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Four novels of the 1930s
Already a frequent contributor of well-crafted stories to The New Yorker when he turned to the larger canvas of the novel, John OHara wrote with unusual acuity about the power of status and class in American life. His reputation as a novelist rests largely on four extraordinary books published from 1934 to 1940. These early novels, like those of his contemporaries Ernest Hemingway and F. Scott Fitzgerald, dramatize the longings and dashed hopes of a generation seduced and betrayed by the glittering temptations of the modern age.
BOOK
Stories
Writing with equal insight about New York City, Hollywood, and the small-town Pennsylvania world where he grew up, John O'Hara cultivated an unsentimental and often unsparing realism, aiming, he said, \"to record the way people talked and thought and felt . . . with complete honesty.\" Praised by contemporaries including Ernest Hemingway and Dorothy Parker, he wrote about sex, drinking, and social class with a frankness ahead of its time. The fiction he published in The New Yorker (more than any other writer to this day) came to epitomize the kind of short story featured in that magazine, and his impeccable ear and skillful dialogue have influenced later writers such as Raymond Carver. Bringing together sixty stories written over four decades, [this is] the largest, most comprehensive collection of O'Hara's stories ever published.
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