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The age of Sinan : architectural culture in the Ottoman Empire
A major assessment of the works of celebrated Ottoman architect, Mimar Sinan (1489-1588). Presents a cultural and social history of Ottoman architecture in the early modern eastern Mediterranean world.
Book
Muqarnas, Volume 21 - Essays in Honor of J.M. Rogers
Adel T. Adamova (translated by J. M. Rogers), The Iconography of A Camel FightNurhan Atasoy, Ottoman Garden Pavilions and TentsSerpil Bagci, Old Images for New Texts and Contexts: Wandering Images In Islamic Book PaintingKaveh Bakhtiar, Palatial Towers of Nasir Al-Din ShahDoris Behrens-Abouseif, European Arts and Crafts at the Mamluk CourtMichele Bernardini, The Illustrations of a Manuscript of the Travel Account of François de la Boullaye le Gouz in the Library of the Accademia Nazionale dei Lincei in RomeJohn Carswell and Julian Henderson, Rhyton? Write On Pedro Moura Carvalho, What Happened to the Mughal Furniture?The Role of the Imperial Workshops, the Decorative Motifs Used, and the Influence of Western ModelsAnna Contadini, A Wonderful World: Folios from a Dispersed Manuscript of the Nuzhat-Nåma.
eBook
The age of Sinan : architectural culture in the Ottoman Empire
Mimar Koca Sinan (c. 1489-1588), the the Great Architect Sinan, was appointed chief royal architect to the Ottoman court by Sultan Suleyman I in 1539. During his fifty-year career he designed and constructed hundreds of buildings including mosques, palaces, harems, chapels, tombs, schools, almshouses, madrassahs, caravanserais, granaries, fountains, aqueducts and hospitals. His distinctive architectural idiom also left its imprint over the terrains of a vast empire extending from the Danube to the Tigris, and he became the most celebrated of all Ottoman architects, particularly renowned for his influence on the cityscape of Istanbul. Sinan's most influential buildings were his mosque complexes, where his inventive experimentation with light-filled centralized domes, often compared with parallel developments in Renaissance Italy, produced spaces in which the central dome appeared weightless and the interior surfaces bathed in light. In this monumental new study, Gulru Necipoglu argues that Sinan's rich variety of mosque designs sprang from a process of negotiation between the architect and his patrons, rather than from unrestrained formal experimentation as has been previously described. The author is the first to use published and unpublished primary sources to illuminate the cultural setting in which Sinan's monuments were produced, received and experienced. The author describes how Sinan created a layered system of mosque types, reflecting social status and territorial rank, shaped by ideas of identity, memory and decorum. Seen from this perspective, Sinan's works, with their highly standardized pattern of forms, used in ingeniously varied combinations, acquire dimensions of meaning that have not been previously recognized.-- Provided by Publisher.
Book
Muqarnas, Volume 27
The articles in Muqarnas 27 address topics such as spolia in medieval Islamic architecture, Islamic coinage in the seventh century, the architecture of the Alhambra from an environmental perspective, and Ottoman-Mamluk gift exchange in the fifteenth century. The volume also features a new section, entitled \"Notes and Sources\", with pieces highlighting primary sources such as Akbar's Kathāsaritsāgara. Muqarnas: An Annual on the Visual Cultures of the Islamic World is sponsored by the Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts.
eBook
