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8 result(s) for "Moore, Lisa Jean, 1967-"
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Missing Bodies
We know more about the physical body - how it begins, how it responds to illness, even how it decomposes - than ever before. Yet not all bodies are created equal, some bodies clearly count more than others, and some bodies are not recognized at all. In Missing Bodies, Monica J. Casper and Lisa Jean Moore explore the surveillance, manipulations, erasures, and visibility of the body in the twenty-first century. The authors examine bodies, both actual and symbolic, in a variety of arenas: pornography, fashion, sports, medicine, photography, cinema, sex work, labor, migration, medical tourism, and war. This new politicsof visibility can lead to the overexposure of some bodies - Lance Armstrong, Jessica Lynch - and to the near invisibility of others - dead Iraqi civilians, illegal immigrants, the victims of HIV/AIDS and \"natural\" disasters.Missing Bodies presents a call for a new, engaged way of seeing and recovering bodies in a world that routinely, often strategically,obscures or erases them. It poses difficult, even startling questions: Why did it take so long for the United States media to begin telling stories about the \"falling bodies\" of 9/11? Why has the United States government refused to allow photographs or filming of flag-draped coffins carrying the bodies of soldiers who are dying in Iraq? Why are the bodies of girls and women so relentlessly sexualized? By examining the cultural politics at work in such disappearances and inclusions of the physical body the authors show how the social, medical and economic consequences of visibility can reward or undermine privilege in society.
Buzz : urban beekeeping and the power of the bee
\"Bees are essential for human survival--one-third of all food on American dining tables depends on the labor of bees. Beyond pollination, the very idea of the bee is ubiquitous in our culture: we can feel buzzed; we can create buzz; we have worker bees, drones, and Queen bees; we establish collectives and even have communities that share a hive-mind. In Buzz, authors Lisa Jean Moore and Mary Kosut convincingly argue that the power of bees goes beyond the food cycle, bees are our mascots, our models, and, unlike any other insect, are both feared and revered. In this fascinating account, Moore and Kosut travel into the land of urban beekeeping in New York City, where raising bees has become all the rage. We follow them as they climb up on rooftops, attend beekeeping workshops and honey festivals, and even put on full-body beekeeping suits and open up the hives. In the process, we meet a passionate, dedicated, and eclectic group of urban beekeepers who tend to their brood with an emotional and ecological connection that many find restorative and empowering. Kosut and Moore also interview professional beekeepers and many others who tend to their bees for their all-important production of a food staple: honey. The artisanal food shops that are so popular in Brooklyn are a perfect place to sell not just honey, but all manner of goods: soaps, candles, beeswax, beauty products, and even bee pollen. Buzz also examines media representations of bees, such as children's books, films, and consumer culture, bringing to light the reciprocal way in which the bee and our idea of the bee inform one another. Partly an ethnographic investigation and partly a meditation on the very nature of human/insect relations, Moore and Kosut argue that how we define, visualize, and interact with bees clearly reflects our changing social and ecological landscape, pointing to how we conceive of and create culture, and how, in essence, we create ourselves. Lisa Jean Moore is a feminist medical sociologist and Professor of Sociology and Gender Studies at Purchase College, State University of New York. Mary Kosut is Associate Professor of Media, Society and the Arts at Purchase College, State University of New York. In the Biopolitics series\"-- Provided by publisher.
Catch and Release
The unexpected and fascinating interspecies relationship between humans and horseshoe crabs. Horseshoe crabs are considered both a prehistoric and indicator species. They have not changed in tens of millions of years and provide useful data to scientists who monitor the health of the environment. From the pharmaceutical industry to paleontologists to the fishing industry, the horseshoe crab has made vast, but largely unknown, contributions to human life and our shared ecosystem. Catch and Release examines how these intersections steer the trajectory of both species' lives, and futures. Based on interviews with conservationists, field biologists, ecologists, and paleontologists over three years of fieldwork on urban beaches, noted ethnographer Lisa Jean Moore shows how humans literally harvest the life out of the horseshoe crabs. We use them as markers for understanding geologic time, collect them for agricultural fertilizer, and eat them as delicacies, capture them as bait, then rescue them for conservation, and categorize them as endangered. The book details the biomedical bleeding of crabs; how they are caught, drained of 40% of their blood, and then released back into their habitat. The model of catch and release is essential. Horseshoe crabs cannot be bred in captivity and can only survive in their own ecosystems. Moore shows how horseshoe crabs are used as an exploitable resource, and are now considered a \"vulnerable\" species. An investigation of how humans approach animals that are essential for their survival, Catch and Release questions whether humans should have divine, moral, or ethical claims to any living being in their path.
