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139
result(s) for
"MIT Museum"
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Nightwork
by
T. F. Peterson
in
Cambridge
,
College students
,
College students -- Massachusetts -- Cambridge -- Humor
2011
An MIT \"hack\" is an ingenious, benign, andanonymous prank or practical joke, often requiring engineering or scientificexpertise and often pulled off under cover of darkness -- instances of campus mischief sometimes coinciding withApril Fool's Day, final exams, or commencement. (It should not beconfused with the sometimes nonbenign phenomenon of computer hacking.)Noteworthy MIT hacks over the years include the legendary Harvard--YaleFootball Game Hack (when a weather balloon emblazoned \"MIT\" poppedout of the ground near the 50-yard line), the campus police car found perchedon the Great Dome, the apparent disappearance of the Institute president'soffice, and a faux cathedral (complete with stained glass windows, organ, andwedding ceremony) in a lobby. Hacks are by their nature ephemeral, althoughthey live on in the memory of both perpetrators and spectators. Nightwork,drawing on the MIT Museum's unique collection of hack-related photographsand other materials, describes and documents the best of MIT's hacks andhacking culture. Thisgenerously illustrated updated edition has added coverage of such recent hacksas the cross-country abduction of rival Caltech's cannon (a prankrequiring months of planning, intricate choreography, and last-minute improvisation),a fire truck on the Dome that marked the fifth anniversary of 9/11, andnumerous pokes at the celebrated Frank Gehry-designed Stata Center, and even aworking solar-powered Red Line subway car on the Great Dome. Hackshave been said to express the essence of MIT, providing, as alumnusAndre DeHon observes, \"an opportunity todemonstrate creativity and know-how in mastering the physical world.\"What better way to mark the 150th anniversary of MIT's founding than tocommemorate its native ingenuity with this new edition of Nightwork?
Fine-scale structures as spots of increased fish concentration in the open ocean
by
Centre d'Études Biologiques de Chizé - UMR 7372 (CEBC) ; La Rochelle Université (ULR)-Centre National de la Recherche Scientifique (CNRS)-Institut National de Recherche pour l’Agriculture, l’Alimentation et l’Environnement (INRAE)
,
CNES/TOSCA project LAECOS and BIOS-WOT
,
Ser-Giacomi, Enrico
in
631/158/2446/1491
,
704/829/2737
,
704/829/826
2021
Oceanic frontal zones have been shown to deeply influence the distribution of primary producers and, at the other extreme of the trophic web, top predators. However, the relationship between these structures and intermediate trophic levels is much more obscure. In this paper we address this knowledge gap by comparing acoustic measurements of mesopelagic fish concentrations to satellite-derived fine-scale Lagrangian Coherent Structures in the Indian sector of the Southern Ocean. First, we demonstrate that higher fish concentrations occur more frequently in correspondence with strong Lagrangian Coherent Structures. Secondly, we illustrate that, while increased fish densities are more likely to be observed over these structures, the presence of a fine-scale feature does not imply a concomitant fish accumulation, as other factors affect fish distribution. Thirdly, we show that, when only chlorophyll-rich waters are considered, front intensity modulates significantly more the local fish concentration. Finally, we discuss a model representing fish movement along Lagrangian features, specifically built for mid-trophic levels. Its results, obtained with realistic parameters, are qualitatively consistent with the observations and the spatio-temporal scales analysed. Overall, these findings may help to integrate intermediate trophic levels in trophic models, which can ultimately support management and conservation policies.
Journal Article
Evidence confirms an anthropic origin of Amazonian Dark Earths
by
Aires da Fonseca, João
,
Bournemouth University [Poole] (BU)
,
Pereira Magalhães, Marcos
in
Environmental Sciences
,
Humanities and Social Sciences
2022
First described over 120 years ago in Brazil, Amazonian Dark Earths (ADEs) are expanses of dark soil that are exceptionally fertile and contain large quantities of archaeological artefacts. The elevated fertility of the dark and often deep A horizon of ADEs is widely regarded as an outcome of pre-Columbian human influence 1 . Archaeological research provides clear evidence that their widespread formation in lowland South America was concentrated in the Late Holocene, an outcome of sharp human population growth that peaked towards 1000 BP 2-4 . In their recent paper Silva et al. 5 argue that the higher fertility of ADEs is principally a result of fluvial deposition and, as a corollary, that pre-Columbian peoples just made use of these locales, contributing little to their enhanced nutrient status.Soil formation is inherently complex and often difficult to interpret, requiring a combination of geochemical data, stratigraphy, and dating. Although Silva et al. use this combination of methods to make their case 5 , their hypothesis, based on the analysis of a single ADE site and its immediate surroundings
Journal Article
Die Yamabushi
by
Rotermund, Hartmut O
,
Hamburgisches Museum für Völkerkunde, Hamburgisches Museum
in
Buddhism
,
SCIENCE / Earth Sciences / General
,
SCIENCE / General
1968
Keine ausführliche Beschreibung für \"Die Yamabushi\" verfügbar.
El Hadji Sy : painting, performance, politics
by
Deliss, Clémentine
,
Sy, El Hadji
,
Mutumba, Yvette
in
21st century
,
Art, Senegalese
,
Art, Senegalese -- 21st century -- Exhibitions
2015
El Hadji Sy: Painting, Performance, Politics offers the first art-historical survey on the multidimensional work of Senegalese artist, curator, and cultural activist El Hadji Sy. Spanning thirty years of his practice as a painter, performance artist, and founder of numerous artists' collectives and workshops in Dakar (Laboratoire AGIT'ART, Tenq, and Village des Arts), it provides unprecedented insight into the conceptual and aesthetic framework of a major living artist and curator from West Africa. With newly commissioned essays and interviews by Hans Belting, Clémentine Deliss, Mamadou Diouf, Julia Grosse, Yvette Mutumba, Philippe Pirotte, and Manon Schwich, the book is presented in a bilingual English-German edition and also contains unique archival material, including manifestos, documents, and over four hundred illustrations.