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When Nietzsche called his book The Dawn of Day, he was far from giving it a merely fanciful title to attract the attention of that large section of the public which judges books by their titles rather than by their contents. The Dawn of Day represents, figuratively, the dawn of Nietzsche's own philosophy. Hitherto he had been considerably influenced in his outlook, if not in his actual thoughts, by Schopenhauer, Wagner, and perhaps also Comte. Human, all-too-Human, belongs to a period of transition. After his rupture with Bayreuth, Nietzsche is, in both parts of that work, trying to stand on his own legs, and to regain his spiritual freedom; he is feeling his way to his own philosophy. The Dawn of Day, written in 1881 under the invigorating influence of a Genoese spring, is the dawn of this new Nietzsche. \"With this book I open my campaign against morality,\" he himself said later in his autobiography, the Ecce Homo.

For some, the question remains: Why Nietzsche? Friedrich Nietzsche (1844-1900) was quite simply one of the most original and influential philosophers who ever lived; in addition, his writing style was brilliant, epigrammatic, idiosyncratic [\"It is my ambi.

German scholar and thinker Friedrich Nietzsche began his career as a linguist and philologist, but over time, his work became increasingly philosophical in its scope. He came to embrace a radical point of view that prized personal freedom and choice over virtually everything else. In

Although he later rose to prominence as an innovative and controversial philosopher whose ideas influenced everyone from existentialist thinkers to the Nazi movement, Friedrich Nietzsche was trained in philology and published his earliest works on that topic. This essay takes a look at the use of mythology and language in the ancient Greek poet's most important works,

The Peacock and the Buffalo presents the first complete English translation of the poetry of the celebrated and hugely influential German thinker, Friedrich Nietzsche (1844-1900).From his first poems, written at the age of fourteen, to his last extant writings, this definitive bi-lingual edition includes all his 275 poems and aphorisms.

Nietzschean Psychology and Psychotherapy describes Nietzsche as an unacknowledged critic of psychology and mental health, bringing out and integrating his teachings about wise living, coping with pain and suffering, and effecting self-change and self-cultivation.

Nietzsche, Biology and Metaphor explores the German philosopher's response to the intellectual debates sparked by the publication of Charles Darwin's The Origin of Species. By examining the abundance of biological metaphors in Nietzsche's writings, Gregory Moore questions his recent reputation as an eminently subversive and (post-) modern thinker, and shows how deeply Nietzsche was immersed in late nineteenth-century debates on evolution, degeneration and race. The first part of the book provides a detailed study and interpretation of Nietzsche's much disputed relationship to Darwinism. Uniquely, Moore also considers the importance of Nietzsche's evolutionary perspective for the development of his moral and aesthetic philosophy. The second part analyzes key themes of Nietzsche's cultural criticism - his attack on the Judaeo-Christian tradition, his diagnosis of the nihilistic crisis afflicting modernity and his anti-Wagnerian polemics - against the background of fin-de-siècle fears about the imminent biological collapse of Western civilization.

As one of the most versatile and best-known contemporary German composers, Wolfgang Rihm has always impressed and shocked with the powerful expressiveness of his music. And his \"Oedipus\", originally commissioned by the Deutsche Oper Berlin in 1987 has lost nothing of its musical impact over the years.