Catalogue Search | MBRL
Search Results Heading
Explore the vast range of titles available.
MBRLSearchResults
-
DisciplineDiscipline
-
Is Peer ReviewedIs Peer Reviewed
-
Series TitleSeries Title
-
Reading LevelReading Level
-
YearFrom:-To:
-
More FiltersMore FiltersContent TypeItem TypeIs Full-Text AvailableSubjectCountry Of PublicationPublisherSourceDonorLanguagePlace of PublicationContributorsLocation
Done
Filters
Reset
6
result(s) for
"Konstan, David, author"
Sort by:
Greek Comedy and Ideology
1995
The happy endings of comedy resolve conflicts that have their sources in the real world. These conflicts, in turn, leave their mark upon the texts in the form of gaps in the plot and inconsistencies of characterization. Greek Comedy and Ideology analyses how the structure of ancient Greek comedy betrays and responds to cultural tensions in the society of the classical city-state. Individual chapters treat Aristophanic and Menandrean comedies, with a final chapter on Molière.
In the orbit of love : affection in ancient Greece and Rome
\"This book is about love in the classical world - not erotic passion but the love that binds together intimate members of a family and close friends, but may also include a wider range of individuals for whom we care deeply. Among the topics discussed are friendship, loyalty, gratitude, grief, and civic solidarity\"-- Provided by publisher.
Cyclops
2001
Based on the conviction that only translators who write poetry themselves can properly re-create the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals. Under the general editorship of Peter Burian and Alan Shapiro, each volume includes a critical introduction, commentary on the text, full stage directions, and a glossary of the mythical and geographical references in the play. Brimming with lusty comedy and horror, this new version of Euripides’ only extant satyr play has been refreshed with all the salty humor, vigorous music, and dramatic shapeliness available in modern American English. Driven by storms onto the shores of the Cyclops’ island, Odysseus and his men find that the Cyclops has already enslaved a company of Greeks. When some of Odysseus’ crew are seized and eaten by the Cyclops, Odysseus resorts to spectacular stratagems to free his crew and escape the island. In this powerful work, prize-winning poet Heather McHugh and respected classicist David Konstan combine their talents to create this unusually strong and contemporary tragic-comedy marked by lively lyricism and moral subtlety.