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X-ray Computed Tomography (X-CT) is now an established technique for the investigation and diagnostics of Cultural Heritage. Its advantages include non-invasiveness, non-destructiveness, and the possibility of exploring the inner parts of an object without any modification. X-CT is often employed to investigate the construction methods of complex artifacts made with different parts or materials, but it is also able to support the analysis, intervention, monitoring and enhancement processes of artworks, creating digital models that can aid in the conservation and restoration procedures. In this work, several case studies are presented in which the CT technique has been decisive in identifying the effects of time and the events that occurred during the object’s life influencing its state of conservation. These range from large objects, such as an 18th century CE writing cabinet or an ancient Egyptian wooden coffin, to very small artifacts, like Mesopotamian lapis lazuli beads or fragments of Roman colored glass. Additionally, the results obtained by µ-CT investigations on the conservation state of a bronze arrowhead uncovered from the Urama-chausuyama mounded tomb (Japan, Kofun period, end of the 3rd century CE) are presented here for the first time. Lastly, the versatility of the technique when applied with different setups is highlighted.

Four glass beads from a Scythian burial on the island of Khortytsia (Southern Ukraine) were subjected to 3D imaging using micro-CT and photogrammetry. The aim was to reconstruct the process used to produce and decorate the beads by detecting and interpreting the traces left by the technological processes on the bead surface and in the glass body. It turned out that all the beads were obtained by winding hot glass around the mandrel. The distribution, size and shape of the bubbles in the glass matrix revealed by the micro-CT scans and the features observed during a thorough examination of the photogrammetric models allowed us to follow the movements of the bead maker during the formation of the bead body and its decoration, highlighting several details of the production processes such as the number of the superimposed layers and the direction of the rotation of the mandrel during both the formation of the body and the decoration of the bead. Some information about the tools also emerged, with particular reference to the shape of the mandrel, the possible use of a releasing agent and how tools were used to decorate the surface or to remove the beads from the mandrel. According to the archaeological classification, the beads considered here belong to three different types, that are considered chronological indicators of the fourth century BCE and are found in archaeological sites spread over an area extending for several thousand kilometers from the Black Sea coast to the Ural Mountains. This work enriches the knowledge of the micromorphology of beads found in Eastern Europe, which is rarely discussed in the scientific literature on the archaeological glass beads.

The conservation of cultural heritage is highly influenced by environmental factors, including chemical and biological air quality and microclimatic conditions. Understanding their combined effects is essential for developing preventive conservation strategies. This study focuses on the indoor air quality in the King’s Apartment in the Royal Palace of Turin (Italy), a historic building lacking air-conditioning systems, where a multidisciplinary approach was applied to assess the conservation environment. Continuous monitoring of Total Volatile Organic Compounds (TVOC), particulate matter (PM[sub.2.5] and PM[sub.10]), temperature and relative humidity was performed between March 2024 and July 2025 using portable sensors; aerobiological analyses were carried out through active and passive sampling, while volatile compounds were identified via SPME-GC/MS. Pollutants and biological monitoring revealed fluctuations influenced by microclimatic variations and spatial position. Notably, results showed that one room exhibited the highest levels of concern across all monitoring activities, representing the most vulnerable environment. The use of a multidisciplinary approach enabled a comprehensive understanding of the environmental conditions affecting the King’s Apartment, highlighting the relevance of collaboration in heritage science to guide evidence-based preventive conservation strategies.

Diagnostic physical methods are increasingly applied to Cultural Heritage both for scientific investigations and conservation purposes. In particular, the X-ray imaging techniques of computed tomography (CT) and digital radiography (DR) are non-destructive investigation methods to study an object, being able to give information on its inner structure. In this paper, we present the results of the X-ray imaging study on an ancient Egyptian statuette (Late Period 722–30 BCE) belonging to the collection of Museo Egizio in Torino and representing an Egyptian goddess called Taweret, carved on wood and gilded with some colored details. Since few specific studies have been focused on materials and techniques used in Ancient Egypt for gilding, a detailed investigation was started in order to verify the technical features of the decoration in this sculpture. Specifically, DR and CT analyses have been performed at the Centro Conservazione e Restauro “La Venaria Reale” (CCR), with a new high resolution flat-panel detector, that allowed us to perform tomographic analysis reaching a final resolution better than the one achievable with the previous apparatus operating in the CCR.

Analytical techniques play a fundamental role in heritage science. Among them, Particle Induced X-ray Emission (PIXE) and X-ray Fluorescence (XRF) techniques are widely used in many laboratories for elemental composition analysis. Although they are well-established, a strong effort is put on their upgrade, making them suitable for more and more applications. Over the years, at the INFN-LABEC (the laboratory of nuclear techniques for the environment and cultural heritage of the Italian National Institute of Nuclear Physics), the INFN-CHNet group, the network devoted to cultural heritage, has carried out many technological improvements to the PIXE and XRF set-ups for the analysis of works of art and archaeological finds. Among the many, we recall here the scanning external microbeam facility at the TANDEM accelerator and the MA-XRF scanner. The two instruments have shown complementary features: the former permits quantitative analysis of elements heavier than sodium, which is not possible with the latter in most of the case studies. On the contrary, the scanner has the undeniable advantage of portability, allowing it to work in situ. In this framework of technological developments in heritage science, INFN, CERN, and OPD are jointly carrying on the MACHINA (Movable Accelerator for Cultural Heritage In-situ Non-destructive Analysis) project for on-site Ion Beam Analysis (IBA) studies on cultural heritage.

