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"Herman, Luc"
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Handbook of Narrative Analysis
by
Herman, Luc
,
Vervaeck, Bart
in
Language & Literature
,
LITERARY CRITICISM
,
Narration (Rhetoric)
2019
Stories are everywhere, from fiction across media to politics and personal identity.Handbook of Narrative Analysis sorts out both traditional and recent narrative theories, providing the necessary skills to interpret any story. In addition to discussing classical theorists, such as Gérard Genette, Mieke Bal, and Seymour Chatman,Handbook of Narrative Analysis presents precursors (such as E. M. Forster), related theorists (Franz Stanzel, Dorrit Cohn), and a large variety of postclassical critics. Among the latter particular attention is paid to rhetorical, cognitive, and cultural approaches; intermediality; storyworlds; gender theory; and natural and unnatural narratology. Not content to consider theory as an end in itself, Luc Herman and Bart Vervaeck use two short stories and a graphic narrative by contemporary authors as touchstones to illustrate each approach to narrative. In doing so they illuminate the practical implications of theoretical preferences and the ideological leanings underlying them. Marginal glosses guide the reader through discussions of theoretical issues, and an extensive bibliography points readers to the most current publications in the field. Written in an accessible style, this handbook combines a comprehensive treatment of its subject with a user-friendly format appropriate for specialists and nonspecialists alike. Handbook of Narrative Analysis is the go-to book for understanding and interpreting narrative. This new edition revises and extends the first edition to describe and apply the last fifteen years of cutting-edge scholarship in the field of narrative theory.
The Cambridge companion to Thomas Pynchon
by
Dalsgaard, Inger H
,
Herman, Luc
,
McHale, Brian
in
Pynchon, Thomas Criticism and interpretation.
,
LITERARY CRITICISM - American - General.
2012
\"The most celebrated American novelist of the past half-century, an indispensable figure of postmodernism worldwide, Thomas Pynchon notoriously challenges his readers. This Companion provides tools for meeting that challenge. Comprehensive, accessible, lively, up-to-date and reliable, it approaches Pynchon's fiction from various angles, calling on the expertise of an international roster of scholars at the cutting edge of Pynchon studies. Part I covers Pynchon's fiction novel-by-novel from the 1960s to the present, including such indisputable classics as The Crying of Lot 49 and Gravity's Rainbow. Part II zooms out to give a bird's-eye-view of Pynchon's novelistic practice across his entire career. Part III surveys major topics of Pynchon's fiction: history, politics, alterity ('otherness') and science and technology. Designed for students, scholars and fans alike, the Companion begins with a biography of the elusive author and ends with a coda on how to read Pynchon and a bibliography for further reading\"--Provided by publisher.
Gravity's Rainbow, Domination, and Freedom
by
Steven Weisenburger
,
Luc Herman
in
Gravity's rainbow
,
Language & Literature
,
LITERARY CRITICISM
2013
When published in 1973,Gravity's Rainbowexpanded our sense of what the novel could be. Pynchon's extensive references to modern science, history, and culture challenged any reader, while his prose bent the rules for narrative art and his satirical practices taunted U.S. obscenity and pornography statutes. His writing thus enacts freedom even as the book's great theme is domination: humanity's diminished \"chances for freedom\" in a global military-industrial system birthed and set on its feet in World War II. Its symbol: the V-2 rocket.
\"Gravity's Rainbow,\" Domination, and Freedombroadly situates Pynchon's novel in \"long sixties\" history, revealing a fiction deeply of and about its time. Herman and Weisenburger put the novel's abiding questions about freedom in context with sixties struggles against war, restricted speech rights, ethno-racial oppression, environmental degradation, and subtle new means of social and psychological control. They show the text's close indebtedness to critiques of domination by key postwar thinkers such as Erich Fromm, Herbert Marcuse, and Hannah Arendt. They detail equally powerful ways that sixties countercultural practices-free-speech resistance played out in courts, campuses, city streets, and raucously satirical underground presswork-provide a clearer bearing on Pynchon's own satirical practices and their implicit criticisms.
If the System has jacketed humanity in a total domination, may not a solitary individual still assert freedom? Or has the System captured all-even supposedly immune elites-in an irremediable dominion? Reading Pynchon's main characters and storylines, this study realizes a darkerGravity's Rainbowthan critics have been willing to see.
The Storied Lives of Non-Human Narrators
by
Bernaerts, Lars
,
Herman, Luc
,
Caracciolo, Marco
in
Animals in literature
,
Astronomical objects
,
Cognition
2014
Journal Article
The Cambridge Companion to Thomas Pynchon
by
Dalsgaard, Inger H.
,
McHale, Brian
,
Herman, Luc
in
Pynchon, Thomas -- Criticism and interpretation
2011,2012
The most celebrated American novelist of the past half-century, an indispensable figure of postmodernism worldwide, Thomas Pynchon notoriously challenges his readers. This Companion provides tools for meeting that challenge. Comprehensive, accessible, lively, up-to-date and reliable, it approaches Pynchon's fiction from various angles, calling on the expertise of an international roster of scholars at the cutting edge of Pynchon studies. Part I covers Pynchon's fiction novel-by-novel from the 1960s to the present, including such indisputable classics as The Crying of Lot 49 and Gravity's Rainbow. Part II zooms out to give a bird's-eye-view of Pynchon's novelistic practice across his entire career. Part III surveys major topics of Pynchon's fiction: history, politics, alterity ('otherness') and science and technology. Designed for students, scholars and fans alike, the Companion begins with a biography of the elusive author and ends with a coda on how to read Pynchon and a bibliography for further reading.
The Implied Author: A Secular Excommunication
2011
This essay argues that the implied author (IA) is a construction by a reader who is seeking a god-like form of legitimation for his or her interpretation. Part one develops the analogy between the IA and God by zooming in on the work of Wayne Booth. Part two is more down to earth. A critical review of empirical, sociological and discursive approaches leads us to replace the IA with a dynamic author image produced by the reader in a continually changing process of negotiation involving the text, the context, and the author's self-presentation. The final part of the essay discusses Thomas Pynchon's V. to illustrate this concept of negotiation, which we offer as an alternative to the traditional idea of literature as communication.
Journal Article
Building country capacity to sustain NTD programs and progress: A call to action
2020
Affiliation: Department of Public Health, Neglected Tropical Diseases Division, Federal Ministry of Health, Abuja, Nigeria Wilfred Etienne Batcho ¶‡ These authors also contributed equally to this work. Affiliation: Disease Control Division, Ministry of Health, Putrajaya, Malaysia Ibrahim J. Kargbo-Labour ¶‡ These authors also contributed equally to this work. Since the London Declaration in 2012, about 31 countries have eliminated at least one NTD [2]. [...]of Merck’s commitment and the partnerships developed to distribute ivermectin, mass drug administration (MDA) has emerged as the leading strategy to control and eliminate oncho [4].
Journal Article