Catalogue Search | MBRL
Search Results Heading
Explore the vast range of titles available.
MBRLSearchResults
-
DisciplineDiscipline
-
Is Peer ReviewedIs Peer Reviewed
-
Reading LevelReading Level
-
Content TypeContent Type
-
YearFrom:-To:
-
More FiltersMore FiltersItem TypeIs Full-Text AvailableSubjectPublisherSourceDonorLanguagePlace of PublicationContributorsLocation
Done
Filters
Reset
300
result(s) for
"Hanna, Judith Lynne"
Sort by:
Naked Truth
2012
Taking an unprecedented, counterintuitive look at Americas conflict over sexuality, Naked Truth reveals how the attack on the exotic dance industry by the activist Christian Right threatens the separation of church and state and undermines our civil liberties.
A Nonverbal Language for Imagining and Learning: Dance Education in K-12 Curriculum
2008
Curriculum theorists have provided a knowledge base concerning aesthetics, agency, creativity, lived experience, transcendence, learning through the body, and the power of the arts to engender visions of alternative possibilities in culture, politics, and the environment. However, these theoretical threads do not reveal the potential of K-12 dance education. Research on nonverbal communication and cognition, coupled with illustrative programs, provides key insights into dance as a distinct performing art discipline and as a liberal applied art that fosters creative problem solving and the acquisition, reinforcement, and assessment of nondance knowledge. Synthesizing and interpreting theory and research from different disciplines that is relevant to dance education, this article addresses cognition, emotion, language, learning styles, assessment, and new research directions in the field of education.
Journal Article
Dance and Sexuality: Many Moves
2010
This literature review of dance and sexual expression considers dance and religion, dance and sexuality as a source of power, manifestations of sexuality in Western theater art and social dance, plus ritual and non-Western social dance. Expressions of gender, sexual orientation, asexuality, ambiguity, and adult entertainment exotic dance are presented. Prominent concerns in the literature are the awareness, closeting, and denial of sexuality in dance; conflation of sexual expression and promiscuity of gender and sexuality, of nudity and sexuality, and of dancer intention and observer interpretation; and inspiration for infusing sexuality into dance. Numerous disciplines (American studies, anthropology, art history, comparative literature, criminology, cultural studies, communication, dance, drama, English, history, history of consciousness, journalism, law, performance studies, philosophy, planning, retail geography, psychology, social work, sociology, and theater arts) have explored dance and sexual expression, drawing upon the following concepts, which are not mutually exclusive: critical cultural theory, feminism, colonialism, Orientalism, postmodernism, poststructuralism, queer theory, and semiotics. Methods of inquiry include movement analysis, historical investigation, anthropological fieldwork, autoethnography, focus groups, surveys, and self-reflection or autobiographical narrative. Directions for future exploration are addressed.
Journal Article
\Toxic Strip Clubs\: The Intersection of Religion, Law and Fantasy
2010
This paper examines a segment of the politically active Christian Right (SPACR) that works toward controlling sexual expression in accord with their desire to live in a Scripture-based society. At the local and state levels, focus is on adult entertainment exotic dance. Under the United States First Amendment to the Constitution and established law, exotic dance, a form of expression, cannot be banned solely on the grounds that some people deem it immoral. Recasting their religion-based objections within the Supreme Court \"adverse secondary effects\" doctrine (governments may regulate clubs if the aim is to prevent crime, property depreciation, and disease), SPACR pursues its opposition to exotic dance through laws and social actions that harm the business. The rationale for hostility is compared to facts. SPACR's secular reasoning gains support for regulations to marginalize and punish those who do not adhere to their moral values causing free speech advocates, consumers, and involved businesses to fight back. At issue are civil liberties under the US Constitution, the separation of church and state, and harm to the economy.
Journal Article
PRACTICING ANTHROPOLOGY UNDER A LEGAL UMBRELLA
2017
Surprised to be asked to apply to exotic dance the sociolinguistic/semiotic theory and ethnographic methods I used to study the relationship between dance and society in African villages and cities, American theaters, and elementary school playgrounds and classrooms, I have been an expert court witness since 1995. I worked with 63 different attorneys on 132 cases in 29 states, the District of Columbia, and 39 cities and counties related to the First, Fifth, and Fourteen Amendments, labor law, taxes, and even murder. I explain how exotic dance is a form of dance, art, and communication.
Journal Article
Striptease Spectators: Live and Imaginary
2013
In the United States, adult entertainment striptease (also called exotic dance, nude dancing, and topless dancing) has both live and imaginary spectators. The real audience consists of those who actually enter a club (cabaret, theater), such as patrons and club personnel. However, there are people who only imagine what exotic dance is. I will comment on real and imaginary exotic dance spectators, the values they have, the actions they take that impact exotic dance, and the implications of these actions. A mosaic of contested meanings of exotic dance affects its existence or modification as well as American civil liberties. There are some feminist and uninformed imaginary spectators. Most active is an absent, imaginary audience of a segment of the politically active Christian Right that adheres to its interpretation of Scripture. Imaginary spectators are usually blind and deaf to the actual language of a dance form. Some believe exotic dance to be sinful and/or to cause crime, property depreciation, and disease, contrary to scientific evidence. These spectators’ actions in many places have destroyed the contemporary genre of exotic dance, hurt the industry economically, and caused the loss of jobs. Actual spectators, patrons who expect to see the same full nudity and sexy dance movements that are seen in “high” (“elite”) forms of art such as ballet, opera, modern dance, and theater, believe in free expression and unfettered enterprise and join the defense of exotic dance.
Journal Article
Naked Truth
2012
Across America, strip clubs have come under attack by a politically aggressive segment of the Christian Right. Using plausible-sounding but factually untrue arguments about the harmful effects of strip clubs on their communities, the Christian Right has stoked public outrage and incited local and state governments to impose onerous restrictions on the clubs with the intent of dismantling the exotic dance industry. But an even larger agenda is at work, according to Judith Lynne Hanna. InNaked Truth, she builds a convincing case that the attack on exotic dance is part of the activist Christian Right's \"grand design\" to supplant constitutional democracy in America with a Bible-based theocracy.
Hanna takes readers onstage, backstage, and into the community and courts to reveal the conflicts, charges, and realities that are playing out at the intersection of erotic fantasy, religion, politics, and law. She explains why exotic dance is a legitimate form of artistic communication and debunks the many myths and untruths that the Christian Right uses to fight strip clubs. Hanna also demonstrates that while the fight happens at the local level, it is part of a national campaign to regulate sexuality and punish those who do not adhere to Scripture-based moral values. Ultimately, she argues, the naked truth is that the separation of church and state is under siege and our civil liberties-free speech, women's rights, and free enterprise-are at stake.