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"Horne, Gerald, author"
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The apocalypse of settler colonialism : the roots of slavery, white supremacy, and capitalism in seventeenth-century North America and the Caribbean
\"Account of of the slave trade and its lasting effects on modern life, based on the history of the Eastern Seaboard of North America, the Caribbean, Africa, and what is now Great Britain\"-- Provided by publisher.
Black Revolutionary
2013
A leading African American Communist, lawyer William L. Patterson (1891–1980) was instrumental in laying the groundwork for the defeat of Jim Crow by virtue of his leadership of the Scottsboro campaign in the 1930s. In this watershed biography, historian Gerald Horne shows how Patterson helped to advance African American equality by fostering and leveraging international support for the movement. Horne highlights key moments in Patterson's global activism: his early education in the Soviet Union, his involvement with the Scottsboro trials and other high-profile civil rights cases of the 1930s to 1950s, his 1951 We Charge Genocide petition to the United Nations, and his later work with prisons and the Black Panther Party. Through Patterson's story, Horne examines how the Cold War affected the freedom movement, with civil rights leadership sometimes disavowing African American leftists in exchange for concessions from the U.S. government. He also probes the complex and often contradictory relationship between the Communist Party and the African American community, including the impact of the FBI's infiltration of the Communist Party. Drawing from government and FBI documents, newspapers, periodicals, archival and manuscript collections, and personal papers, Horne documents Patterson's effectiveness at carrying the freedom struggle into the global arena and provides a fresh perspective on twentieth-century struggles for racial justice.
Jazz and justice : racism and the political economy of the music
Original jelly roll blues -- What did I do to be so black and blue? -- One o'clock jump -- Hothouse -- We speak African! -- Lullabye of birdland -- Haitian fight song -- Kind of blue -- I wish I knew how it would feel to be free -- Song for Che -- The blues and the abstract truth.
Class struggle in Hollywood, 1930-1950 : moguls, mobsters, stars, Reds, and trade unionists
by
Horne, Gerald
in
Film & Video
,
Motion picture industry -- Employees -- Labor unions -- California -- Los Angeles
,
PERFORMING ARTS
2001
As World War II wound down in 1945 and the cold war heated up, the skilled trades that made up the Conference of Studio Unions (CSU) began a tumultuous strike at the major Hollywood studios. This turmoil escalated further when the studios retaliated by locking out CSU in 1946. This labor unrest unleashed a fury of Red-baiting that allowed studio moguls to crush the union and seize control of the production process, with far-reaching consequences. This engrossing book probes the motives and actions of all the players to reveal the full story of the CSU strike and the resulting lockout of 1946. Gerald Horne draws extensively on primary materials and oral histories to document how limited a threat the Communist party actually posed in Hollywood, even as studio moguls successfully used the Red scare to undermine union clout, prevent film stars from supporting labor, and prove the moguls' own patriotism. Horne also discloses that, unnoticed amid the turmoil, organized crime entrenched itself in management and labor, gaining considerable control over both the product and the profits of Hollywood. This research demonstrates that the CSU strike and lockout were a pivotal moment in Hollywood history, with consequences for everything from production values, to the kinds of stories told in films, to permanent shifts in the centers of power.
Cold War in a Hot Zone
2008,2007
Beginning just before the start of World War II and ending during the Cold War, Gerald Horne's masterful examination of British Guiana and the British West Indies details the collapse of British colonial structures and the corresponding rise of U.S. regional influence. Horne reveals the realities of race and color in the Caribbean under colonial rule, while the colonizers-Britain, France, Germany, Japan, and the United States-battled each other for hegemony on the world stage.
Horne seamlessly weaves a variety of untapped archival sources-including personal correspondence and newspaper stories from three continents-with a wide range of scholarly publications, journals and memoirs to illustrate an important, yet underexamined, regional history in a global context.
Highlighting the centrality of the \"labor question\" in relation to colonial rule, Cold War in a Hot Zone is a compelling exposé of the racial dimensions of U.S. foreign policy and anti-communist initiatives during WWII and the Cold War that followed.
Paul Robeson : the artist as revolutionary
\"A world-famous singer and actor, a trained lawyer, an early star of American professional football and a polyglot who spoke over a dozen languages. These could be the crowning achievements of a life well-lived, yet for Paul Robeson the higher calling of social justice led him to abandon the theater and Hollywood to become one of the most important political activists of his generation. Gerald Horne's biography uses Robeson's remarkable and revolutionary life to tell the story of the 20th century's great political struggles: against racism, against colonialism, and for international socialism\"--Back cover.
The final victim of the blacklist
2006
Before he attained notoriety as Dean of the Hollywood Ten—the blacklisted screenwriters and directors persecuted because of their varying ties to the Communist Party—John Howard Lawson had become one of the most brilliant, successful, and intellectual screenwriters on the Hollywood scene in the 1930s and 1940s, with several hits to his credit including Blockade, Sahara, and Action in the North Atlantic. After his infamous, almost violent, 1947 hearing before the House Un-American Activities Committee, Lawson spent time in prison and his lucrative career was effectively over. Studded with anecdotes and based on previously untapped archives, this first biography of Lawson brings alive his era and features many of his prominent friends and associates, including John Dos Passos, Theodore Dreiser, F. Scott Fitzgerald, Charles Chaplin, Gene Kelly, Edmund Wilson, Ernest Hemingway, Humphrey Bogart, Dalton Trumbo, Ring Lardner, Jr., and many others. Lawson's life becomes a prism through which we gain a clearer perspective on the evolution and machinations of McCarthyism and anti-Semitism in the United States, on the influence of the left on Hollywood, and on a fascinating man whose radicalism served as a foil for launching the political careers of two Presidents: Richard Nixon and Ronald Reagan. In vivid, marvelously detailed prose, Final Victim of the Blacklist restores this major figure to his rightful place in history as it recounts one of the most captivating episodes in twentieth century cinema and politics.
W.E.B. Du Bois : a life in American history
\"This book provides a new interpretation of the life of W.E.B. Du Bois, one of the most important African-American scholars and thinkers of the twentieth century\"-- Provided by publisher.