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Dog walking is a popular everyday physical activity. Dog owners are generally more active than non-owners, but some rarely walk with their dog. The strength of the dog–owner relationship is known to be correlated with dog walking, and this qualitative study investigates why. Twenty-six interviews were combined with autoethnography of dog walking experiences. Dog walking was constructed as “for the dog”, however, owners represented their dog’s needs in a way which aligned with their own. Central to the construction of need was perceptions of dog personality and behaviour. Owners reported deriving positive outcomes from dog walking, most notably, feelings of “happiness”, but these were “contingent” on the perception that their dogs were enjoying the experience. Owner physical activity and social interaction were secondary bonuses but rarely motivating. Perceptions and beliefs of owners about dog walking were continually negotiated, depending on how the needs of the owner and dog were constructed at that time. Complex social interactions with the “significant other” of a pet can strongly motivate human health behaviour. Potential interventions to promote dog walking need to account for this complexity and the effect of the dog-owner relationship on owner mental wellbeing.

The Rising from the Depths (RftD) network aims to identify the ways in which Marine Cultural Heritage (MCH) can contribute to the sustainable development of coastal communities in Kenya, Tanzania, Mozambique and Madagascar. Although the coastal and marine heritage of eastern Africa is a valuable cultural and environmental resource, it remains largely unstudied and undervalued and is subject to significant threat from natural and anthropogenic processes of change. This paper outlines the aims of the RftD network and describes the co-creation of a challenge-led research and sustainability programme for the study of MCH in eastern Africa. Through funding 29 challenge-led research projects across these four Global South countries, the network is demonstrating how MCH can directly benefit East African communities and local economies through building identity and place-making, stimulating resource-centred alternative sources of income and livelihoods, and enhancing the value and impact of overseas aid in the marine sector. Overall, Rising from the Depths aims to illustrate that an integrated consideration of cultural heritage, rather than being a barrier to development, should be positioned as a central facet of the transformative development process if that development is to be ethical, inclusive and sustainable.

In 2005 foxhunting was prohibited by an act of parliament in England. The Hunting Act 2004 forbade the highly formal and ritualized hunting of foxes with packs of hounds and thus brought to an end a practice that had been present in the countryside for some 200 years. In this article I explore the complexities of foxhunting as a social and cultural practice prior to the ban as well as the nature of the ban as it relates to killing foxes. I then explore the effects of the ban in terms of how, from the perspectives of the supporters of foxhunting, it is experienced as an attack on cherished notions of community, rural life, belonging, and connectivity with the countryside.ACKNOWLEDGEMENTS: I would like to thank Captain Brian Fanshawe and Captain Rupert Inglesant for their invaluable suggestions. I would also like to thank Stephanie Schwandner-Sievers, who still has the patience to read drafts and unpick muddled thinking and writing.

In the quiet halls of the natural history museum, there are some creatures still alive with stories, whose personalities refuse to be relegated to the dusty corners of an exhibit. The fame of these beasts during their lifetimes has given them an iconic status in death. More than just museum specimens, these animals have attained a second life as historical and cultural records. This collection of essays-from a broad array of contributors, including anthropologists, curators, fine artists, geographers, historians, and journalists-comprises short \"biographies\" of a number of famous taxidermized animals. Each essay traces the life, death, and museum \"afterlife\" of a specific creature, illuminating the overlooked role of the dead beast in the modern human-animal encounter through practices as disparate as hunting and zookeeping. The contributors offer fresh examinations of the many levels at which humans engage with other animals, especially those that function as both natural and cultural phenomena, including Queen Charlotte's pet zebra, Maharajah the elephant, and Balto the sled dog, among others. Readers curious about the enduring fascination with animals who have attained these strange afterlives will be drawn to the individual narratives within each essay, while learning more about the scientific, cultural, and museological contexts of each subject. Ranging from autobiographical to analytical, the contributors' varying styles make this delightful book a true menagerie. Contributors: Samuel J. M. M. Alberti, Royal College of Surgeons * Sophie Everest, University of Manchester * Kate Foster * Michelle Henning, University of the West of England, Bristol * Hayden Lorimer, University of Glasgow * Garry Marvin, Roehampton University, London * Henry Nicholls * Hannah Paddon * Merle Patchett * Christopher Plumb, University of Manchester * Rachel Poliquin * Jeanne Robinson, Glasgow Museums * Mike Rutherford, University of the West Indies * Richard C. Sabin, Natural History Museum * Richard Sutcliffe, Glasgow Museums * Geoffrey N. Swinney, University of Edinburgh

Hunter-gatherers are often ascribed a \"monistic\" worldview at odds with the nature-society dichotomy. The centerpiece of this claim is that they view hunting as similar to sharing within the band and prey animals as part of a common sphere of sociality. This article challenges this thesis. An examination of the work of its main proponents shows that it conflates two different senses of \"animal\"--the flesh-and-blood animals of the hunt and the animal Spirit that is said to control the animals. The sharing motif in hunting makes sense with respect to the anthropomorphic Spirit but not to the animals hunted. The conditions of the hunt as a spatiotemporal event provide further grounds for skepticism toward the idea of hunting-as-sharing. Drawing on biologist Robert Hinde's model of relationships, I argue that hunting represents an anonymous one-off interaction that cannot develop into a personal relationship, in stark contrast to the durable forms of personalized sociality associated with the hunter-gatherer band. This is not to deny the possibility of human-animal cosociality in the form of personal relationships but rather to redirect the search away from the hunt to the interface with domesticated animals. [PUBLICATION ABSTRACT]

The main theme of this chapter is that of responsibility and the differing forms of responsibilities that have emerged as a result of a research project on English foxhunting in which I have been engaged for the last few years. Although my ethnographic example here is rather specific, my concern is not with foxhunting as a social or cultural practice, nor with issues pertaining to foxhuntingper se. Rather, I will use this case as an illustration to consider some wider questions associated with applying anthropology. In particular, I am interested in issues of responsibilities and representations, that arise when

In this article I explore issues of the embodiment and being in the world of human hunters in pursuit of animal prey in the context of hunting as sport. The focus is on the immediacy and the experience of hunting rather than an exploration of its social and cultural meaning. This is an attempt to evoke how it is to hunt rather than what it means to hunt. I argue that hunting is a fully embodied, multi-sensory and multi-sensual practice that depends on an immersion into a multi-sensory and multi-sensual world. At the heart of such hunting is a contest between humans and animals based on two sets of senses and senses. My attempt here is explore how the human sensing is experienced and the difficulties of capturing and evoking that experience in an anthropological text.

Bulls, Bullfighting, and Spanish Identities. Carrie B. Douglass. Tucson: University of Arizona Press, 1997. xii. 245 pp., illustrations, tables, notes, literature cited, index. Women and Bullfighting: Gender, Sex and the Consumption of Tradition. Sarah Pink. Oxford: Berg, 1997. viii. 233 pp., figures, notes, appendix, bibliography, Index.