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The fifteenth century defies consensus on fundamental issues; most scholars agree, however, that the period outgrew the Middle Ages, that it was a time of transition and a passage to modern times. 'Fifteenth-Century Studies' offers essays on diverse aspects of the period, including liberal and fine arts, historiography, medicine, and religion. Volume 37 includes articles on René d'Anjou and authorial doubling in the 'Livre du Coeur d'Amour épris'; tradition and innovation in popular German song poetry from Oswald von Wolkenstein to Georg Forster; the role of sacred images in Capgrave's 'Life of Saint Katherine'; milieu, John Strecche, and the Gawain-poet; Gaelic, Middle Scots, and the question of ethnicity in three Scottish flytings; William Caxton's translations of Aesop; the visualization of information in Conrad Buitzruss's compendium; and Gilles de Rais and his modern apologists. Book reviews conclude the volume. Contributors: Albrecht Classen, Nicholas Ealy, Richard Garrett, Rosanne Gasse, Janice McCoy, Jacqueline Murdock, Ben Parsons, Carolyn King Stephens, Elizabeth Wade-Sirabian. BARBARA I. GUSICK is Professor Emerita of English at Troy University, Dothan, Alabama; MATTHEW Z. HEINTZELMAN is curator of the Austria/Germany Study Center and Rare Book Cataloger at Hill Museum & Manuscript Library, Saint John's University, Collegeville, Minnesota.

New essays on topics from love and sexuality to physical handicaps, old age, good and bad fortune, women's virtues, art and literature, and the writing of manuscripts. Fifteenth-Century Studies has appeared annually since 1977. It publishes essays on all aspects of life in the 15th century, including literature, drama, history, philosophy, art, music, religion, science, and ritual and custom. The editors strive to do justice to the most contested medieval century, a period that defies consensus on fundamental issues. In this volume the standard synopsis of research on 15th-c. theater is followed by essays on reflection/meditation on love and sexuality, physical handicaps, old age, betrayal, and false accusations. Contributors investigate good and bad fortune and human reactions to it, as well as women's virtues. Essays deal with poetry, prose, and drama, while others explore art, looking at illuminations, fresco, and tapestry from the vantage point of hagiography and romance. Finally, there is an essay on scribes, codices, and manuscripts from the perspective of New Philology. Contributors: E. DuBruck, C. Azuela, D.E. Booton, L.V. Gerulaitis, R. Hyatte, S. Jefferis, V. Minet-Mahy, C. Politis, M.J. Seaman, E. I. Wade. Edelgard E. DuBruck is professor emerita in the Modern Languages Department at Marygrove College, and Barbara I. Gusick is professor emerita of English at Troy University-Dothan, Dothan, Alabama.

The fifteenth century defies consensus on fundamental issues; most scholars agree, however, that the period outgrew the Middle Ages, that it was a time of transition and a passage to modern times. \"Fifteenth-Century Studies\" offers essays on diverse aspects of the period, including liberal and fine arts, historiography, medicine, and religion. Volume 38 addresses a broad spectrum of topics: monastic reformation of domestic space in Richard Whitford's \"Werke for Housholders\"; Margery Kempe and spectatorship in medieval drama; \"The Book of Margery Kempe\" and the trial of Joan of Arc; a new edition and interpretations of \"The Book of the Duke and Emperor\" in the context of MS Manchester, Chetham's Library 8009 (Mun. A.6.31); two cultural perspectives on the Battle of Lippa, Transylvania (1551); translation and manipulation of audience expectations in \"Sir Gawain and the Green Knight\"; the dry tree legend in medieval literature; and Wessel Gansfort, John Mombaer, and medieval technologies of the self. Book reviews conclude the volume. Contributors: Brandon Alakas, Maria Dobozy, Andrew Eichel, Rosanne Gasse, Kate McLean, Jesse Njus, Sarah Ritchey, P. R. Robins. Barbara I. Gusick is Professor Emerita of English at Troy University, Dothan, Alabama. Review editor Rosanne Gasse is Associate Professor of English at Brandon University.

