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"Hagberg, David, author"
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Flash points
Retired CIA assassin Kirk McGarvey is taking a much needed break. Then a bomb in his car explodes just as he's leaving the vehicle. He barely escapes with his life. The men who went after McGarvey are also after the President of the United States. A controversial candidate, he has just won a heated, heavily contested presidential election. Now his enemies are determined to push him out of office. These men hire a contractor to set up three terrorist assaults in the US as well as other attacks around the globe in hopes of driving him from office. These strikes are at flash points so critical they could incite all-out nuclear war. But the president's enemies have not reckoned on Kirk McGarvey. He has survived their attempt on his life, and he is determined to hunt them down and stop them at all costs. They made a mistake in going after the CIA's #1 assassin.
Art and ventriloquism
2006,2014,2005
This exciting collection of David Goldblatt's essays, available for the first time in one volume, uses the metaphor of ventriloquism to help understand a variety of art world phenomena. It examines how the vocal vacillation between ventriloquist and dummy works within the roles of artist, artwork and audience as a conveyance to the audience of the performer's intentions, emotions and beliefs through a created performative persona. Considering key works, including those of Nietzsche, Foucault, Socrates, Derrida, Cavell and Wittgenstein, Goldblatt examines how the authors use the framework of ventriloquism to construct and negate issues in art and architecture. He ponders 'self-plagiarism'; why the classic philosopher cannot speak for himself, but must voice his thoughts through fictional characters or inanimate objects and works. With a close analysis of two ventriloquist paintings by Jasper Johns and Paul Klee, a critical commentary by Garry L. Hagberg, and preface by series editor Saul Ostrow, Goldblatt's thoroughly fascinating book will be an invaluable asset to students of cultural studies, art, and philosophy.
Face off
\"Kirk McGarvey is lunching in the Eiffel Tower when terrorists attempt to bring the Paris icon down. He springs into action to stop the attack, only to find there's a much larger plot at stake. One that aims to force the incompetent US President out by pitting him against Russia. But Vladimir Putin is eager to avoid World War III. When a missing Russian nuclear weapon is found heading to the US, Putin enlists McGarvey's help to stop it. The stakes couldn't be higher, and the outcome couldn't be more in doubt. Only McGarvey stands a chance of intervening before it's too late, in a race against time across Paris, Istanbul, Moscow, and Washington, D.C.\"-- Provided by publisher.