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Walt Whitman in context
\"Walt Whitman is a poet of contexts. His poetic practice was one of observing, absorbing, and then reflecting the world around him. Walt Whitman in Context provides brief, provocative explorations of thirty-eight different contexts - geographic, literary, cultural, and political - through which to engage Whitman's life and work. Written by distinguished scholars of Whitman and nineteenth-century American literature and culture, this collection synthesizes scholarly and historical sources and brings together new readings and original research\"-- Provided by publisher.
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Whitman among the Bohemians
For several years just before and just after his 1860 edition ofLeaves of Grassappeared, Walt Whitman regularly frequented Pfaff's beer cellar in downtown Manhattan. The basement bar was the very center of mid-nineteenth-century American bohemian activity and was heavily patronized by writers, artists, musicians, actors, intellectuals, and radicals such as free-love advocate Henry Clapp, Jr., and Broadwaysuccès de scandaleAdah Isaacs Menken. Numerous creative and political ventures emerged from this environment, and at least two bohemian literary weeklies,The New-York Saturday PressandVanity Fair, shared origins around the tables at Pfaff's.In this milieu, Whitman found sympathetic supporters of his poetic vision, professional connections, rivals, romantic partners, and close friends, and left a lasting impression on poet and critic Edmund Clarence Stedman, an erstwhile bohemian who later in the century emerged as a tastemaker of American poetry. Yet for many years, the bohemians associated with Pfaff's have served merely as minor background characters in Whitman scholarship.Whitman among the Bohemianscorrects that by exploring in depth the connections Whitman made at Pfaff's and the impact they had on him, his poetry, and his career. In telling the story of these intersecting social and professional links that converged at Pfaff's in the late 1850s and early 1860s, the essays in this volume powerfully demonstrate just how much we can learn about Whitman and his work by viewing him within the context of American bohemia.CONTRIBUTORS: Stephanie Blalock, Ruth Bohan, Leif Eckstrom, Logan Esdale, Amanda Gailey, Karen Karbiener, Joanna Levin, Mary Loeffelholz, Eliza Richards, Ingrid Satelmajer, Robert J. Scholnick, Edward Whitley
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