Christ's miracles as dramatized in the York cycle of Corpus Christi plays convey a representative selection of the Savior's works, attesting to his efficacy. His miracles of physical regeneration can be strikingly theatrical as borne out through contemporary production: the lame man hurls his crutches aside; and Lazarus staggers from his tomb resuscitated, still encumbered by his funeral garments. In addition to these works conducive to stage action, spiritual healings unaccompanied by physical metamorphosis are also enacted, though such transformations are less disposed toward external manifestation, making it necessary for spectators to imagine what the wondrous act, once effected, would entail; for example, the rehabilitated life of the Woman Taken in Adultery once the transgressor has reversed her sinning ways. One such miracle of spiritual renewal is the conversion of Zacchaeus, the publican sinner called down by Christ from a sycamore tree, into which the short-statured man had climbed to witness Jesus' entry into Jerusalem (cf. Luke 19, 1–10). In Play No. 25, this episode occurs after two miracles of physical healing have already taken place: the bestowing of sight upon the man born blind and the granting of bodily wholeness to the lame man. While Zacchaeus's transmutation from ostracized tax collector to believer in Christ is unremarkable vis-à-vis the stage action one would normally expect of a miraculous feat, it is his climbing of the sycamore tree, undertaken as the crowd sees him doing so, that emphasizes how instrumental the event of seeing (and being seen) is to this play in particular.

The fifteenth century defies consensus on fundamental issues; most scholars agree, however, that the period outgrew the Middle Ages, that it was a time of transition and a passage to modern times. 'Fifteenth-Century Studies' offers essays on diverse aspects of the period, including liberal and fine arts, historiography, medicine, and religion. Following the customary opening article on the current state of fifteenth-century drama research, essays treat such topics as poetry as a source for illustrated German prose, the St. Edith picture cycle in Salisbury, the flourishing of French history; and Spanish schools of translators. Other essays treat poems from the 'Gruuthuse' songbook; Louis XI and pilgrim's dress, Robert Henryson's 'Moral Fabilles,' violence in English romances, Jews' presence through absence in Vicente Ferrer's 'Sermons,' and Conrad Buitzruss's recipe collection in Manuscript Clm 671 (Munich). Book reviews conclude the volume. Contributors: Edelgard E. DuBruck, James H. Brown, Mary Dockray-Miller, Jean Dufournet, Rocío del Río Fernández, Bas Jongenelen and Ben Parsons, Jennifer Lee, John Marlin, Ilan Mitchell-Smith, Daniel Salas-Días, Elizabeth I. Wade-Sirabian. Edelgard E. DuBruck is professor emerita of French and Humanities at Marygrove College, Detroit, Michigan, and Barbara I. Gusick is professor emerita of English at Troy University, Dothan, Alabama.

Founded in 1977 as the publication organ for the Fifteenth-Century Symposia, 'Fifteenth-Century Studies' offers essays on diverse aspects of the 15th century, including liberal and fine arts, historiography, medicine, and religion. Designed as a 'Festschrift' honoring Edelgard E. DuBruck, the current volume focuses on the importance and praise of late-medieval women. Topics include Christine de Pizan's response to Boccaccio's 'De Mulieribus Claris,' the figures of Melibea and Celestina in 'La Celestina,' Catalan love poetry, the Nine Muses in Le Franc's 'Champion des Dames,' and artistic praise of the Virgin Mary. Other topics include a wellness guide for late-medieval seniors, women's sins of the tongue and Villon's 'Testament,' the stoic tradition seen in a farewell letter, medicine and magic, and book-burning. An article demonstrates Bertrand Du Guesclin's extraordinary valor, and two essays on Chaucer explore chivalry and violence in 'The Knight's Tale' and Troilus's withdrawal at the end of 'Troilus and Criseyde'. CONTRIBUTORS: MELITTA WEISS ADAMSON, GARY B. BLUMENSHINE, KAREN CASEBIER, EDELGARD E. DUBRUCK, OLGA ANNA DUHL, BARBARA I. GUSICK, JAIME LEANOS, ILAN MITCHELL-SMITH, CHRISTIANE RAYNAUD, ROXANA RECIO, BARBARA N. SARGENT-BAUR, KAREN ELAINE SMYTH, STEVEN MILLEN TAYLOR, ARJO VANDERJAGT, ELIZABETH I. WADE-SIRABIAN, KARL A. ZAENKER. Edelgard E. DuBruck is professor emerita at Marygrove College, Detroit, Michigan, and Barbara I. Gusick is professor at Troy University-Dothan, Dothan, Alabama.

