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204 result(s) for "Neal, Mark Anthony"
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Soul Babies
In Soul Babies, Mark Anthony Neal explains the complexities and contradictions of black life and culture after the end of the Civil Rights era. He traces the emergence of what he calls a \"post-soul aesthetic,\" a transformation of values that marked a profound change in African American thought and experience. Lively and provocative, Soul Babies offers a valuable new way of thinking about black popular culture and the legacy of the sixties.
Songs in the Key of Black Life
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company. Mark Anthony Neal is Associate Professor of Black Popular Culture in the Program in African and African-American Studies at Duke University. Neal is the author of What the Music Said , Soul Babies , and Songs in the Key of Black Life , all published by Routledge.
Introduction: Wild Seed in the Machine
Black Code Studies is queer, femme, fugitive, and radical. As praxis and methodology, it waxes insurgent. It refutes conceptions of the digital that remove black diasporic people from engagement with technology, modernity, or the future. It centers black thought and cultural production across a range of digital platforms, but especially social media, where black freedom struggles intersect with black play and death in polymorphic and polyphonic intimacy.1
Soul babies: black popular and the post-soul aesthetic
In Soul Babies, Mark Anthony Neal explains the complexities and contradictions of black life and culture after the end of the Civil Rights era. He traces the emergence of what he calls a \"post-soul aesthetic,\" a transformation of values that marked a profound change in African American thought and experience. Lively and provocative, Soul Babies offers a valuable new way of thinking about black popular culture and the legacy of the sixties.
Trafficking in Monikers
According to Alexis De Veaux in Warrior Poet, her biography of Lorde, fellow poet June Jordan was disturbed, in particular, by Lorde's need to articulate her lesbian identity, because \"she felt distanced from Lorde's complex definitions as more than black.\" [...]Jay-Z links his flow to the literal rotation of a brand of automobile tires held in high regard among ghetto tastemakers at the time of the recording. [...]Jay-Z's flow references a fictional video tape that circulated in the Hughes Brothers' groundbreaking ghettocentric film Menace II Society. Throughout the film, O-Dog shows the video to others as a way to validate his supposed hardcore reputation. [...]Caine and O-Dog's social capital is directly linked to the circulation of the videotape-it was indeed their calling card.