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"Kavanagh, Thomas M"
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Enlightened pleasures : eighteenth-century France and the new epicureanism
\"Novelists, artists, and philosophers of the eighteenth century understood pleasure as a virtue - a gift to be shared with one's companion, with a reader, or with the public. In this daring new book, Thomas Kavanagh overturns the prevailing scholarly tradition that views eighteenth-century France primarily as the incubator of the Revolution. Instead, Kavanagh demonstrates how the art and literature of the era put the experience of pleasure at the center of the cultural agenda, leading to advances in both ethics and aesthetics.\"--Publisher's description.
Dice, cards, wheels : a different history of French culture
2005
Kavanagh argues that the history of gambling as a cultural practice provides new and important insights into how French culture has responded to the challenge of understanding what identity, responsibility, and freedom can mean in a world ruled largely by chance.
Dice, Cards, Wheels
2013
Gambling has been a practice central to many cultures throughout history. InDice, Cards, Wheels, Thomas M. Kavanagh scrutinizes the changing face of the gambler in France over a period of eight centuries, using gambling and its representations in literature as a lens through which to observe French culture. Kavanagh argues that the way people gamble tells us something otherwise unrecognized about the values, conflicts, and cultures that define a period or class. To gamble is to enter a world traced out by the rules and protocols of the game the gambler plays. That world may be an alternative to the established order, but the shape and structure of the game reveal indirectly hidden tensions, fears, and prohibitions. Drawing on literature from the Middle Ages to the present, Kavanagh reconstructs the figure of the gambler and his evolving personae. He examines, among other examples, Bodel's dicing in a twelfth-century tavern for the conversion of the Muslim world; Pascal's post-Reformation redefinition of salvation as the gambler's prize; the aristocratic libertine's celebration of the bluff; and Balzac's, Barbey d'Aurevilly's, and Bourget's nineteenth-century revisions of the gambler.Dice, Cards, Wheelsembraces the tremendous breadth of French history and emerges as a broad-ranging study of the different forms of gambling, from the dice games of the Middle Ages to the digital slot machines of the twenty-first century, and what those games tell us about French culture and history.
THE CLASSICAL TURN IN ENLIGHTENMENT STUDIES
2012
Antiquity is back. In some respects, it is surprising it ever went away: for the last forty years, Peter Gay's magisterial survey, which connected the “little flock” of philosophes with “pagan” authors, has loomed large over the field of Enlightenment studies. But shortly after its publication, a methodological sea change pulled the field in an opposite direction. Robert Darnton hailed this rising tide of social and cultural history in a 1971 largely critical review of Gay's two volumes. The hyper-longue durée of Gay's historical panorama, which extended from the age of Virgil to that of Voltaire, was soon to be displaced by more focused inquiries into the history of the book, forms of enlightened sociability, and national difference. Intellectual history, particularly of Gay's epic brand, soon became scarce, despite the lasting presence of Gay's two volumes on bibliographies and course syllabi.
Journal Article
The Libertine Moment
1998
Kavanagh considers why libertinage is so closely associated with 18th-century France, particularly Enlightenment literature and art.
Journal Article