looks at the subject of illegal building and current responses to ecological challenges. In order to illuminate the full scope of the building industry in Italy, her examples are drawn not only from the work of widely published architects in the largest cities but from throughout the peninsula, including small towns and rural areas. Insightful reading for those interested in Italian culture, this book offers a new way of understanding the architectural history of modern Italy.
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