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result(s) for
"Metropolitan Museum of Art (New York, N.Y.), issuing body"
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How to read Islamic calligraphy
\"For centuries, Islamic calligraphy has mesmerized viewers with its beauty, sophistication, and seemingly endless variety of styles. How to Read Islamic Calligraphy offers new perspectives on this distinctive art form, using examples from The Met's superlative collections to explore the enduring preeminence of the written word as a means of creative expression throughout the Islamic world. Combining engaging, accessible texts with stunning new photography, How to Read Islamic Calligraphy introduces readers to the major Islamic script types and explains the various contexts, whether secular or sacred, in which each one came to be used. Beauty and brilliance emerge in equal measure from works of every medium, from lavishly illuminated Qur'an manuscripts, to glassware etched with poetic verses, to ceramic tiles brushed with benedictions. The sheer breadth of objects illustrated in these pages exemplifies the ubiquity of calligraphy, and provides a compelling introduction to this unique art form.\"-- Publisher's description
How to read Buddhist art
\"For more than 2,000 years, artworks have captured essential aspects of Buddhist thought. How to Read Buddhist Art introduces this vast visual tradition to a general audience with 60 seminal artworks from The Met's collection. Reliquaries, sculptures, and paintings produced in China, the Himalayas, Japan, Korea, and South and Southeast Asia provide insight into the complex iconography of Buddhism while also addressing the technical virtuosity of their makers and the social and political climate in which they were made.\" -- Yale Books website.
Pergamon and the Hellenistic kingdoms of the ancient world
\"The Hellenistic Age spanned the three momentous centuries from the death of Alexander the Great in 323 B.C. to the crowning of Emperor Augustus and the establishment of the Roman Empire. This splendidly illustrated volume examines the rich diversity of art forms--including sculpture in marble, bronze, and terracotta; gold jewelry; engraved gems; and coins--throughout the Hellenistic kingdoms of ancient Greece, and especially in the great city of Pergamon (in present-day Turkey). Featuring more than 250 objects from major museums around the world, including the renowned collection from the Pergamon Museum in Berlin, and essays by an international team of specialists, this book describes the historical context in which these sumptuous works of art were created, and provides a new understanding of this period of masterful artistic accomplishment.\"--Publisher's description.
Palmyra : mirage in the desert
In this important and timely publication, top international scholars present current research and developments about the art, archaeology, and history of the ancient city of Palmyra, a UNESCO World Heritage site located in Syria. Palmyra became tragic headline news in 2015, when it was overtaken by the Islamic State of Iraq and the Levant (ISIS), which destroyed many of its monuments and artifacts. The essays in this book include new scholarship on Palmyra's origins and evolution as well as developments from both before and after its damage by ISIS, providing new information that will be relevant to current and future generations of art historians and archaeologists. The book also includes a moving tribute by Waleed Khaled al-Asa'ad to his father, Khaled al-Asa'ad, the Syrian archaeologist and head of antiquities at Palmyra, who was brutally murdered by ISIS in 2015 for defending the site.
Visitors to Versailles : from Louis XIV to the French Revolution
by
Kisluk-Grosheide, Daniëlle O., editor
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Rondot, Bertrand, editor
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Metropolitan Museum of Art (New York, N.Y.), issuing body, host institution
in
Louis XIV, King of France, 1638-1715 Homes and haunts France Versailles Exhibitions.
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Louis XIV, King of France, 1638-1715 Art patronage Exhibitions.
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Château de Versailles (Versailles, France) History 17th century Exhibitions.
2018
Based on contemporary documents and works of art, the book explores the experiences of visitors to the palace and grounds of Versailles when it was the seat of the French monarchy, methods of transportation, codes of dress and etiquette, precious diplomatic gifts, royal audiences, and tours of the buildings and gardens.
The poetry of nature : Edo paintings from the Fishbein-Bender collection
by
Carpenter, John T., author
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Oka, Midori, writer of supplementary textual content
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Metropolitan Museum of Art (New York, N.Y.), host institution, issuing body
in
Fishbein, T. Richard, -2014 Art collections Exhibitions.
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Bender, Estelle Art collections Exhibitions.
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Painting, Japanese Edo period, 1600-1868 Exhibitions.
\"The Poetry of Nature offers an in-depth look at more than 40 extraordinary Japanese paintings that represent every major school and movement of the Edo period, including Kano, Rinpa, Nanga, Zen, Maruyama-Shijo, and Ukiyo-e. The unifying theme is a celebration of the natural world, expressed in varied forms, from the bold, graphic manner of Rinpa to the muted sensitivity of Nanga. Among the artists whose works are included are Ike Taiga (1723-1776), Maruyama Okyo (1733-1795), and Sakai Hoitsu (1761-1828). John T. Carpenter looks specifically at the intertwinement of painting and poetry, a Japanese artistic tradition that reached new heights during the Edo period. In addition to new readings and translations of Japanese and Chinese poems, Carpenter sheds light on the ways in which Edo artists used verse to transform their paintings into a hybrid literary and visual art.\"--Publisher's description.
Delirious : art at the limits of reason, 1950-1980
Addressing the maniacal, eccentric, and disorienting in artworks made between 1950 and 1980, Delirious situates a fascination with the absurd and irrational within the context of the violence and brutality witnessed during World War II as well as the rapid expansion of industrial capitalism in the 1950s. Skepticism of science and technology--along with fear of its capability to promote mass destruction--developed into a distrust of rationalism, which in the arts had the paradoxical result of extracting irrational effects from rational means.