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The absence of female writing forms a particularly striking gap in the historiography of German-language literature in the Czech Lands during the decades around 1900. Women participated significantly in the literary scene of the period but were largely forgotten. Our article will discuss the conditions and discourses that enabled women to be active in the public space but later led to their absence in literary history. Approaches are sought that make future inclusion possible again. The first step for (re-)establishing a female presence in this area is to reconstruct biographies with a focus on female-specific social realities at the time and on the interaction of cultural, social and historical factors. In the next step, attention is brought to the “minor” or “simple”, rather non-canonical literary genres that were often used by women authors at the fin de siècle.

Originating in the collaboration of the international Research Network \"Gender in Antisemitism, Orientalism and Occidentalism\" (RENGOO), this collection of essays proposes to intervene in current debates about historical constructions of Jewish identity in relation to colonialism and Orientalism. The network?'s collaborative research addresses imaginative and aesthetic rather than sociological questions with particular focus on the function of gender and sexuality in literary, scholarly and artistic transformations of Orientalist images. RENGOO's first publication explores the ways in which stereotypes of the external and internal Other intertwine. With its interrogation of the roles assumed in this interplay by gender, processes of sexualization, and aesthetic formations, the volume suggests new directions to the interdisciplinary study of gender, antisemitism, and Orientalism.

Originating in the collaboration of the international Research Network “Gender in Antisemitism, Orientalism and Occidentalism” (RENGOO), this collection of essays proposes to intervene in current debates about historical constructions of Jewish identity in relation to colonialism and Orientalism. The network‌’s collaborative research addresses imaginative and aesthetic rather than sociological questions with particular focus on the function of gender and sexuality in literary, scholarly and artistic transformations of Orientalist images. RENGOO’s first publication explores the ways in which stereotypes of the external and internal Other intertwine. With its interrogation of the roles assumed in this interplay by gender, processes of sexualization, and aesthetic formations, the volume suggests new directions to the interdisciplinary study of gender, antisemitism, and Orientalism.

The Jewish Mother, or Jiddische Mamme, is one of the most popular images of the Jewess in mid-19th and 20th century. Linked to the biblical Jewish women and mothers, arises a complex negative-grotesque stereotype, which is connected to the traditional image of the Jewess as „home-keeper“ and was developed by the Shtetl-literature into a bitter and inapproachable „family provider“. Finally, the overprotective and manipulative Jewish Mother is an integral part of American literature, film and comedy. The paper will trace these changes of meaning and also analyse the Jewish Mother in the framework of the different presentations and representations of the Jewish woman.

The present research on Czernowitz focuses mostly on the 20th century and on the works and memoirs of Holocaust survivors. But Czernowitz was at its cultural and economical height at the end of the 19th century, and it was during that time that the myth of the „ideal city\" was established. This essay stresses the importance of that time period for understanding the „Czernowitz myth,\" and it analyzes the relationship between the „real\" place Czernowitz and the literary topos of a „sunken city\" (Rose Ausländer).