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This volume begins with the rise of German Idealism and Romanticism, traces the developments of naturalism, positivism, and materialism and of later-century attempts to combine idealist and naturalist modes of thought. Written by a team of leading international scholars this crucial period of philosophy is examined from the novel perspective of themes and lines of thought which cut across authors, disciplines, and national boundaries. This fresh approach will open up new ways for specialists and students to conceptualise the history of 19th-century thought within philosophy, politics, religious studies and literature.

Scholars are finally fully appreciating the philosophical significance of early German Romanticism. Brill's Companion to German Romantic Philosophy is a collection of original essays showcasing not only the philosophical achievements of romantic writers such as Schlegel and Novalis, but the sophistication, relevance, and influence of romanticism today.

Friedrich Wilhelm Joseph Von Schelling (1775-1854) was a colleague of Hegel, Holderlin, Fichte, Goethe, Schlegel, and Schiller. Always a champion of Romanticism, Schelling advocated a philosophy which emphasized intuition over reason, which maintained aesthetics and the creative imagination to be of the highest value. At the same time, Schelling's concerns for the self and the rational make him a major precursor to existentialism and phenomenology. The New Schelling brings together a wide-ranging set of essays which elaborate the connections between Schelling and other thinkers—such as Marx, Nietzsche, Freud, Sartre, Deleuze, and Lacan—and argue for the unexpected modernity of Schelling's work. Contributors: Manfred Frank, Jürgen Habermas, Iain Hamilton Grant, Joseph Lawrence, Odo Marquand, Judith Norman, Alberto Toscano, Michael Vater, Alistair Welchman, Slavoj Š ZiŠzek.

Marx and Nietzsche are often compared as practitioners of a hermeneutic of suspicion. I pursue this comparison by focusing on an overlooked similarity between the two. In strangely similar passages, Marx (in Capital) and Nietzsche (in the Genealogy of Morals) introduce explicitly theatrical scenarios into the course of their discussions, complete with what Marx calls dramatis personae, where we witness a descent into a workshop (in some sense underground) in order to learn the secrets of production—the production, in both cases, of value. But neither scenario conforms to the structure of the discovery of a concealed truth—in fact, each challenges this structure directly. By looking at the specific nature of these theatrical descents, we can come to a better understanding of the task of the philosopher in both Nietzsche and Marx, as well as the distinctive position of historical knowledge within a hermeneutics of suspicion.

In the United States, unipolar depression is common. Research suggests that rates of depression are increasing in many parts of the world. Substantial numbers of primary care patients present classification diagnoses of depression or depressive symptoms. The incidence and prevalence of depression cut across gender, race, ethnicity, age, religion, and socioeconomic status. It is a complex illness with biological, psychological, and environmental symptoms and sources. Depression is very treatable and the consequences of not treating can be serious and costly to individuals, families, and communities.

Many social work educators are in search of ways to integrate course content on women while preserving time-tested models of assessment and intervention. Although women comprise the majority of social work clients, most psychological models of assessment and intervention are based on male psychological development. In contrast, feminist theories and therapies have turned attention to female psychological development and how this differs from male progression. This article describes and discusses a psychotherapeutic model for practice and education that allows for balanced gender sensitivity and that can be readily superimposed on existing models for more effective assessment and intervention.

Norman examines claims that the critical theories of Jena romanticism importantly anticipated many of the great ideas from Friedrich Nietzsche's mature philosophy, and she attempts to assess their validity.