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"Lewis, Pericles"
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The Cambridge companion to European modernism
\"Modernism arose in a period of accelerating globalization in the late nineteenth century. Modernist writers and artists, while often loyal to their country in times of war, aimed to rise above the national and ideological conflicts of the early twentieth century in service to a cosmopolitan ideal. This Companion explores the international aspects of literary modernism by mapping the history of the movement across Europe and within each country. The essays place the various literary traditions within a social and historical context and set out recent critical debates. Particular attention is given to the urban centers in which modernism developed - from Dublin to Zèurich, Barcelona to Warsaw - and to the movements of modernists across national borders. A broad, accessible account of European modernism, this Companion explores what this cosmopolitan movement can teach us about life as a citizen of Europe and of the world\"-- Provided by publisher.
The Rise & Restructuring of Yale-NUS College
2024
Yale University and the National University of Singapore (NUS) agreed in 2011 to open Yale-NUS College, an autonomous liberal arts college within NUS. As the College’s first president, I recount in this essay some of the successes and challenges of creating the College, which opened in 2013, and the decision of NUS in 2021 to end the partnership as of 2025. I analyze the College’s educational offerings, the political controversies surrounding its establishment and eventual closure, the finances of a small-scale, elite college within a large public university, and the broad social changes that contributed to the College’s fate.
Journal Article
The Burial of the Dead in Mann’s The Magic Mountain
2021
During the COVID-19 pandemic of 2020, readers of modernist literature have often been reminded of the flu epidemic of 1918-1920. Thomas Mann’s The Magic Mountain (1924) anatomizes pre-war bourgeois society as represented by the inmates of a tuberculosis asylum in Davos, Switzerland. The novel typifies a concern in modernist fiction with the proper rites for the burial of the dead, which I explored in an earlier study, Religious Experience and the Modernist Novel. This essay argues that that Mann sees the novel, as a genre, as having a particular ability to represent the process of mourning because of its powers of ironic distancing: it can represent both the public ritual of the funeral service and the private thoughts of the mourner, which may or may not accord with official sentiment. More generally, the modern novel shows how we project our own desires and fears onto the dead.
Journal Article
The Cambridge Companion to European Modernism
by
Lewis, Pericles
in
European literature
,
European literature -- 19th century -- History and criticism
,
European literature -- 20th century -- History and criticism
2011
Modernism arose in a period of accelerating globalization in the late nineteenth century. Modernist writers and artists, while often loyal to their country in times of war, aimed to rise above the national and ideological conflicts of the early twentieth century in service to a cosmopolitan ideal. This Companion explores the international aspects of literary modernism by mapping the history of the movement across Europe and within each country. The essays place the various literary traditions within a social and historical context and set out recent critical debates. Particular attention is given to the urban centers in which modernism developed – from Dublin to Zürich, Barcelona to Warsaw – and to the movements of modernists across national borders. A broad, accessible account of European modernism, this Companion explores what this cosmopolitan movement can teach us about life as a citizen of Europe and of the world.
Asia Invests in Liberal Arts: US Higher Education Expands Abroad
2013
There are worrying signs today that the US is turning away from the tradition of liberal arts education that has made it a global leader in post-secondary education over the past century. At the same time, there are signs that Asia is turning towards the liberal arts. Asian governments have recognized that in an era driven by innovation, the breadth of an education that encompasses the liberal arts and sciences is a distinct advantage for future workers. Many also recognize the importance of education in history and politics for future citizens in an era of democratization. Today, liberal arts education means, above all, encouraging students' imagination and their ability to think critically about the world. Liberal arts education is not cheap: it requires engaged teaching in small groups by faculty who care deeply about undergraduates.
Journal Article
Modernism, Nationalism, and the Novel
2000
In Modernism, Nationalism, and the Novel, first published in 2000, Pericles Lewis shows how political debates over the sources and nature of 'national character' prompted radical experiments in narrative form amongst modernist writers. Though critics have accused the modern novel of shunning the external world, Lewis suggests that, far from abandoning nineteenth-century realists' concern with politics, the modernists used this emphasis on individual consciousness to address the distinctively political ways in which the modern nation-state shapes the psyche of its subjects. Tracing this theme through Joyce, Proust and Conrad, amongst others, Lewis claims that modern novelists gave life to a whole generation of narrators who forged new social realities in their own images. Their literary techniques - multiple narrators, transcriptions of consciousness, involuntary memory, and arcane symbolism - focused attention on the shaping of the individual by the nation and on the potential of the individual, in time of crisis, to redeem the nation.
Liberal Education in Asia: Trends, Challenges, and Opportunities
2015
In this article, we seek to establish what liberal education means in the Asia of today by examining different institutions in India, Japan, South Korea, and China. In particular, we have analyzed fourteen such programs and identified certain commonalities, as well as important differences, particularly involving governance structure. We then offer some insights gleaned from the first three years of one of the largest such undertakings, Yale-NUS College in Singapore. We conclude that partnerships with U.S. institutions offer expertise and prestige, but the spread of liberal education in Asia will also depend on change within the relatively rigid but prestigious public systems that dominate most education in the region. The curriculum should embrace the local culture but put it in conversation with broader trends both in Asia and the West. In order for these institutions to thrive, faculty and students must be free to teach, study, and conduct research on controversial subjects without political interference.
Journal Article
Modernism, Nationalism, and the Novel
2009
In Modernism, Nationalism, and the Novel, first published in 2000, Pericles Lewis shows how political debates over the sources and nature of 'national character' prompted radical experiments in narrative form amongst modernist writers. Though critics have accused the modern novel of shunning the external world, Lewis suggests that, far from abandoning nineteenth-century realists' concern with politics, the modernists used this emphasis on individual consciousness to address the distinctively political ways in which the modern nation-state shapes the psyche of its subjects. Tracing this theme through Joyce, Proust and Conrad, amongst others, Lewis claims that modern novelists gave life to a whole generation of narrators who forged new social realities in their own images. Their literary techniques - multiple narrators, transcriptions of consciousness, involuntary memory, and arcane symbolism - focused attention on the shaping of the individual by the nation and on the potential of the individual, in time of crisis, to redeem the nation.
Private Religion, Public Mourning, and Mrs. Dalloway
2013
The experience of loss in the twilight of public religion, and the search for private kinds of spiritual consolation, is the subject of Virginia Woolf's Mrs. Dalloway (1925). Woolf sets her novel about the dispersion of religious idioms in a London where the traditional functions of the church--its ability to join souls in worship, its authority to offer explanations for the mysteries of existence, its administration over the major events of life--have given way to uneasy freedom. Here, Lewis seeks to extend that critical tradition from the standpoint of the public/private divide.
Journal Article