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Intentionally broken “picture” lamps, or Bildlampen, are relatively common at archaeological sites throughout the Roman world. Such lamps typically exhibit a missing central discus. The discus itself – called a lamp “medallion” – often survives, too, and represents further evidence for deliberate lamp breakage. This article explores picture lamps with missing discuses and lamp medallions as a distinct and identifiable artifact group. It also surveys the possible reasons behind their intentional breaking. The work additionally identifies selected findspots where the lighting vessels were broken in rituals, with a special focus on the Shrine of Apollo at Tyre, and examines whether lamp breakage reflects individual choice or collective behavior. In an effort to understand how Roman picture lamps were deliberately broken and the lamp medallions generated for rituals, breakage experiments – drop, impact, puncture, and hammerstone – were conducted on accurate museum-made replicas of Roman picture lamps.

Sepphoris was an important Galilean site from Hellenistic to early Islamic times. This multicultural city is described by Flavius Josephus as the \"ornament of all Galilee,\" and Rabbi Judah the Prince (ha-Nasi) codified the Mishnah there around 200 CE. The Duke University excavations of the 1980s and 1990s uncovered a large corpus of clay oil lamps in the domestic area of the western summit, and this volume presents these vessels. Richly illustrated with photos and drawings, it describes the various shape-types and includes a detailed catalog of 219 lamps. The volume also explores the origins of the Sepphoris lamps and establishes patterns of their trade, transport, and sale in the lower city's marketplace. A unique contribution is the use of a combined petrographic and direct current plasma-optical emission spectrometric (dcp-oes) analysis of selected lamp fabrics from sites in Israel and Jordan. This process provided valuable information, indicating that lamps found in Sepphoris came from Judea, the Decapolis, and even Greece, suggesting an urban community fully engaged with other regional centers. Lamp decorations also provide information about the cosmopolitan culture of Sepphoris in antiquity. Discus lamps with erotic scenes and mythological characters suggest Greco-Roman influences, and menorahs portrayed on lamps indicate a vibrant Jewish identity.

Through the ages, light has served the principal utilitarian function of illuminating dark spaces. Archaeologists are not able to excavate ancient light. However, they do recover the objects that housed, controlled, and sustained it. In antiquity, the chief instruments used for everyday lighting purposes were oil lamps, lanterns, torches, lamp-stands, candles, and hanging lamps. Among these devices, clay oil lamps would ultimately emerge as the most popular for satisfying the lighting needs of ancient peoples.