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8 result(s) for "O'Donnell, Patrick, 1948-"
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New Essays on The Crying of Lot 49
Thomas Pynchon's novel, The Crying of Lot 49, is widely recognized as a significant contemporary work that frames the desire for meaning and the quest for knowledge within the social and political contexts of the fifties and sixties in America. In the introduction to this collection of original essays, Patrick O'Donnell discusses the background and critical reception of the novel. Further essays by five experts on contemporary literature examine: the novel's 'semiotic regime' or the way in which it organizes signs; the comparison of postmodernist Pynchon and the influential South American writer, Jorge Luis Borges; metaphor in the novel; the novel's narrative strategies; and the novel within the cultural contexts of American Puritanism and the Beat movement. Together, these essays provide an examination of the novel within its literary, historical, and scientific contexts.
A temporary future : the fiction of David Mitchell
Having emerged as one the leading contemporary British writers, David Mitchell is rapidly taking his place amongst British novelists with the gravitas of an Ishiguro or a McEwan. Written for a wide constituency of readers of contemporary literature, A Temporary Future: The Fiction of David Mitchell explores Mitchell's main concerns-including those of identity, history, language, imperialism, childhood, the environment, and ethnicity-across the six novels published so far, as well as his protean ability to write in multiple and diverse genres. It places Mitchell in the tradition of Murakami, Sebald, and Rushdie-writers whose works explore narrative in an age of globalization and cosmopolitanism. Patrick O'Donnell traces the through-lines of Mitchell's work from ghostwritten to The Bone Clocks and, with a chapter on each of the six novels, charts the evolution of Mitchell's fictional project.
Latent Destinies
Latent Destinies examines the formation of postmodern sensibilities and their relationship to varieties of paranoia that have been seen as widespread in this century. Despite the fact that the Cold War has ended and the threat of nuclear annihilation has been dramatically lessened by most estimates, the paranoia that has characterized the period has not gone away. Indeed, it is as if—as O’Donnell suggests—this paranoia has been internalized, scattered, and reiterated at a multitude of sites: Oklahoma City, Waco, Ruby Ridge, Bosnia, the White House, the United Nations, and numerous other places.O’Donnell argues that paranoia on the broadly cultural level is essentially a narrative process in which history and postmodern identity are negotiated simultaneously. The result is an erasure of historical temporality—the past and future become the all-consuming, self-aware present. To explain and exemplify this, O’Donnell looks at such books and films as Libra, JFK, The Crying of Lot 49, The Truman Show, Reservoir Dogs, Empire of the Senseless, Oswald’s Tale, The Executioner’s Song, Underworld, The Killer Inside Me, and Groundhog Day. Organized around the topics of nationalism, gender, criminality, and construction of history, Latent Destinies establishes cultural paranoia as consonant with our contradictory need for multiplicity and certainty, for openness and secrecy, and for mobility and historical stability.Demonstrating how imaginative works of novels and films can be used to understand the postmodern historical condition, this book will interest students and scholars of American literature and cultural studies, postmodern theory, and film studies.
Latent Destinies
Uses a discussion of contemporary films and literary works to present an understanding of paranoia as a defining element in postmodern late-capitalist structure.
Latent Destinies
Latent Destinies examines the formation of postmodern sensibilities and their relationship to varieties of paranoia that have been seen as widespread in this century. Despite the fact that the Cold War has ended and the threat of nuclear annihilation has been dramatically lessened by most estimates, the paranoia that has characterized the period has not gone away. Indeed, it is as if—as O'Donnell suggests—this paranoia has been internalized, scattered, and reiterated at a multitude of sites: Oklahoma City, Waco, Ruby Ridge, Bosnia, the White House, the United Nations, and numerous other places. O'Donnell argues that paranoia on the broadly cultural level is essentially a narrative process in which history and postmodern identity are negotiated simultaneously. The result is an erasure of historical temporality—the past and future become the all-consuming, self-aware present. To explain and exemplify this, O'Donnell looks at such books and films as Libra, JFK, The Crying of Lot 49, The Truman Show, Reservoir Dogs, Empire of the Senseless, Oswald's Tale, The Executioner's Song, Underworld, The Killer Inside Me, and Groundhog Day. Organized around the topics of nationalism, gender, criminality, and construction of history, Latent Destinies establishes cultural paranoia as consonant with our contradictory need for multiplicity and certainty, for openness and secrecy, and for mobility and historical stability. Demonstrating how imaginative works of novels and films can be used to understand the postmodern historical condition, this book will interest students and scholars of American literature and cultural studies, postmodern theory, and film studies.