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Education, Professionalism, and the Quest for Accountability
by
Green, Jane
in
Continuing Professional Development
,
Education Policy & Politics
,
Educational accountability
2011,2010
This book focuses on education and its relation to professional accountability as viewed from two different, but not unrelated, perspectives. First, the book is about the work of professionals in schools and colleges (teachers, head teachers, leaders, principals, directors and educational managers, etc.) and the detrimental effects which our present system of accountability – and the managerialism which this system creates – have had on education, its practice, its organization, its conduct and its content. It is also about the professional education (the occupational/professional formation and development) of practitioners in communities other than educational ones and how they, too, contend with the effects of this system on their practices.
These different perspectives represent two sides of the same problem: that whatever one’s métier – whether a teacher, nurse, social worker, community officer, librarian, civil servant, etc – all who now work in institutions designed to serve the public are expected to reorganize their thoughts and practice in accordance with a \"performance\" management model of accountability which encourages a rigid bureaucracy, one which translates regulation and monitoring procedures, guidelines and advice into inflexible and obligatory compliance. A careful scrutiny of the underlying rationale of this \"managerial\" model shows how and why it may be expected, paradoxically, to make practices less accountable – and, in the case of education, less educative.
Dr. Jane Green is a freelance consultant and tutor, designing and running ethics courses. Further information can be found at www.ethics-courses.com.
Entry
\"... there is much to enjoy in this extended essay that is of relevance beyond the world of education. Defending the priority of seasoned judgement against a world of auditing and targets may also prove to be an argument whose time has come and may find surprisingly fertile ground in the new politics of austerity sweeping through Western Europe.\" - Michael Power, Department of Accounting, London School of Economics and Political Science, British Journal of Sociology of Education, Vol. 33, No. 4, July 2012, 621 - 628.
\"Jane Green’s book is an important addition to the literature on professionalism. It aims and lands some well-directed (and much deserved) volleys on the target of the new public management. It is scrupulously written, attendant to the contemporary literature, and sustains a progressive narrative throughout. It is to be hoped that Jane Green will build on this text and renew her explorations here, and attempt to fill out and develop a conception of professionalism for the current age\". - Ron Barnett, Department of Lifelong and Comparative Education, University of London, Journal of Philosophy of Education, Vol. 48, No. 3, 2014.
Family pictures
Two women who live on opposite coasts but whose lives are connected in ways they never could have imagined.
An Archaeology of Images
2004
Using archaeology and social anthropology, and more than 100 original line drawings and photographs, An Archaeology of Images takes a fresh look at how ancient images of both people and animals were used in the Iron Age and Roman societies of Europe, 600 BC to AD 400 and investigates the various meanings with which images may have been imbued.
The book challenges the usual interpretation of statues, reliefs and figurines as passive things to be looked at or worshipped, and reveals them instead as active artefacts designed to be used, handled and broken. It is made clear that the placing of images in temples or graves may not have been the only episode in their biographies, and a single image may have gone through several existences before its working life was over.
Miranda Aldhouse Green examines a wide range of other issues, from gender and identity to foreignness, enmity and captivity, as well as the significance of the materials used to make the images. The result is a comprehensive survey of the multifarious functions and experiences of images in the communities that produced and consumed them.
Challenging many previously held assumptions about the meaning and significance of Celtic and Roman art, An Archaeology of Images will be controversial yet essential reading for anyone interested in this area.
'[Aldhouse Green] is to be congratualted on bringing together such a wide ranger of examples of iconographic art ... The book is well-written and readable.' – Britannia
Miranda Aldhouse Green is Professor of Archaeology at University of Wales College, Newport. Her main research interests are in the material culture of ritual and religion in the European Iron Age and western Roman provinces. Her previous publications include Symbol and Image in Celtic Religious Art , Exploring the World of the Druids, and Dying for the Gods.
Preface 1. Introduction: Images in Action 2. Image and Identity: Personhood, Self and Other 3. Imaging Gender: Iconographies of Difference 4. Materiality and Meaning 5. Thinking with Beasts 6. Dreaming Monsters and Shamanic Shape-Shifters 7. Paths of Perception: Ways of Seeing, Ways of Telling 8. Resistant Iconographies: Post-Colonial Perspectives Postscript: Images Unlocked? References
Tempting fate
Gabby and Elliott have been happily married for eighteen years. They have two teenaged daughters. They have built a life together. Forty-three year old Gabby is the last person to have an affair. She can't relate to the way her friends desperately try to cling to the beauty and allure of their younger years...And yet she too knows her youth is quickly slipping away. She could never imagine how good it would feel to have a handsome younger man show interest in her--until the night it happens. Matt makes Gabby feel sparkling, fascinating, alive--something she hasn't felt in years. What begins as a long-distance friendship soon develops into an emotional affair as Gabby discovers her limits and boundaries are not where she expects them to be. Intoxicated, she has no choice but to step ever deeper into the allure of attraction and attention, never foreseeing the life-changing consequences that lie ahead. If she makes one wrong move she could lose everything--and find out what really matters most.
