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10 result(s) for "Marcus, Greil, author"
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Mystery train : images of America in rock 'n' roll music
\"This book traces the history of rock 'n' roll through six key, fundamental artists: Robert Johnson, Harmonica Frank, Randy Newman, the Band, Sly Stone, and Elvis Presley\"-- Provided by publisher.
The history of rock 'n' roll in ten songs
The legendary critic and author of Mystery Train \"ingeniously retells the tale of rock and roll\" ( Publishers Weekly, starred review).   Unlike previous versions of rock 'n' roll history, this book omits almost every iconic performer and ignores the storied events and turning points everyone knows. Instead, in a daring stroke, Greil Marcus selects ten songs and dramatizes how each embodies rock 'n' roll as a thing in itself, in the story it tells, inhabits, and acts out—a new language, something new under the sun. \"Transmission\" by Joy Division. \"All I Could Do Was Cry\" by Etta James and then Beyoncé. \"To Know Him Is to Love Him,\" first by the Teddy Bears and almost half a century later by Amy Winehouse. In Marcus's hands these and other songs tell the story of the music, which is, at bottom, the story of the desire for freedom in all its unruly and liberating glory. Slipping the constraints of chronology, Marcus braids together past and present, holding up to the light the ways that these striking songs fall through time and circumstance, gaining momentum and meaning, astonishing us by upending our presumptions and prejudices. This book, by a founder of contemporary rock criticism—and its most gifted and incisive practitioner—is destined to become an enduring classic.   \"One of the epic figures in rock writing.\"— The New York Times Book Review   \"Marcus is our greatest cultural critic, not only because of what he says but also, as with rock-and-roll itself, how he says it.\"— The Washington Post   Winner of the Deems Taylor Virgil Thomson Award in Music Criticism, given by the American Society of Composers, Authors & Publishers
Real life rock : the complete top ten columns, 1986-2014
The Washington Post hails Greil Marcus as our greatest cultural critic. Writing in the London Review of Books, D. D. Guttenplan calls him probably the most astute critic of American popular culture since Edmund Wilson. For nearly thirty years, he has written a remarkable column that has migrated from the Village Voice to Artforum, Salon, City Pages, Interview, and The Believer and currently appears in the Barnes & Noble Review. It has been a laboratory where Marcus has fearlessly explored and wittily dissected an enormous variety of cultural artifacts, from songs to books to movies to advertisements, teasing out from the welter of everyday objects what amounts to a de facto theory of cultural transmission. Published to complement the paperback edition of The History of Rock & Roll in Ten Songs, Real Life Rock reveals the critic in full: direct, erudite, funny, fierce, vivid, astute, uninhibited, and possessing an unerring instinct for art and fraud. The result is an indispensable volume packed with startling arguments and casual brilliance.
Bob Dylan by Greil Marcus : writings 1968-2010
His foremost interpreter revisits more than forty years of listening to Dylan—weaving individual moods and moments into a brilliant history of their changing times.
Folk music : a Bob Dylan biography in seven songs
\"Across seven decades, Bob Dylan has been the first singer of American song. As a writer and performer, he has rewritten the national songbook in a way that comes from his own vision and yet can feel as if it belongs to anyone who might listen. In Folk Music, Greil Marcus tells Dylan's story through seven of his most transformative songs. Marcus's point of departure is Dylan's ability to \"see myself in others.\" Like Dylan's songs, this book is a work of implicit patriotism and creative skepticism. It illuminates Dylan's continuing presence and relevance through his empathy-his imaginative identification with other people. This is not only a deeply felt telling of the life and times of Bob Dylan, but a rich history of American folk songs and the new life they were given as Dylan sat down to write his own.\"-- Dust jacket.
Conversations with Greil Marcus
Greil Marcus once said to an interviewer, \"There is an infinite amount of meaning about anything, and I free associate.\" For more than four decades, Marcus has explored the connections among figures, sounds, and events in culture, relating unrelated points of departure, mapping alternate histories and surprising correspondences. He is a unique and influential voice in American letters. Marcus was born in 1945 in San Francisco. In 1968 he published his first piece, a review ofMagic Bus: The Who on Tour, inRolling Stone, where he became the magazine's first records editor. Renowned for his ongoing \"Real Life Top Ten\" column, Marcus has been a writer for a number of magazines and websites, and is the author and editor of over fifteen books. His critique is egalitarian: no figure, object, or event is too high, low, celebrated, or obscure for an inquiry into the ways in which our lives can open outward, often unexpectedly.In Conversations with Greil Marcus, Marcus discuses in lively, wide-ranging interviews his books and columns as well as his critical methodology and broad approach to his material, signaled by a generosity of spirit leavened with aggressive critical standards.
One-way street
\"One-Way Street is a thoroughfare unlike anything else in literature--by turns exhilarating and bewildering, requiring mental agility and a special kind of urban literacy. Presented here in a new edition with expanded notes, this genre-defying meditation on the semiotics of late-1920s Weimar culture offers a fresh opportunity to encounter Walter Benjamin at his most virtuosic and experimental, writing in a vein that anticipates later masterpieces such as 'On the Concept of History' and The Arcades Project. Composed of sixty short prose pieces that vary wildly in style and theme, One-Way Street evokes a dense cityscape of shops, cafes, and apartments, alive with the hubbub of social interactions and papered over with public inscriptions of all kinds: advertisements, signs, posters, slogans. Benjamin avoids all semblance of linear narrative, presenting readers with a seemingly random sequence of aphorisms, reminiscences, jokes, off-the-cuff observations, dreamlike fantasias, serious philosophical inquiries, apparently unserious philosophical parodies, and trenchant political commentaries. Providing remarkable insight into the occluded meanings of everyday things, Benjamin time and again proves himself the unrivalled interpreter of what he called 'the soul of the commodity.' Despite the diversity of its individual sections, Benjamin's text is far from formless. Drawing on the avant-garde aesthetics of Dada, Constructivism, and Surrealism, its unusual construction implies a practice of reading that cannot be reduced to simple formulas. Still refractory, still radical, One-Way Street is a work in perpetual progress.\"--Provided by publisher.
The True Adventures of the Rolling Stones
Stanley Booth, a member of the Rolling Stones' inner circle, met the band just a few months before Brian Jones drowned in a swimming pool in 1968.He lived with them throughout their 1969 tour across the United States, staying up all night together listening to blues, talking about music, ingesting drugs, and consorting with groupies.
Love & Theft
This new edition of Eric Lott's classic cultural history features a new foreword by Greil Marcus and afterword by the author.