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"Hammill, Faye"
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Reading Projects
\"By reading only six hours a day\", says Marianne Dashwood, outlining her plan of future application to her sister Elinor in Sense and Sensibility, \"I shall gain in the course of a twelve-month a great deal of instruction which I now feel myself to want.\" She adds: \"Our own library is too well known to me, to be resorted to for any thing beyond mere amusement. But there are many works well worth reading at the Park; and there are others of more modern production which I know I can borrow of Colonel Brandon\" (301). We know, to some extent, what was in the Dashwoods' own library – volumes of Cowper, Scott and Thomson are mentioned. But what might Marianne have borrowed at Barton Park and Delaford? Which publications would Colonel Brandon have considered most appropriate for her project of self-improvement? Elinor considers Marianne's plan excessive, but what would have been a more realistic amount of time for her to spend reading each day, and where might she have done it?
Journal Article
Modernism's print cultures
The print culture of the early twentieth century has become a major area of interest in contemporary Modernist Studies. \"Modernism's Print Cultures\" surveys the explosion of scholarship in this field and provides an incisive, well-informed guide for students and scholars alike. Surveying the key critical work of recent decades, the book explores such topics as: - Periodical publishing - from 'little magazines' such as Rhythm to glossy publications such as Vanity Fair - The material aspects of early twentieth-century publishing - small presses, typography, illustration and book design - The circulation of modernist print artefacts through the book trade, libraries, book clubs and cafes - Educational and political print initiatives Including accounts of archival material available online, targeted lists of key further reading and a survey of new trends in the field, this is an essential guide to an important area in the study of modernist literature.
Book
Women, Celebrity, and Literary Culture between the Wars
As mass media burgeoned in the years between the first and second world wars, so did another phenomenon-celebrity. Beginning in Hollywood with the studio-orchestrated transformation of uncredited actors into brand-name stars, celebrity also spread to writers, whose personal appearances and private lives came to fascinate readers as much as their work.Women, Celebrity, and Literary Culture between the Warsprofiles seven American, Canadian, and British women writers-Dorothy Parker, Anita Loos, Mae West, L. M. Montgomery, Margaret Kennedy, Stella Gibbons, and E. M. Delafield-who achieved literary celebrity in the 1920s and 1930s and whose work remains popular even today.
Faye Hammill investigates how the fame and commercial success of these writers-as well as their gender-affected the literary reception of their work. She explores how women writers sought to fashion their own celebrity images through various kinds of public performance and how the media appropriated these writers for particular cultural discourses. She also reassesses the relationship between celebrity culture and literary culture, demonstrating how the commercial success of these writers caused literary elites to denigrate their writing as \"middlebrow,\" despite the fact that their work often challenged middle-class ideals of marriage, home, and family and complicated class categories and lines of social discrimination.
The first comparative study of North American and British literary celebrity,Women, Celebrity, and Literary Culture between the Warsoffers a nuanced appreciation of the middlebrow in relation to modernism and popular culture.
eBook
Women, Celebrity, and Literary Culture between the Wars
As mass media burgeoned in the years between the first and second world wars, so did another phenomenon—celebrity. Beginning in Hollywood with the studio-orchestrated transformation of uncredited actors into brand-name stars, celebrity also spread to writers, whose personal appearances and private lives came to fascinate readers as much as their work. Women, Celebrity, and Literary Culture between the Wars profiles seven American, Canadian, and British women writers—Dorothy Parker, Anita Loos, Mae West, L. M. Montgomery, Margaret Kennedy, Stella Gibbons, and E. M. Delafield—who achieved literary celebrity in the 1920s and 1930s and whose work remains popular even today. Faye Hammill investigates how the fame and commercial success of these writers—as well as their gender—affected the literary reception of their work. She explores how women writers sought to fashion their own celebrity images through various kinds of public performance and how the media appropriated these writers for particular cultural discourses. She also reassesses the relationship between celebrity culture and literary culture, demonstrating how the commercial success of these writers caused literary elites to denigrate their writing as \"middlebrow,\" despite the fact that their work often challenged middle-class ideals of marriage, home, and family and complicated class categories and lines of social discrimination. The first comparative study of North American and British literary celebrity, Women, Celebrity, and Literary Culture between the Wars offers a nuanced appreciation of the middlebrow in relation to modernism and popular culture.
eBook
Canadian literature
An important critical study of Canadian literature, placing internationally successful anglophone Canadian authors in the context of their national literary history.
While the focus of the book is on twentieth-century and contemporary writing, it also charts the historical development of Canadian literature and discusses important eighteenth- and nineteenth-century authors. The chapters focus on four central topics in Canadian culture: Ethnicity, Race, Colonisation; Wildernesses, Cities, Regions; Desire; and Histories and Stories. Each chapter combines case studies of five key texts with a broad discussion of concepts and approaches, including postcolonial and postmodern reading strategies and theories of space, place and desire. Authors chosen for close analysis include Margaret Atwood, Michael Ondaatje, Alice Munro, Leonard Cohen, Thomas King and Carol Shields.
Key Features
The first critical guide to Canadian literature in EnglishAuthors selected on the basis of their popularity on undergraduate coursesCombines historical and thematic approaches to Canadian writingLinks close reading of key texts with theoretical approaches to Canadian literatureDiscusses in detailObasanby Joy Kogawa,Anne of Green Gablesby L. M. Montgomery,The Republic of Loveby Carol Shields, 'Wilderness Tips' andThe Journals of Susanna Moodieby Margaret Atwood,Wild Geeseby Martha Ostenso,Fugitive Piecesby Anne Michaels,The Divinersby Margaret Laurence andIn the Skin of a Lionby Michael Ondaatje
eBook
Reading Projects
\"By reading only six hours a day\", says Marianne Dashwood, outlining her plan of future application to her sister Elinor in Sense and Sensibility, \"I shall gain in the course of a twelve-month a great deal of instruction which I now feel myself to want.\" She adds: \"Our own library is too well known to me, to be resorted to for any thing beyond mere amusement. But there are many works well worth reading at the Park; and there are others of more modern production which I know I can borrow of Colonel Brandon\" (301). We know, to some extent, what was in the Dashwoods' own library – volumes of Cowper, Scott and Thomson are mentioned. But what might Marianne have borrowed at Barton Park and Delaford? Which publications would Colonel Brandon have considered most appropriate for her project of self-improvement? Elinor considers Marianne's plan excessive, but what would have been a more realistic amount of time for her to spend reading each day, and where might she have done it?
Journal Article
Bundling, Reprinting, and Reframing: Serial Practices Across Borders
This article explores the circulation of periodical material between metropolitan and regional locations in early twentieth-century North America. It asks how the globalized consumer technology of the household magazine was being taken up outside of cosmopolitan centers through the framework of local, regional, or national concerns. For example, mainstream Canadian monthlies such as The Western Home Monthly and Maclean's frequently engaged with, or re-used, content and formats taken from New York publications. To understand these transnational publishing dynamics, we argue, it is crucial to attend to the material practices of magazines. The article analyzes several such practices, including both editorial and sales strategies. We look at the reprinting or reframing of complete features and of excerpts from other periodicals. We examine the simultaneous serialization of novels in American and Canadian publications, using a case study of Martha Ostenso's Wild Geese. And we offer the first critical discussion of “bundling,” whereby US and Canadian titles were packaged together as a single subscription. It argues that the affordances of seriality, particularly timeliness and increased circulation through decreasing prices, allowed editors to redeploy metropolitan print materials for a regional readership eager to imagine themselves as participants in the new project of modernity.
Journal Article