Biopolitics
The biological features of human beings are now measured, observed, and understood in ways never before thought possible, defining norms, establishing standards, and determining average values of human life. While the notion of biopolitics has been linked to everything from rational decision-making and the democratic organization of social life to eugenics and racism, Thomas Lemke offers the very first systematic overview of the history of the notion of biopolitics, exploring its relevance in contemporary theoretical debates and providing a much needed primer on the topic. Lemke explains that life has become an independent, objective and measurable factor as well as a collective reality that can be separated from concrete living beings and the singularity of individual experience. He shows how our understanding of the processes of life, the organizing of populations and the need to govern individuals and collectives lead to practices of correction, exclusion, normalization, and disciplining. In this lucidly written book, Lemke outlines the stakes and the debates surrounding biopolitics, providing a systematic overview of the history of the notion and making clear its relevance for sociological and contemporary theoretical debates.
Sperm Counts
2007 Choice Outstanding Academic Title Winner of the Passing the Torch Award from the Center for Lesbian and Gay Studies It has been called sperm, semen, seed, cum, jizz, spunk, gentlemen's relish, and splooge. But however the “tacky, opaque liquid that comes out of the penis” is described, the very act of defining “sperm” and “semen” depends on your point of view. For Lisa Jean Moore, how sperm comes to be known is based on who defines it (a scientist vs. a defense witness, for example), under what social circumstances it is found (a doctor’s office vs. a crime scene), and for what purposes it will be used (in vitro fertilization vs. DNA analysis). Examining semen historically, medically, and culturally, Sperm Counts is a penetrating exploration of its meaning and power. Using a “;follow that sperm” approach, Moore shows how representations of sperm and semen are always in flux, tracing their twisting journeys from male reproductive glands to headline news stories and presidential impeachment trials. Much like the fluid of semen itself can leak onto fabrics and into bodies, its meanings seep into our consciousness over time. Moore’s analytic lens yields intriguing observations of how sperm is “spent” and “reabsorbed” as it spurts, swims, and careens through penises, vaginas, test tubes, labs, families, cultures, and politics. Drawn from fifteen years of research, Sperm Counts examines historical and scientific documents, children's “facts of life” books, pornography, the Internet, forensic transcripts and sex worker narratives to explain how semen got so complicated. Among other things, understanding how we produce, represent, deploy and institutionalize semen-biomedically, socially and culturally-provides valuable new perspectives on the changing social position of men and the evolving meanings of masculinity. Ultimately, as Moore reveals, sperm is intimately involved in not only the physical reproduction of males and females, but in how we come to understand ourselves as men and women.
Buzz
Buzz is a fascinating reminder of the interconnections between humans and animals, even in that most urban of environments, New York City. - Gary Alan Fine, author ofAuthors of the Storm: Meteorologists and the Culture of PredictionBees are essential for human survival - one-third of all food on American dining tables depends on the labor of bees. Beyond pollination, the very idea of the bee is ubiquitous in our culture: we can feel buzzed; we can create buzz; we have worker bees, drones, and Queen bees; we establish collectives and even have communities that share a hive-mind. InBuzz, authors Lisa Jean Moore and Mary Kosut convincingly argue that the power of bees goes beyond the food cycle, bees are our mascots, our models, and, unlike any other insect, are both feared and revered.In this fascinating account, Moore and Kosut travel into the land of urban beekeeping in New York City, where raising bees has become all the rage. We follow them as they climb up on rooftops, attend beekeeping workshops and honey festivals, and even put on full-body beekeeping suits and open up the hives. In the process, we meet a passionate, dedicated, and eclectic group of urban beekeepers who tend to their brood with an emotional and ecological connection that many find restorative and empowering. Kosut and Moore also interview professional beekeepers and many others who tend to their bees for their all-important production of a food staple: honey. The artisanal food shops that are so popular in Brooklyn are a perfect place to sell not just honey, but all manner of goods: soaps, candles, beeswax, beauty products, and even bee pollen.Buzzalso examines media representations of bees, such as children's books, films, and consumer culture, bringing to light the reciprocal way in which the bee and our idea of the bee inform one another. Partly an ethnographic investigation and partly a meditation on the very nature of human/insect relations, Moore and Kosut argue that how we define, visualize, and interact with bees clearly reflects our changing social and ecological landscape, pointing to how we conceive of and create culture, and how, in essence, we create ourselves.Lisa Jean Mooreis a feminist medical sociologist and Professor of Sociology and Gender Studies at Purchase College, State University of New York.Mary Kosutis Associate Professor of Media, Society and the Arts at Purchase College, State University of New York.In theBiopoliticsseries