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This article proposes a way of reading Karl Barth's Church Dogmatics backwards or ‘from the end’. Employing this method to explore The Doctrine of God and The Doctrine of the Word of God highlights two aspects of Barth's theology. The first is the importance of communion to Barth's account of the immanence and economy of God, especially in his understanding of God as the ‘Lord of Glory’. The second is Barth's careful balancing of christology and pneumatology across the first two volumes of the Dogmatics through the use of a chiastic structure that underpins his construal of divine election and his account of divine revelation.

Because of the primacy of place in his poems, Applewhite's name was among the first I penciled on a wish list of subjects for a photographic project I have been developing since 2007, titled Native Ground. [...]a couple of days ago, I went to the Duke Homestead, only about three miles away from here. Pittsboro, not far from here, has a nice mill complex that they've converted into restaurants and shops and art spaces. Because really, some of the older structures in the South are better than what you're gonna build now. Because let's face it, I was different.

Guthrie also bears some historical significance as the point where Native Americans entered Kentucky on the Trail of Tears (1838-1839) and as the site of a military encampment during the Black Patch Wars (circa 1905-1908), when the governor called up the state militia to protect area farms against vigilante bands of tobacco growers who were angry about price-fixing by the American Tobacco Company trust (Schwartz; \"Trail\"; Newman). Hand-painted on the side of the Jenkins Building, a still-legible and colorful Coca-Cola sign-original, not a reproduction like we see today in some villages aiming for a nostalgic touch-is visible from nearly every angle as you walk west from the railroad tracks and switch yard, past a bright white building named the American Café, toward downtown.

Gaston Bachelard, The Poetics of Space The photographs that follow are from a series called Native Ground, in which I use my camera to meditate on the relationship between place and imagination, namely as place-home-might be imagined as an influence or source of inspiration for writers.1 In a project devoted so substantially to the idea of place, it may not be surprising that I have focused on writers from the American South. In this respect, Native Ground is admittedly speculative, a creative act itself: a series of visual propositions of the convergence of physical space, a life lived, and art. Moving room to room, ignoring the stifling heat and humidity, I imagined how the scent and texture of unfinished wood might have worked on the boy who would grow to become a literary celebrity, but who started, as he always said, merely trying to tell stories-\"to hold up a mirror to human nature\" (Van Gelder 14). The family dictionary rested on a sturdy floor stand near the dining room window, as if someone might feel obliged to pin down the precise meaning of some word dropped perhaps too casually in conversation over breakfast.

The Snapshot: Climate issue of Southern Cultures includes photography and reflections on climate impacts across the southern states by Jenny Adler, Austin Anthony, Kate Auger, Arden Barnes, Monica Patrice Barra, Robin Boggs, Jared Bramblett, Lily Brooks, Hannah Brown, Becca Burton, Matthew Busch, Gordon Campbell, Natalie Chanin, Vanessa Charlot, Walter Coker, Justin Cook, Cameron Davidson, Marquetta Dickens, Brandon Dill, Benjamin Dimmitt, Rory Doyle, Ryan Emanuel, Cameron Evans, J Henry Fair, Megan Faust, Annie Flanagan, Kathleen Flynn, Jerod Foster, John Gaulden, Hermina Glass-Hill, Allison Grant, Jerry Dickson Greer, Joshua Dudley Greer, Anna Hamilton, Virginia Hanusik, John Lusk Hathaway, Chuck Hemard, Tom Kimmerer, Virginie Kippelen, Jeremy M. Lange, Nate Larson, Mark Long, Jordan Lovejoy, Megan May, Roger May, Lisette Morales McCabe, Rob McDonald, Andrew Moore, Stephen B. Morton, Anna Gage Norton, Jocelyn Painter, Elena Peterman, Daniel Pullen, Tom Rankin, Robert Rausch, Jeff Rich, Beth Roach, Derek Slagle, Michael O. Snyder, Michael K. Steinberg, Bryan Thomas, Jacqui Thurlow-Lippisch, Simon Tye, Turcois Vazquez, Jordan Vonderhaar, Jason Matthew Walker, Will Warasila, Carlton Ward Jr., Brooke White, William Widmer, and Devin Wright.