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"Kadir, Djelal"
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The Routledge Companion to World Literature
2011,2012
In the age of globalization, the category of \"World Literature\" is increasingly important to academic teaching and research. The Routledge Companion to World Literature offers a comprehensive pathway into this burgeoning and popular field.
Separated into four key sections, the volume covers:
the history of World Literature through significant writers and theorists from Goethe to Said, Casanova and Moretti
the disciplinary relationship of World Literature to areas such as philology, translation, globalization and diaspora studies
theoretical issues in World Literature including gender, politics and ethics
a global perspective on the politics of World Literature.
The forty-eight outstanding contributors to this companion offer an ideal introduction to those approaching the field for the first time, or looking to further their knowledge of this extensive field.
Memos from the Besieged City
2020
Memos from the Besieged City argues for the institutional and cultural relevance of literary study through foundational figures, from the 1200s to today, who defied precarious circumstances to make significant contributions to literacy and civilization in the face of infelicitous human acts. Focusing on historically vital crossroads—Baghdad, Florence, Byzantium, Istanbul, Rome, Paris, New York, Mexico City, Jerusalem, Beijing, Stockholm, Warsaw—Kadir looks at how unconventional and nonconformist writings define literacy, culture, and intellectual commitment. Inspired by political refugee and literary scholar Erich Auerbach's path-breaking Mimesis, and informed by late twentieth-century ideological and methodological upheavals, the book reflects on literacy and dissidence at a moment when literary disciplines, canons, and theories are being reassessed under the pressure of globalization and transculturation. At the forefront of an ethical turn in the comparative analysis of cultures and their literary legacies, it reminds us of the best humanity can produce.
What Does the Comparative Do for Literary History?
2013
The comparative provides literary history with a margin of redemptive self-betrayal. by the comparative, we should understand certain practices of reading and inquiry that reveal actions and texts to be more than they appear and that expose narrative claims as other than they strictly claim to be. Historiography is likewise susceptible to this exposure. Narrative acts of literary history no less subject to such self-salvaging through comparative discernment, alert us to historiography's uncertain adequacy to the histories it narrates. The redeeming quotient of the comparative signaled here resides in its preemption of tautology. The comparative, that is, can forestall, if not preclude outright, the possibility of any phenomenon's becoming definitively self-identical. In affirming the comparability of its objects, textual or otherwise, the comparative uncovers and ratifies the difference within and among phenomena and the contingencies of their existence, a sanctioning of difference that could mitigate solipsism and self-delusion. For literary history, this means foreclosing, or at least hedging against, literary history's morphing into world history as tautologically plotted by certain master narratives of historiography that claim total explicatory power over the fortuities of history and historical life. These include narratives of imperial successions, providential history, world monarchies, epochal histories that plot human existence on the self-universalized grid of their own periodicity, and the history of Spirit commonly referred to as “Prussian universalisms.” In this regard, Hegelian Geistgeschichte , with its dialectical-materialist derivative known as Marxism and its liberal-democratic free-market remnants called capitalism, both plied under the flag of modernization theory, is exemplary (Pomper, Elphick, and Vann). These are among historiography's most salient master narratives, perennially dominant in historical discourse and in the hegemony of states that have ideologically abetted and politically deployed them (Fasolt 219-32; Guha 24-47). The comparative persistently troubles the structural coherence of these historiographical master plots and their self-validating systematicity.
Journal Article
Memos from the besieged city : lifelines for cultural sustainability
2011,2010
Memos from the Besieged City argues for the institutional and cultural relevance of literary study through foundational figures, from the 1200s to today, who defied precarious circumstances to make significant contributions to literacy and civilization in the face of infelicitous human acts. Focusing on historically vital crossroads—Baghdad, Florence, Byzantium, Istanbul, Rome, Paris, New York, Mexico City, Jerusalem, Beijing, Stockholm, Warsaw—Kadir looks at how unconventional and nonconformist writings define literacy, culture, and intellectual commitment. Inspired by political refugee and literary scholar Erich Auerbach's path-breaking Mimesis, and informed by late twentieth-century ideological and methodological upheavals, the book reflects on literacy and dissidence at a moment when literary disciplines, canons, and theories are being reassessed under the pressure of globalization and transculturation. At the forefront of an ethical turn in the comparative analysis of cultures and their literary legacies, it reminds us of the best humanity can produce.
Questing Fictions
Analyzes 20th-century Latin American fiction in the light of contemporary literary theory and focuses on the predicament of writers caught between the cultural domination of Europe and the need to strive for cultural autonomy.
LITERATURE, THE WORLD, AND YOU
2016
We begin, then, where Quintilian would have us begin in this passage from the eighth book, sixth chapter, fourth part of hisInstitutio Oratoria, written at the end of the 1st century A.D., because the strongest claim I shall be making here is that lit er a ture is in your present (this is why we are taught to always refer to narrative events in the present tense); the world is in your time (etymologically, “world” means “man in time”); and theory is invariably localized and situated wherever you happen to be (since its origins in Greek antiquity,theoríameans
Book Chapter
To Compare, To World
2010
If such a move toward foregrounding verbal intransitivity safeguards something in comparative literature, the opposite tack, a highlighted awareness of the effects of transitive action in the construct \"world literature\" rescues something of the world and its literature from the transactive exertions we impose as intervening subjects. [...] any adversarial, contestatory, or antithetical positioning of comparative literature and world literature does not inhere in either.
Journal Article
America's Exceptional Comparabilities: An Instance of World Literature
Marked by exceptionalism as endemic characteristic, America's cultures, literary and otherwise, conform to the history of humans globally. American (especially U.S. American) exceptionalism is a paradoxical trait of inevitable conformity. Thus, America's self-estimation as incomparable may be its most comparable trait. This essay explores some of the diverse symptoms and literary manifestations of this perennial hemispheric irony.
Journal Article