Bog Bodies Uncovered
by
McDermid, Val
,
Aldhouse-Green, Miranda
in
Antiquities, Prehistoric-Europe
,
Bog bodies
,
Bog bodies-Europe
2015
It is time for a new book about bog bodies: the number of known bodies is growing. Lindow Man, the famous 'Pete Marsh' discovered in Cheshire in the 1980s, has been joined by new finds from Ireland and elsewhere. Who were these unfortunate people, and why were they killed?Archaeologists, armed with the latest analytical techniques, are today investigating these cold cases to reveal much about our distant past. Forensic science allows us to deduce the age, physical condition, status, cause and time of death of these ancient victims, helping to answer the fundamental questions that they pose: were these people executed, simply murdered, or victims of human sacrifice? Who selected them? Who delivered the killing blow, and why? Drawing on all the latest evidence and research, Miranda Aldhouse-Green has written an engrossing detective story, uncovering the hidden truths behind these murder mysteries.
Falling
\"The New York Times bestselling author of The Beach House, Jemima J, and Summer Secrets presents a novel about the pleasure and meaning of finding a home--and family--where you least expect them... When Emma Montague left the strict confines of upper-crust British life for New York, she felt sure it would make her happy. Away from her parents and expectations, she felt liberated, throwing herself into Manhattan life replete with a high-paying job, a gorgeous apartment, and a string of successful boyfriends. But the cutthroat world of finance and relentless pursuit of more began to take its toll. This wasn't the life she wanted either. On the move again, Emma settles in the picturesque waterfront town of Westport, Connecticut, a world apart from both England and Manhattan. It is here that she begins to confront what it is she really wants from her life. With no job, and knowing only one person in town, she channels her passion for creating beautiful spaces into remaking the dilapidated cottage she rents from Dominic, a local handyman who lives next door with his six-year-old son. Unlike any man Emma has ever known, Dominic is confident, grounded, and committed to being present for his son whose mother fled shortly after he was born. They become friends, and slowly much more, as Emma finds herself feeling at home in a way she never has before. But just as they start to imagine a life together as a family, fate intervenes in the most shocking of ways. For the first time, Emma has to stay and fight for what she loves, for the truth she has discovered about herself, or risk losing it all. In a novel of changing seasons, shifting lives, and selfless love, a story unfolds--of one woman's far-reaching journey to discover who she is truly meant to be
Caesar's Druids
2010,2013
Ancient chroniclers, including Julius Caesar himself, made the Druids and their sacred rituals infamous throughout the Western world. But in fact, as Miranda Aldhouse-Green shows in this fascinating book, the Druids' day-to-day lives were far less lurid and much more significant. Exploring the various roles that Druids played in British and Gallic society during the first centuries B.C. and A.D.-not just as priests but as judges, healers, scientists, and power brokers-Aldhouse-Green argues that they were a highly complex, intellectual, and sophisticated group whose influence transcended religion and reached into the realms of secular power and politics. With deep analysis, fresh interpretations, and critical discussions, she gives the Druids a voice that resonates in our own time.
The friends we keep
Evvie, Maggie, and Topher have known each other since university. Their friendship was something they swore would last forever. Now years have passed, the friends have drifted apart, and none of them ever found the lives they wanted - the lives they dreamed of when they were young and everything seemed possible. Evvie starved herself to become a supermodel but derailed her career by sleeping with a married man. Maggie married Ben, the boy she fell in love with at university, never imagining the heartbreak his drinking would cause. Topher became a successful actor but the shame of a childhood secret shut him off from real intimacy. By their thirtieth reunion, these old friends have lost touch with each other and with the people they dreamed of becoming. Together again, they have a second chance at happiness... until a dark secret is revealed that changes everything. The Friends We Keep is about how despite disappointments we've had or mistakes we've made, it's never too late to find a place to call home.
Symbol and Image in Celtic Religious Art
by
Green, Miranda
in
Art, Celtic -- Gaul -- Roman influences
,
British Archaeology
,
European Archaeology
1992,2003
First published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.