At present, the use of non-destructive, non-invasive X-ray-based techniques is well established in heritage science for the analysis and conservation of works of art. X-ray fluorescence (XRF) plays a fundamental role since it provides information on the elemental composition, contributing to the identification of the materials present on the superficial layers of an artwork. Whenever XRF is combined with the capability of scanning an area to provide the elemental distribution on a surface, the technique is referred to as macro X-ray fluorescence (MA-XRF). The heritage science field, in which the technique is extensively applied, presents a large variety of case studies. Typical examples are paintings, ceramics, metallic objects and manuscripts. This work presents an uncommon application of MA-XRF analysis to furniture. Measurements have been carried out with the MA-XRF scanner of the INFN-CHNet collaboration at the Centro di Conservazione e Restauro “La Venaria Reale”, a leading conservation centre in the field. In particular, a chinoiserie lacquered cabinet of the 18th century and a desk by Pietro Piffetti (1701–1777) have been analysed with a focus on the characterisation of decorative layers and different materials (e.g., gilding in the former and ivory in the latter). The measurements have been carried out using a telemeter for non-planar surfaces, and with collimators of 0.8 mm and 0.4 mm diameter, depending on the spatial resolution needed. The combination of the small measuring head with the use of the telemeter and of a small collimator has guaranteed the ability to scan difficult-to-reach areas with high spatial resolution in a reasonable time (20 × 10 mm2 with 0.2 mm step in less than 20 min).

Digital radiography and computed tomography are two fundamental diagnostic techniques in different fields of research, including cultural heritage studies and gemmology. The application of these physical methods of investigation has gained considerable importance as they are non-invasive techniques. The presented work has been mainly focused on micro-tomographic analysis. The project is concerned with the study of natural and cultivated pearls in order to develop an investigation methodology for the analysis, distinction and characterization of different types of pearls, some of them belonging to different precious jewels from private collections. The investigations, carried out on a total of 22 heterogeneous types of pearls, allowed us to establish their origin (natural or cultivated) or to confirm/deny if a hypothesis was already expressed, and as well to highlight the cultivation methodology used case by case. Furthermore, it was possible to ascertain how large and varied the market for cultured pearls is nowadays and how difficult is, in some particular cases, to ascertain their attribution to a certain origin.

A collection of ancient Chinese jades of the Museum of Oriental Art, Turin (Italy), was studied with an optical microscope in incident/raking light to detect production marks and reconstruct manufacturing techniques. A non-invasive, multi-analytic protocol (p-XRF/PCA, FTIR and μ-Raman spectroscopies, μ-X-ray diffraction) was applied to characterize the materials and state of conservation. Eight were confirmed to be nephrite artefacts, consistent with the composition of archaic Chinese jades, though there was insufficient evidence to assess an attribution. Yet this evidence – coupled to manufacturing marks and stylistic features – supports their authenticity. Six are made of other lithologies/materials, with hardness/tenacity lower than jades. Technological marks suggest that the choice of such materials might depend on specific reasons, consequent to use or interment. Doubts arise about the genuineness of five items, due to odd manufacturing signs and/or stylistic inaccuracies. This study shows the fundamental role of archaeometry in assessing the authenticity of historical artefacts, supporting the dissemination activities promoted by museums.

In this study, calcite crystals within 42 lapis lazuli reference rocks coming from four distinct mining regions (in present-day Afghanistan, Tajikistan, Siberia and Myanmar) were characterised in terms of their compositional and luminescence properties in order to identify potential provenance markers. A non-destructive approach based on Ion Beam Analysis was employed, in particular using μ-Particle Induced X-rays Emission (μ-PIXE) and μ-Ion Beam Induced Luminescence (μ-IBIL). The results indicate that calcite crystals in Afghan rocks are characterised by the highest quantity of Mg and Mn; whereas, Siberian calcite exhibit the highest Sr content. The application of Principal Component Analysis also enhanced the possibility of discriminating between the Myanmar and Tajik rocks, as well as between the four provenances in general, by exploiting the compositional variability of Mg, Mn, Sr and Y elements. Regarding the luminescence properties, notable differences in the intensity ratio between the 360 nm and the 620 nm luminescence bands were detected among the provenances. In the second part of this study, the new results were employed to infer the origin of the raw material of certain archaeological findings discovered in two different historical sites: four lapis lazuli fragments from Shahr-i Sokhta (Iran, 3rd millennium BCE) and a lapis lazuli tessera from the city of Tanis (Egypt, 1050–700 BCE). The results of the analysis indicate that, among the four provenances considered in the reference rocks database, the best compatibility of the data from both case studies is found with the Afghan dataset. This suggests that the area of Afghanistan is the most probable source for the raw materials of the investigated findings.

This work presents an upgrade to the methodology adopted to investigate the provenance of the raw lapis lazuli material used in antiquity for carving precious artefacts. Samples from archaeological excavation contexts frequently display superficial degradation processes affecting the crystals of the mineral phases useful for provenance attribution (especially pyrite). To address this issue, an innovative workflow has been developed, centred on the application of X-ray micro-computed tomography (μ-CT) and micro-ablation treatments with a pulsed laser source prior to investigation with ion beam analysis (IBA). High-resolution μ-CT is employed to evaluate the alteration state of pyrite crystals within the entire volume of the lapis lazuli rock, and, if required, to identify the most suitable crystals on the surface for subsequent laser treatment. The micro-ablation procedure aims to create a small breach in the superficial altered layer (the irradiated areas are approximately 65 × 65 μm 2 ), thereby exposing the preserved crystal beneath and allowing for the analysis of its trace element contents with IBA. The methodology of the workflow is presented, together with its first application to archaeological lapis lazuli material: three precious beads from the ancient Royal Cemetery of Ur (Mesopotamia, 3rd millennium BCE). The results are complemented by the application of a provenance protocol already validated that proved, for the first time using a micro-invasive analytical approach, a match between the Afghan quarry district and the raw material used to carve these beads.