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"Minuz, Andrea"
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Political fellini
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Minuz, Andrea
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Fellini, Federico-Political and social views
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Film and Television Studies
2015,2022
Federico Fellini is often considered a disengaged filmmaker, interested in self-referential dreams and grotesquerie rather than contemporary politics. This book challenges that myth by examining the filmmaker's reception in Italy, and by exploring his films in the context of significant political debates. By conceiving Fellini's cinema as an individual expression of the nation's \"mythical biography,\" the director's most celebrated themes and images — a nostalgia for childhood, unattainable female figures, fantasy, the circus, carnival — become symbols of Italy's traumatic modernity and perpetual adolescence.
From made in Italy to ethno-chic: Some thoughts on costume design in contemporary Italian cinema (class, gender and national identity)
2016
This article outlines an overview of the relationship between costume and film in contemporary Italian cinema, with particular reference to class, gender and ideological discourse. Considering Italian film production in the last fifteen to twenty years, from popular film to auteur cinema, the article lays out the challenge of cultural stereotypes about ‘Made in Italy’ and its meanings in a global age. The significance of costume will be explored in terms of plot and character development, mise-en-scène and visuality, negotiating cinematic technique, film analysis and cultural interpretation. More specifically, and with particular reference to the work of Stephen Gundle, we investigate how costume design of male and female characters embodies national discourses such as nostalgia, male anxiety and the ideals of feminine beauty.
Journal Article