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"Mussari, Mark, author"
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Danish modern : between art and design
\"Danish Modern explores the development of mid-century modernist design in Denmark from historical, analytical and theoretical perspectives. Mark Mussari explores the relationship between Danish design aesthetics and the theoretical and cultural impact of Modernism, particularly between 1930 and 1960. He considers how Danish designers responded to early Modernist currents: the Stockholm Exhibition of 1930, their rejection of Bauhaus aesthetic demands, their early fealty to wood and materials, and the tension between cabinetmaker craft and industrial production as it challenged and altered their aesthetic approach. Tracing the theoretical foundations for these developments, Mussari discusses the writings and works of such figures as Poul Henningsen, Arne Jacobsen, Hans Wegner, Nanna Ditzel, and Finn Juhl\"-- Provided by publisher.
American Life and Television from I Love Lucy to Mad Men
2013
I Love Lucy and Mad Men are both iconic television shows that mirror a specific decade in time. Both productions expose the role of women in society. One in 1950s America, one in 1960s America. How did the referenced culture and political climate influence the decisions creators made to explain their point of view? Does art imitate life or does life imitate art? Author Mark Mussari takes readers on a journey from the beginnings of television, when families sat in the living room and watched the one television set they might be lucky to own, to the present, where an increasing number watch television on iPhones or on DVRs rather than in real time. This record of the ever-changing world of American culture is highlighted with a fabulous variety of photographs from the last six decades.
The first stone
\"Dispatched to fight the Taliban as part of the NATO forces, the soldiers of the Third Platoon arrive in a desert hell intent on testing their courage and endurance. Among them are the charismatic platoon leader Schr²der, a former games designer fascinated by the imaginative potential of war; Colonel Steffensen, whose negotiating tactics will have deadly consequences; Sidekick, the LifeLogger whose online \"war memorial\" will blur into horror; and the hardened but vulnerable Hannah, who must bury her womanhood - or sacrifice her soul. Confronted by a betrayal that no military training could prepare them for, the soldiers must embark on a desperate mission to track down an enemy whose methods are as murderous as they are unfathomable. As the hunters become the hunted, the mission turns into a depraved, hallucinatory voyage into an Afghanistan they never knew existed. With the Third Platoon's most fundamental notions of good and evil called into question, survival becomes their only mission\"--Publisher description.