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1,096 result(s) for "O'Neill, Maggie"
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REGULATING PROSTITUTION: Social Inclusion, Responsibilization and the Politics of Prostitution Reform
Following Matthews' (2005) recent examination of prostitution's changing regulatory framework, we offer a critical account of the move from 'enforcement' (punishment) to 'multi-agency' (regulatory) responses as, in part, a consequence of new forms of governance. We focus on the increasing salience of exiting—a move favoured by Matthews as signalling a renewed welfare approach, but one which, when viewed in the wider context of 'progressive governance', offers insight into New Labour's attempt to increase social control under the rhetoric of inclusion, through techniques of risk and responsibilization. By exploring the moral and political components of these techniques, we demonstrate how they operate to privilege and exclude certain forms of citizenship, augmenting the on-going hegemonic moral and political regulation of sex workers.
Biographical research on the move: Theorising, experiencing, imagining (the Chicago School reloaded)
This paper explores the importance of walking in biographical methods and critically reflects upon its theoretical, experiential and imaginative application 100 years after the publication of the The Polish Peasant in Europe and America. In doing so I ask how might walking as an ‘arts based’ approach to doing biographical research in collaborative and co-productive ways contribute to the conditions that support human well-being, re-ethicise social research and critically address social pathologies? In answering this question I focus upon the importance of critical theory and biographical sociology in understanding biography and history and propose that the experience of walking with another, conducting a WIBM, opens up the possibility of dialogue, listening as understanding, ‘resonance’, evokes trust and the potential for solidarity, as part of an ethics of listening. However, in doing so we must be mindful of the ethical implications of WIBM. Examples from walking biographical interviews illustrate the discussion.
Transnational Refugees: The Transformative Role of Art?
This paper focuses upon the transfor­m­ative role of art and the methodological approach of working with artists to conduct ethnographic research with refugees and asylum seekers. In exploring the space or hyphen between ethnog­raphy (sociology) and arts based practice (photos, in­stallations, textual practice) I suggest that the combination of biography/narrative (ethnography) and art (mimesis) becomes a \"potential space\" for transformative possibilities. More specifically, draw­ing upon Walter BENJAMIN's (1992) The Story­teller I will discuss the methodological contribution of combining biography/narrative with art forms (ethno-mimesis) in creating a \"potential space\", a reflective/safe space for dialogue and narratives to emerge around the themes of transnational identities, home and belonging. The importance of renewing methodologies for the work we do within the area of forced migration, humiliation, \"egaliza­tion\" and human rights (LINDNER, 2006), the role of the arts in processes of social inclusion, and the vital importance for creating spaces for dialogue and performative praxis through participatory methodologies are also discussed. URN: urn:nbn:de:0114-fqs0802590
Asylum, migration and community
Issues of asylum, migration, humanitarian protection and integration/belonging are of growing interest beyond the disciplines of refugee studies, migration, and social policy. Rooted in more than two decades of scholarship, this book uses critical social theory and the participatory, biographical and arts-based methods used with asylum seekers, refugees and emerging communities to explore the dynamics of the asylum-migration-community nexus. It argues that interdisciplinary analysis is required to deal with the complexity of the issues involved and offers understanding as praxis (purposeful knowledge), drawing on innovative research that is participatory, arts-based, performative and policy-relevant.
The slow university
\"Das Konzept der Entschleunigung - in Zeiten wachsender Ökonomisierung und zunehmend marktförmiger Praktiken - auf die Universität anzuwenden erlaubt, uns mit unseren Erfahrungen von Arbeit, Zeit und Wohlbefinden, mit dem erhöhten Tempo des universitären Lebens und prinzipieller mit der Bedeutung, die der Universität in der Gegenwart zukommt, auseinanderzusetzen. In meinem Beitrag beschäftigte ich mit den Optionen radikaler Entschleunigung aus einer kritisch-theoretischen und psychosozialen Perspektive. Rückgreifend auf die Arbeit von Isabel Menzies Lyth (1988 (1959)) versuche ich zu zeigen, dass Erfolg und gerade auch Wohlbefinden in der modernen Universität auf das Intimste mit Techniken des Angst-Containments verbunden sind. Sich mit Angst materiell, diskursiv und symbolisch auseinanderzusetzen beinhaltet immer auch, Fragen von Wohlbefinden und Macht zu adressieren. Um sich hiermit in der soziologischen Forschung künftig vermehrt auseinanderzusetzen, werden am Ende des Beitrages kritische, partizipative, biografische und performative Methoden vorgeschlagen.\" (Autorenreferat). \"Applying the concept of slow to the university, in the context of increasing marketisation, managerialism and performance management, enables us to focus upon our experiences of work, time and well-being, the increasing pace and tempo of academic life and the very meaning of the university in current times. In this article, the possibilities for being slowly radical are examined through a critical theoretical and psycho-social lens. Drawing upon Isabel Menzies Lyth (1988 (1959)) I argue that the success and indeed well-being of the modern university is intimately connected to techniques used to contain anxiety. Confronting anxiety materially, discursively and symbolically involves addressing issues of governance and well-being through providing opportunities for more dialogue and spaciousness. The final section of this article makes recommendations for taking forward sociological research in this area utilising critical, participatory, biographical and performative methodologies.\" (author's abstract).
Women’s Lives, Well-Being, and Community
This paper discusses a participatory arts-based research project undertaken with a refugee support organization in the United Kingdom, the Regional Refugee Forum North East (RRFNE), and a local women’s group. The project used photography, storytelling, and walking methods to explore ways of seeing women’s lived experiences, well-being, and sense of community in the context of their lives in the North East of England. Arts-based biographical methods, predominantly photo-walks, were undertaken within a participatory action research frame. Together the women cocreated a collective story that involved collaborative knowledge production as well as corporeal attunement and empathic witnessing through walking their stories of living in the North East of England.
Cultural Criminology and Sex Work: Resisting Regulation through Radical Democracy and Participatory Action Research (PAR)
Taking a feminist cultural criminological analysis to the regulation of sex work in the United Kingdom, this paper argues against the dominant deviancy and the increasingly abolitionist criminal justice model for regulating sex work. The paper begins by offering a critique of the dominant regulatory regimes which have operated since the Victorian era, amended in part in the 1950s with Wolfenden, and currently being reinscribed with the Home Office strategy on prostitution and various pieces of legislation. The focus is specifically upon research with female sex workers and the usefulness of using Participatory Action research methodologies (PAR) with sex workers, agencies, and policy makers in order to foreground the diverse voices and experiences of sex workers, challenge the current focus on abolitionist criminal justice regimes and outcomes, and offer an alternative framework for a cultural materialist analysis of sex work, drawing upon the work of Nancy Fraser.