The fifteenth century defies consensus on fundamental issues; most scholars agree, however, that this period outgrew the Middle Ages, that it was a time of transition and a passage to modern times. Founded in 1977 as the publication organ for the Fifteenth-Century Symposia, 'Fifteenth-Century Studies' offers essays on diverse aspects of the fifteenth century, including liberal and fine arts, historiography, medicine, and religion. Following the standard opening article on the current state of fifteenth-century drama research, volume 33 offers essays investigating authors such as Christine de Pizan, Hans Sachs, Hartmann Schedel, Alain Chartier, and Robert Henryson. Genres and themes treated include drama, epistles of persuasion, late Arthurian romances, translations, mythology and folklore, print media, and art appreciation. Alternative interpretations are afforded by Franco Mormando's study of male nakedness and the Franciscans. Twelve book reviews round out the volume. Contributors: Edelgard E. DuBruck, Tracy Adams, Lidia Amor, Roció del Río Fernández, Leonardas Vytautas Gerulaitis, Jonathan Green, Christiane J. Hessler, Ashby Kinch, Franco Mormondo, Alessandra Petrina. Edelgard E. DuBruck is professor emerita of French and Humanities at Marygrove College, Detroit, Michigan, and Barbara I. Gusick is professor emerita of English at Troy University, Dothan, Alabama.

The fifteenth century defies consensus on fundamental issues; most scholars agree, however, that the period outgrew the Middle Ages, that it was a time of transition and a passage to modern times. ‘Fifteenth-Century Studies’ offers essays on diverse aspects of the period, including liberal and fine arts, historiography, medicine, and religion. Essays within this thirty-sixth volume treat a wide range of topics: the importance of manuscript culture as reflected in ‘Cárcel de amor’; the wanderings of René d'Anjou and Olivier de la Marche as reflected in literary texts; the art of compiling in Jean de Bueil's ‘Jouvencel’; a diplomatic transcription of Princeton MS 153 (reception and compilation practices of the ‘Rose’); historical approaches in the chronicles of Jean le Bel and Jean Froissart; the Fairfax Sequence in Bodleian MS Fairfax 16; anticlerical critique in the Croxton ‘Play of the Sacrament’; the Chester cycle of mystery plays; the conquering Turk in Carnival Nürnberg: Hans Rosenplüt's ‘Des Turken Vasnachtspil’; and Tolkien's eucatastrophe and Malory's ‘Morte Darthur’. Book reviews conclude the volume. CONTRIBUTORS: Ethan Campbell, Emily C. Francomano, D. Thomas Hanks, Jr., Theodore K. Lerud, John Moreau, Gerald Nachtwey, Mariana Neilly, Marco Nievergelt, Michelle Szkilnik, Martin W. Walsh. EDITORS: BARBARA I. GUSICK is Professor Emerita of English at Troy University, Dothan, Alabama; MATTHEW Z. HEINTZELMAN is curator of the Austria/Germany Study Center and Rare Book Cataloger at Hill Museum & Manuscript Library, Saint John's University, Collegeville, Minnesota.

The fifteenth century defies consensus on fundamental issues; most scholars agree, however, that the period outgrew the Middle Ages, that it was a time of transition and a passage to modern times. Fifteenth-Century Studiesoffers essays on diverse aspects of the period, including liberal and fine arts, historiography, medicine, and religion. Volume 38 addresses a broad spectrum of topics: monastic reformation of domestic space in Richard Whitford's Werke for Housholders; Margery Kempe and spectatorship in medieval drama; The Book of Margery Kempe and the trial of Joan of Arc; a new edition and interpretations of The Book of the Duke and Emperor in the context of MS Manchester, Chetham's Library 8009 (Mun. A.6.31); two cultural perspectives on the Battle of Lippa, Transylvania (1551); translation and manipulation of audience expectations in Sir Gawain and the Green Knight; the dry tree legend in medieval literature; and Wessel Gansfort, John Mombaer, and medieval technologies of the self. Book reviews conclude the volume. Contributors: Brandon Alakas, Maria Dobozy, Andrew Eichel, Rosanne Gasse, Kate McLean, Jesse Njus, Sarah Ritchey, P. R. Robins. Barbara I. Gusick is Professor Emerita of English at Troy University, Dothan, Alabama. Review editor Rosanne Gasse is Associate Professor of English at Brandon University.