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2 result(s) for "Griffiths, Richard, 1935- author"
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What did you do during the war? : the last throes of the British pro-Nazi Right, 1940-45
\"This book is a sequel to Richard Griffiths's two highly successful previous books on the British pro-Nazi Right: Fellow-Travellers of the Right : British Enthusiasts for Nazi Germany, 1933-9; and Patriotism Perverted : Captain Ramsay, the Right Club and British Anti-Semitism, 1939-40. It follows the fortunes of his protagonists after the arrests of May-June 1940, and charts their very varied reactions to the failure of their cause, while also looking at the possible reasons for the government's failure to detain prominent pro-Nazis from the higher strata of society. Some of the pro-Nazis continued with their original views, and even undertook politically subversive activity, here and in Germany. Others, finding that their pre-war balance between patriotism and pro-Nazism had now tipped firmly on the side of patriotism, fully supported the war effort, while still maintaining their old views privately. Other people found that events had sincerely made them change their views. And then there were those who, frightened by the prospect of detention or disgrace, tried to hide or even to deny their former views by a variety of subterfuges, including attacking former colleagues. This wide variety of reactions sheds new light on the equally wide range of reasons for their original admiration for Nazism, and also gives us some more general insight into what could be termed 'the psychology of failure'\"--Provided by publisher.
The pen and the cross : Catholicism and English literature, 1850-2000
This incisive and perceptive new book concerns 'Catholic Literature' in Britain since 1850. To many people, Roman Catholicism is culturally foreign and 'other'. And yet some of the most outstanding writers of recent times have been Catholics - often converts, such as Evelyn Waugh, Graham Greene, Muriel Spark and David Jones. In every case these authors' Catholicism was integral to their creative genius and they represent an important strand in any account of English literature. Professor Griffiths' account is set against a wide and varied canvas. It gives a full account of the growth of Catholicism as a cultural, social and political force in Great Britain since Newman. Griffiths is concerned also to relate his story to movements on the continent and examines on his way the impact of French Catholic writers such as Huysmans, Péguy and Mauriac on their British counterparts and the influence of British Catholic writers such as Newman, Faber and Chesterton on Europe.